Book of folk songs from the Ajoie, collected by Antoine Biétrix.
Online Since: 06/23/2016
This autograph by Antoine Biétrix contains anecdotes in patois which he collected and wrote down himself. The short stories give the people of Bonfol a terrible reputation. Even if the stories don't concern the people of Bonfol directly, they are attributed to them, undoubtedly because the name of the village lends itself to such.
Online Since: 06/23/2016
An autograph (?) of François-Joseph Guélat, from Adrien Kohler. This work is a regular encyclopedia of the patois; the main part consists of two large dictionaries French-Patois and Patois-French. In compiling this manuscript, F.-J. Guélat, who was from the Ajoie, draws upon the dialect of his region.
Online Since: 06/23/2016
This manuscript by Jean-Georges Quiquerez is a complement to Ferdinand Raspieler's Dictionnaire patois with several changes. The dictionary contains translations in Latin and German, less frequently towards the end. In 1849 this work was used for the edition of the Paniers by Xavier Kohler and Ferdinand Feusier.
Online Since: 06/23/2016
According to the preface (pp. 5-8), the Jesuit François-Humbert Voisard (1749-1818) wrote the Abrégé as the first history in French of the bishops of Basel and dedicated it to his students. Entirely focused on the ecclesiastical history of Basel and Porrentruy, the text's structure reveals its pedagogic nature: a short question introduces each chapter, and the text that immediately follows provides a more or less lengthy reply to the question. According to Gustave Amweg's Bibliographie du Jura bernois, Voisard's Abrégé survives in five copies and has not been published to this day. This manuscript has been corrected, annotated, and ends with an index of the bishops and the clerical institutions of the Basel episcopacy (pp. 459-460). Ownership notes inscribed on the front pastedown document its provenance: “Ce livre appartient à Henri Joliat, étudiant en rhétorique. Porrentruy, le 3 mai 1819 / Et / Schwartzlin Père / et /à l'abbé Vautrey à qui il a été remis par M. l'abbé Marquis en 1813”.
Online Since: 12/14/2022
One of the five copies of the Abrégé de l'histoire des évêques de Bâle by the Jesuit, François-Humbert Voisard (1749-1818), a history textbook organized according to questions and responses and dating from 1781. Except for the address of the dedication, the preface of this volume uses nearly the same terms as those in a second copy in the Bibliothèque cantonale jurassienne (MP 10 / A 3269). It differs, however, in lacking annotation and correction. In addition, the copy is incomplete, since it stops suddenly at the beginning of the fourth part, dedicated to the bishops of Basel and of Porrentruy (p. 360). Before coming to the library of the Collège de Porrentruy in 1842, the manuscript belonged to a certain Quiquerez (back pastedown), probably Jean-Georges, mayor and notary of Porrentruy, and then to his son, Auguste (1801-1882), a Jurassien engineer, historian, archeologist, and geologist, as indicated by his ex-libris (p. V1).
Online Since: 12/14/2022
The Porrentruy lawyer François-Joseph Guélat (1736-1825) is one of the most well-known chroniclers to have described life in the Jura at the moment of the Revolution. Divided into three manuscript volumes, the text was published in 1906 by B. Boéchat et Fils in Delémont, with the title Journal de François-Joseph Guélat 1791-1802. The second volume starts in 1793 and runs to the end of December 1795. It uses the same layout as the previous volume, which is hardly surprising, since at the beginning they formed a single unit, as shown by the older, continous pagination. Likewise, the long table of contents at the end refers to both volumes (pp. 125-163).
Online Since: 12/14/2022
The Porrentruy lawyer François-Joseph Guélat (1736-1825) is one of the most well-known chroniclers to have described life in the Jura at the moment of the Revolution. Divided into three manuscript volumes, the text was published in 1906 by B. Boéchat et Fils in Delémont, with the title Journal de François-Joseph Guélat 1791-1802. The third volume runs from 1796 to 1802, and, like the preceding volume (MP 15 / A1451-2) concludes with a table of contents (pp. 159-177).
Online Since: 12/14/2022
The Porrentruy lawyer François-Joseph Guélat (1736-1825) is one of the most well-known chroniclers to have described life in the Jura at the moment of the Revolution. Divided into three manuscript volumes, the text was published in 1906 by B. Boéchat et Fils in Delémont, with the title Journal de François-Joseph Guélat 1791-1802. The first volume starts in 1791 and runs to 1793 (28 July). The year is given at the top of each page, above the left margin, where are mentioned the days and events related to the adjacent text.
Online Since: 12/14/2022
Retired for health reasons in 1905, Abbé Daucourt (1849-1926), living in Delémont, began that same year an Armorial de Porrentruy. Completed in 1907, the volume was intended for the library of the town, of which he was a bourgeois. Painted throughout, this 118-plate volume is a compilation of coats of arms, primarily of the nobility, connected with local history. It also includes reproductions of seals, flags, and signatures. Scientifically unreliable, this armorial attests above all to the renewed interest for heraldry that marked the twentieth century, in the specific context of the affirmation of the Jura identity, in which Abbé Daucourt participated.
Online Since: 09/06/2023
This volume is the result of an organized selection of material gathered in the previous version (A3754). It consists of coats of arms, mostly carefully painted directly in the volume or glued in, supplemented by reproductions obtained through different procedures (photographs, lithographs, rubbings…), and even some originals (signatures). The armorial was originally conceived to be divided into several books: bishops (2r-29v), states (30r-35v), the feudal nobility (from f. 36r). Starting with f. 103r, however, the coherence begins to dissolve with the addition of coats of arms of bourgeois families of Delémont, then religious coats of arms connected to the abbey of Bellelay (117r-122v) and Lucelle (123r-127v). From f. 134r, the armorial concerns seals: bishops (134r-143v), clerics (144r-146v), towns and seigneuries (148r-151v and 155r), and nobility (152r-154v), to which are added coins and medals (156r-157v). The volume ends with a series of notes (162r-198v), including comments on the documents reproduced in the preceding sections.
Online Since: 09/06/2023
Manuscript FiD 7 (square notation; rubrics in Latin and Old French) begins with the chapters (short readings) and the collects of the sanctorale (folio 1r begins abruptly in the middle of the chapter of the Terce for the birth of John the Baptist). It then contains various rites, among them the Office of the Dead (with musical notation on folios 40r-46v), as well as the one for religious profession and for the investiture of nuns (f. 24v-26r). The vow Ego soror ill. promitto (f. 24v) could indicate that it was meant for Fille-Dieu. However, elsewhere the book contains rubrics and prayers that are written in masculine form by the original hand, and which are adapted to the feminine form through interlinear annotations by a hand contemporaneous with the book (f. 20r, 27v, 30v-39v). Therefore, FiD 7 probably originated in a scriptorium of monks, presumably from the Cistercians of Hautcrêt (Oron, VD) or of Hauterive (FR).
Online Since: 03/22/2018
An extraordinary testimony of the great witch hunt that took place in 17th century Europe, this volume contains a collection of 67 witch trials that were conducted and judged on the Montagne de Diesse in the Bernese Jura between 1611 and 1667. The confessions of 56 women and 11 men, set down in definitive form by the clerks of the court, were read back to the accused at sentencing so that the accused would confess them publicly.
Online Since: 12/17/2015
This volume contains copies of various documents, which were meticulously collected by the pastor of Tavannes, Théophile Rémy Frêne (1727-1804), over a period of several decades, but especially in the last third of the 18th century. It thus gathers memories, correspondence, numerous documents and even lists which reveal the pastor's diverse scholarly activities, especially in the areas of history, geography and politics. The collection allows us to grasp his most personal interests. These writings, organized in thematic series, focus mainly on the Principality of Basel and the region of Neuchâtel. The volume thus would attest an extensive project describing the Principality of Basel, which in the end Frêne did not publish - some of the information the pastor gathered have been included by Charles-Ferdinand Morel in his Abrégé de l'histoire et de la statistique du ci-devant Evêché de Bâle (Strasbourg, 1813). It also reflects the fundamental role that pastors held in the second half of the 18th century as promoters of regional knowledge.
Online Since: 12/14/2018
This leather-bound album contains about 35 dedications and drawings by people with whom the coppersmith and wine merchant Christoph Fischer (1691-1770) from Schaffhausen was in touch during his lifetime. Based on the entries in Latin, German, French and English, it is possible to reconstruct two trips that Fisher took to London, during which most of the dedications occurred: 1747-1750 via Geneva, Lyon, Paris to London and 1758 via Strasbourg, Frankfurt, Amsterdam to London. Several entries are by members of the Schalch family of Schaffhausen, who were relatives of Fischer; among these is an undated watercolor by the artist Johann Jakob Schalch (1723-1789) (p. 122), who lived in London and Den Haag from 1754-1773. After Fischer's death, the album was continued: entries from 1773 (p. 65) and 1820 (p. 215). Several pages of parchment (pp. 1-2, 19-20, 47-48, 115-116, 181-182) are bound into the paper manuscript, and several pages of paper were added later (pp. 39a-b, 55a-b, 147a-b) or were covered with pasted-on illustrations (p. 43, p. 125, p. 127). The entries are not in chronological order and alternate with numerous blank pages.
Online Since: 06/22/2017
This leather-bound paper manuscript with gold embossing (digits of the year 1791 in each of the four corners of the book) is the memory album of Johann Conrad Fischer (1773-1854), coppersmith, metallurgist, entrepreneur and politician from Schaffhausen. His cast steel factory, founded in 1802, developed into the current Georg Fischer Ltd. The album contains dedications and illustrations by about 70 people with whom Fischer was in touch during his lifetime, among them his math teacher Melchior Hurter (1735-1811) (p. 1), Professor Johann Georg Müller (1759-1819) (p. 49), the physician Johann Balthasar Zwingli from Zurich (1764-1817) (p. 164), the writer Heinrich Zschokke (1771-1848) (p. 175), Fischer's great–uncle Lorenz Spengler (1720-1807), head of the Royal Art Chamber in Copenhagen (p. 43), and his son Johann Conrad Spengler (1767-1839) (p. 105). The majority of the entries are in German, French, English and Danish and date from his years of travel as a journeyman coppersmith in 1792-1795, when he traveled via Frankfurt, Chemnitz, Dresden to Copenhagen and on to London. Occasional further entries continue until 1841. The entries are not in chronological order and alternate with pasted-in pages (pp. 3a-b, 48a, 111a-d) and numerous blank pages. The numbering of the pages is from the time of the creation of the album.
Online Since: 06/22/2017
This manuscript documents several trips by Hermann Wedding (1834-1908), later a professor of ferrous metallurgy, to Great Britain in the years 1860 and 1862. Wedding undertook these trips as a referendary for the Prussian mining administration. On his way to Great Britain via Belgium, he noted his observations regarding operating facilities and production processes at smelteries and mining operations in daily entries. Among the plants he described are the ironworks at Seraing (Belgium), the metallurgical works in South Wales that were considered especially advanced in the middle of the 19th century, and the first steelworks that made use of the Bessemer process. The journal entries also reveal Wedding's connections with contemporary specialists in his field.
Online Since: 12/14/2017
The Chanson de la Reine Sebile or Macaire is a work from the end of the 12th century that belongs to the medieval French epics, more precisely to the epics that refer to the "poetic biography of Charlemagne": Macaire, who is in love with Queen Sebile, wife of Charlemagne, conspires so that she is unjustly accused of adultery, cast out, and sent into exile, to be rehabilitated in the end. More than 200 alexandrines from this heroic epic are known. They come from five different fragments that were not part of the same original manuscript and are today held in Brussels, Royal Library of Belgium (ms. II 139, ff. 3r-4r: 2 13th century fragments), in Sheffield, University Library (ms 137: 2 13th century fragments), and in Sion, State Archive of Valais. The fragment from Sion was discovered in 1925 by Leo Meyer, cantonal librarian and state archivist, in an old binding and removed. It was then edited by Paul Aebischer (1950), who dated it to around 1300. The fragment, which has a hole in one place, contains 168 verses in two columns. Its only decoration are red initials at the beginning of the verses.
Online Since: 12/10/2020
This manuscript of Six âges du monde, created in France at the end of the 14th century or at the very beginning of the 15th century, appears towards the end of the Middle Ages in the library of the Supersaxo family, one of the most important libraries of Valais, which today is held in the Médiathèque Valais-Sion and (this manuscript) in the State Archives of Valais in Sion. The work is remarkable in more ways than one: first, it was created in the rarely-used scroll format, a format reserved for, among others, universal chronicles, a genre to which this manuscript belongs. Second, a complex family tree, showing the descendants of Adam until the birth of Christ, runs the entire length (eight meters) of the manuscript. The columns of text of this impressive graphic document are accompanied by numerous drawings that resemble the style of Parisian works. Finally, this exemplar is not unique, since the municipal library of Reims owns a similar scroll (ms. 61), which certainly was illustrated by the same master.
Online Since: 03/22/2017
This manuscript is the only textual witness of this culinary treatise written in the year 1420 by Maître Chiquart, chef for the first Duke of Savoy, Amadeus VIII (1383-1451). The text was dictated to Jehan de Dudens, a scribe and notary from Annecy. The manuscript also contains descriptions of two banquets organized by the Duke of Savoy, followed by aphorisms, etymological annotations and glosses. The manuscript was part of the library of Bishop Walter Supersaxo (ca. 1402-1482) and his son Georges (ca. 1450-1529).
Online Since: 11/04/2010
This manuscript from the library of Walter Supersaxo (ca. 1402-1482), Bishop of Sion, and of his son Georg (ca. 1450-1529) is a collection of literary French texts with moralizing tendencies; it contains the romance Pontus and Sidonia as well as 15th century texts in verse. The major part of the manuscript (ff. 1r-122r; initial in red, yellow and black on f. 1r) is taken up by Pontus and Sidonia, a work that experienced great success in the 15th and 16th century. This prose version of the Anglo-Norman romance Horn, sometimes attributed to Geoffroy de la Tour Landry, was written towards the end of the 14th century or the beginning of the 15th century in France. It is followed by two texts by Alain Chartier (*1385-1395, †1430), secretary and ambassador for the kings Charles VI and especially Charles VII: on ff. 122r-131r is the famous Bréviaire des nobles (ca. 1422-1426) and on ff. 131r-136v is the Lay de paix (ca. 1424-1426). The following part (ff. 136v-145r) contains a less-known work, the Songe de la Pucelle by an unknown author. At the end, on ff. 145v-149r, are six anonymous ballads a pleysance et de bon advis. This manuscript was transcribed in Martigny in 1474 (at least the first part, the romance of Pontus and Sidonia) by Claude Grobanet, whom one also finds as the copyist of two more manuscripts in the Supersaxo library, S 99 (Voyages by Mandeville) and S 100 (Statutes of Savoy). Grobanet was in the service of Antoine Grossi Du Châtelard, Lord of Isérables (†1495). In the beginning of the 16th century, the family of Antoine Du Châtelard apparently fell into financial difficulties; their property - and presumably the three manuscripts as well - passed into the hands of Georg Supersaxo.
Online Since: 03/22/2018
At once a travel memoir and a geography book, the Voyages by John Mandeville, probably written around 1355-1357, were a great success in the Middle Ages. There are three versions of the French text; manuscript S 99 is related to the “continental” version. As in other manuscripts based on this version, the Voyages (ff. 1r-122v, with an explicit on f. 123v and an addendum on ff. 124r-125r) are followed by the Preservacion de Epidimie (ff. 122v-123v). The actual identity of the two authors is unresolved and may even have been confounded. In copy S 99 from the library of Walter Supersaxo (ca. 1402-1482), Bishop of Sion, and of his son Georges (ca. 1450-1529), the upper margins are covered with ornaments of ascending bars, some of which turn into into zoomorphic or anthropomorphic motifs. The Supersaxo library owns another version of the Voyages, namely S 94, in the German translation by Michel Velser. Like two other manuscripts from this same library, S 97bis (composite manuscript with the romance of Pontus and Sidonia) and S 100 (statutes of Savoy), S 99 was copied by Claude Grobanet, who was mentioned in a 1474 document in Martigny, where he served Antoine Grossi Du Châtelard, Lord of Isérables († 1495). In the beginning of the 16th century, the family of Antoine Du Châtelard apparently came into financial difficulties; their property - and probably the three manuscripts as well - passed into the hands of Georges Supersaxo. The incomplete parchment document, which makes up the rear flyleaf, mentions, among others, Martigny, 147[3] and a seigneur d'Ys[érables (?)].
Online Since: 12/14/2017
This scroll contains a collection of 133 culinary recipes that served as a source for the famous Viandier of Guillaume Tirel, or Taillevent. It was part of the library of Bishop Walter Supersaxo (ca. 1402-1482) and his son Georges (ca. 1450-1529).
Online Since: 11/04/2010
The illustrations and text enjoy equal importance in this illustrated work of anti-papal propaganda, named after its opening "Ascende calve". The Vadian Collection manuscript is the most important exemplar of this text, which takes the form of proverbs. The most notable and fascinating feature of this manuscript is the way in which the gray-tone illustrations are used.
Online Since: 05/20/2009
Song collection of St. Gall organist Fridolin Sicher; 49 songs for three to five voices in 16th century mensural notation without texts. Among the composers are, among others, Alexander Agricola, Loyset Compère, Josquin Desprez and Jacob Obrecht. Several pieces give the name of the composer and the beginning of the text (in French, Italian, Flemish or Latin). Usually one piece fills a double page, less frequently all (three or four) voices are arranged on a single page
Online Since: 09/23/2014
Songbook compiled by the universal scholar Aegidius Tschudi (1505-1572) from the middle of the 16th century. The volume contains 215 musical scores in measured notation using the five line staff, mainly by contemporary French, Dutch, and German composers such as Josquin Desprez, Adrian Willaert, Jacob Obrecht, Heinrich Isaac, and Ludwig Senfl. The descant (or soprano) parts are found on the left-hand pages, with the alto (or tenor) parts on the right-hand pages.
Online Since: 12/09/2008
Songbook owned by the universal scholar Aegidius Tschudi (1505-1572) of Glarus; together with Tschudi's estate, it became the property of the Abbey Library of St. Gall in 1768. This volume contains in one binding the part-books for bass and descant voices for 17 motets and chansons in five or six parts by contemporary composers such as Josquin Desprez or Loyset Compère, written in mensural notation using the five line staff. This songbook was written by several hands, among them Tschudi himself, who added notes about modes on fol. 12r–v and 24v–25r (the schemata on fol. 25v likely are by Heinrich Glarean). Except for one piece, all the compositions in Tschudi's songbook also appear in Cod. Sang. 463; therefore these part-books seem to be drafts for the final collection.
Online Since: 06/25/2015
Small format prayer Book on highest quality parchment with Latin and several French prayers. The coat of arms on p. 3 refers to the Montboissier family from Auvergne as commissioner. In addition to a half-page crucifixion scene (p. 3), the manuscript also contains many tiny initials, most of them with animal heads, as wells as numerous miniatures on pp. 97-146, taking up four lines of text with images of saints.
Online Since: 10/13/2016
An organ tablature by the St. Gall cathedral organist and calligrapher Fridolin Sicher (1490-1546). Starting in 1512, while he was a pupil of the organist Hans Buchner in Konstanz, Sicher gathered 176 pieces by 94 composers (including Paul Hofhaimer, Hans Buchner, Jacob Obrecht, Josquin Desprez, Matthaeus Pipelaere) together in this volume. Two thirds are sacred vocal pieces, the rest are originally secular songs. The descant is in measured notation on a five line staff, while the remaining vocal parts are indicated with alphabet letters and rhythmical symbols. Some of the compositions may be found only in this particular organ book.
Online Since: 12/09/2008
The design concept of this manuscript, both the text and the execution, typify the Parisian 'Horae' tradition of the early 15th century ('Boucicaut-Meister'). The top-level organizational elements in the book's decorative program are seven pages decorated with miniatures; multi-line colorful initials mark the secondary textual divisions. The extremely squared illustrations on the decorated pages include scenes with figures enclosed on three sides by staffs entwined by tendrils with decorative gold, red and blue thorny leaves which completely fill the broad parchment margin. Four lines of text, introduced by a large colorful initial, are inserted between the illustration and the lower decorative staff. The beginning of each of the various offices is marked with such an ornamental page. This book of hours is not only the oldest item in the Carl Meyer collection in the Cantonal Library of Appenzell Ausserrhoden, it is one of its best and most valuable items. It is not know who originally commissioned the manuscript.
Online Since: 05/20/2009
This book of hours is patterned after the liturgical format of the Parisian 'Horae'. It differs, however, in its richer, yet qualitatively narrower range of illustrations: each of the Gospel selections is accompanied by a portrait of its author, and the Marian Office by a complete cycle illustrating the childhood of Jesus. The artist's indirect reception of the originals by the well known Paris illuminator, via a series of intermediate steps, displays numerous misunderstandings or intentional revisions. To the modern eye, accustomed to modern aesthetic norms, the shallow fields, bold juxtaposition of colors, and extremely foreshortened perspective used in these illustrations come across as expressive and inventive. The commissioner of the work is unknown.
Online Since: 06/08/2009
The origin of this manuscript in the northern French-Flemish border region can be determined from its liturgical features, its leather binding with stamped designs and the inscription Robiers Plovrins as well as by a comparison with stylistically similar manuscripts. Another book of hours illustrated by the same artist is held at Claremont near Berkeley, California (USA). This exemplar is a somewhat cruder imitation of the style of scribe and book illustrator Jean Markant, who was quite popular around 1500 in Lille. The commissioner of this volume is unknown.
Online Since: 06/08/2009
This book of hours with a tall, narrow format is a true pocket book, and the framing of the miniatures with architectural elements, crowned volutes, putti, and garlands displays a definite Renaissance influence. The book is illustrated with 16 full-page illuminations and 21 smaller, simpler miniatures by a different artist. One of the full-page illustrations shows the coat of arms of the person who commissioned the book: he was a certain Michel de Champrond (d. August 1, 1539), Lord of Ollé, Advisor and Paymaster of the King. This would indicate that a well-to-do personage, not of noble birth, but part of the court circle, had an elaborate, richly decorated and partially customized prayer book made by a middle quality manuscript workshop as late as the 1530s, when printed Books of hours were already widely available.
Online Since: 06/08/2009
This paper manuscript – a Liber Amicorum for Ladislaus von Törring – contains 49 deptictions of costumes and four of coats-of-arms: all are high quality watercolors and probably all are by the same hand. The costumes mostly show high-ranking persons, mainly from France (Paris), Spain and Veneto. Means of transport, such as ships and carriages, from the same time period are also depicted. Some of the people pictured are identified by captions in French and Italian. Aphorisms and dedications, mostly in Latin, are added on seven pages. The dedicatee is Ladislaus von Törring (1566-1638), Baron in Stein and Pertenstein, Rector of the University of Ingolstadt, a relative of the Bavarian royal family.
Online Since: 03/19/2020
This parchment fragment from Martin le Franc's Champion des Dames (Book I, v. 3901-v. 4062 + Book II, v. 4313-v. 4470) is from the 15th century. The text corresponds to that of the Deschaux edition (1999). Carefully copied in two columns, the different stanzas of the poem are introduced by colored initials, alternating red and blue, and by champie initials. Book II opens with a decorated initial on a gold background, badly worn due to the fragment's use as binding for a land register during the 17th century. This land register belonged to Jaques Etienne Clavel, co-ruler of Marsens, Ropraz and Brenles (fol. 2r).
Online Since: 12/14/2018
A book of hours following the liturgical custom of Rome in Latin, with a calendar in French and a selection of saints venerated in Paris. It contains 17 miniatures created in Paris around 1408/10 in the artistic circle of the Master of Boucicaut, one of the most influential illuminators of the early 15th century. The Master of the Mazarine contributed to the ornamentation, as did pseudo-Jacquemart, who belongs to an older generation of artists and whose contribution can be recognized in the famous Books of Hours of the Duke of Berry. The image of David was painted on an inserted double leaf; it can be attributed to a follower of the artist who illuminated the Breviary of John the Fearless.
Online Since: 12/20/2012
A book of hours in Latin and French, written in the second quarter of the 15th century in Paris, but not illuminated until 1490 in Paris or perhaps in Tours by various artists who shared the work. Two miniatures as well as the decoration of the calendar and of the Office of the Dead are the work of an artist from the circle of the Maître François, a close collaborator of the Master of Jacques of Besançon, who honors Notre-Dame in a veduta of the city of Paris (f. 93r). The luminous colors and the monumental forms of the other miniatures attest to the influence of Jean Bourdichon of Tours. This artist can probably be considered responsible for the Master of the Chronique Scandaleuse, who, during the creation of this manuscript, was still working under the guidance of Jean Bourdichon.
Online Since: 12/20/2012
A book of hours following the liturgical custom of Rome, with a calendar in French. The miniatures are framed by borders decorated with plants that were executed with great botanical precision. This examplar from the late period of the French Book of hours, preserved in its entirety, was illuminated by an important master from this late phase of French book illumination. He was influenced by the Master of Claude de France und was recently identified as the Master of the Lallemant-Boethius. In the small pictures on the borders, he tries to compete with Jean Bourdichon, who introduced realistic flower borders in the marginal decoration of Anne of Brittany's Grandes Heures and in other major works. The Master of the Lallemant-Boethius is also guided by Flemish book illumination of his time. On f. 1r one can read the name of Agnès le Dieu, the owner of the codex in the year 1605.
Online Since: 12/20/2012
A book of hours following the liturgical custom of Rome, with a calendar containing a selection of saints for Langres. The manuscript was illuminated and dated in 1524 by a Master of Bénigne Serre, who was known by the name of his client, a highly-ranked official of the King of Burgundy. The artist was a hitherto unknown illuminator from the circle of the “1520s The Hours Workshop,” which framed the miniatures with Renaissance architecture or added naturalistic flowers and animals to borders. This manuscript contains a number of unusual images, e.g., for the Lauds of the Office of the Virgin, the meeting of Joachim and Anna at the city gate of Jerusalem replaces the usual image of the Visitation. In the 18th century, the manuscript was owned by the family Bretagne of Dijon, whose family members wrote a „Livre de raison“ on several appended pages.
Online Since: 12/20/2012
Two artists, active around 1440/50, contributed to the decorations of this book of hours: the older one, who created only the three miniatures on f. 13v, 105v and 140v, is part of the “Goldrankenstil,” while the younger one is characterized by greater physicality and more vibrant coloring because he was influenced by the innovations of the contemporary painting of the van Eyck brothers. This second artist is responsible for the completion of the Turin-Milan Hours in the year 1440 and also contributed to the Llangattock Book of hours. In 1813 the manuscript was given to the prioress of the Cloister of the Bernardine Sisters of Oudenaarde by the Prince of Broglie.
Online Since: 12/20/2012
A latin book of hours with calendar, containing a selection of saints for Paris as well as several French prayers. At the end of the book, there are tables for the changing holidays beginning with the year 1640; thus it can be assumed that the manuscript was completet around this time. The majority of the miniatures are by the Master of Coëtivy, who presumably also created all compositions and thus also the preliminary drawings. The hand of a second illuminator, who can be identified as the Master of Dreux Budé, is found in the faces of Mary in the image of the birth of Jesus (f. 83v), the Adoration of the Magi (f. 92v) and the Coronation of the Virgin (f. 107r).
Online Since: 12/20/2012
This book of hours, addressed to a woman, contains an entry that can only be read in ultraviolet light (f. 27v) and that mentions a Jaquette de la Barre; she probably was part of the Parisian family of organ builders who, between 1401 and 1404, built the organ of Notre-Dame. The miniatures were created around 1410 by a leading Parisian master, who can be identified as the Master of the Mazarin. Subsequently, borders were added to the manuscript, probably by a Provençal hand. Several scenes stand out from the conventional iconographic program: instead of the penance of David, there is the glory of Christ on Judgment Day (f. 101r); instead of the Mass for the dead, there is the Raising of Lazarus (f. 141r); also unusual is the depiction of the prayer of St. Jerome (f. 139v) in the full vestments of a cardinal.
Online Since: 12/20/2012
Various artists contributed to the illumination of this book of hours. Some simple miniatures are the work of an artist who trained in the circle of the Master of John the Fearless. Many faces of Mary were created by the Master of Marguerite of Orléans, an important book illuminator around 1430. In the 15th century, the manuscript belonged to Guillaume Prevost, as attested by the baptismal entries written in the “Livre de raison” (f. 186v).
Online Since: 12/20/2012
In addition to the unusual book for King Charles VIII described in Utopia Cod. 111, there is another book of hours that was painted by the same artist. Its border decoration remained incomplete, and all the large images follow not the usual canon of images for books of hours, but instead depict unconventional motifs. What strikes the eye in both manuscripts is the motif of the family tree of Adam, which creates an optical link between the volumes and which is not found in other of the book decorator's manuscripts. The almost identical mass of foliage also suggests that the two volumes could belong together, produced for the king at a certain time interval from one another. The premature and unexpected death of Charles VIII after his accident at the Château d'Amboise may explain why the second manuscript was never completed.
Online Since: 10/13/2016
This book of hours was a present from the Parisian publisher Anthoine Vérard to the French King Charles VIII (1470-1498). The monarch was one of the most important figures for the French book trade from 1480 on. His collecting is inextricably linked with the luxurious printed materials of the bookseller and publisher Anthoine Vérard. Especially remarkable are the borders: the margins of all pages are decorated with a pictorial narrative of eight consecutive images showing events from the Old and New Testament. Also noteworthy is the didactic value of this book of hours, since each pair of images has a commentary of several explanatory verses in Middle French. Stylistically this book is closely related to Cod. 110, which was probably also created for the king and was by the same artist.
Online Since: 10/13/2016