The Rhetorica, a work in Latin recording ten years teaching by Guillaume Fichet, is a witness to this „Art of Speaking“, treatments of which would soon disappear. This richly illuminated manuscript was written in 1471 at the Sorbonne in Paris (in the same year as the printed edition of the text). The manuscript begins with a large miniature portraying the author presenting his book to Princess Yolanda of Savoy. (bib)

Online Since: 03/22/2012

This elegant pocket-size book of hours was illuminated in Tours around 1480 by the Maître des camaïeux d'or Le Bigot, who was active in the circle of the painter Jean Bourdichon. The sixteen tiny historiated initials in camaïeu d'or that are contained in the manuscript succeed the usual repertoire with an original cycle dedicated to the seven days of Creation. The artist demonstrates his exceptional technical mastery by lending the body of the initials an especially attractive evanescent character. The subtle arrangement of the surrounding letters should invite the anonymous patron to appreciate the meticulous combination of gold and colors in detail. (ada)

Online Since: 12/14/2018

In this work, written at the end of the 14th century in Valencia, the author describes the universe of angels, inspired by Dionysius the Areopagite's De triplici gerarchia. The text, which was in wide use during the second half of the 15th century, was translated into French and published as a first printed edition in Geneva in the year 1478. The Ms. fr. 5 was illuminated by the Master of the Geneva Boccaccio and contains the coat of arms of Jeanne de Laval, second wife of King René of Anjou. (hoc)

Online Since: 12/18/2014

A book of hours in Latin and French, written in the second quarter of the 15th century in Paris, but not illuminated until 1490 in Paris or perhaps in Tours by various artists who shared the work. Two miniatures as well as the decoration of the calendar and of the Office of the Dead are the work of an artist from the circle of the Maître François, a close collaborator of the Master of Jacques of Besançon, who honors Notre-Dame in a veduta of the city of Paris (f. 93r). The luminous colors and the monumental forms of the other miniatures attest to the influence of Jean Bourdichon of Tours. This artist can probably be considered responsible for the Master of the Chronique Scandaleuse, who, during the creation of this manuscript, was still working under the guidance of Jean Bourdichon. (ber)

Online Since: 12/20/2012