The Physiologus is an early Christian collection of naturalistic and allegorical descriptions from which the medieval beastiaries are derived. Bern Cod. 318, which originated in the School of Rheims, contains, in addition to the Physiologus (fol. 7r-22v), the life of St. Simeon (fol. 1r-5r), the so-called “Chronicle of Fredegar” (fol. 23r-125r) as well as a pericope from the Gospel of Matthew with Latin translation by Ephraem of Syria (fol. 125v-130r). Owners of the manuscript included the humanists Pierre Daniel and Jacques Bongars, among whose library holdings this manuscript came to Bern in 1632.
Online Since: 07/04/2012
Evangelary from Fleury, with the texts of the four Gospels, each preceded by two chapter indexes. Attached to the beginning is a quaternio with letters from Jerome to Pope Damasus and from Eusebius to Cyprian. The artistic decoration includes 15 canon tables as well as a picture of the hand of God with the symbols of the evangelists.
Online Since: 09/23/2014
This manuscript is famous primarily for its rich collection of Old French Fabliaux, a considerable number of which survive only in this manuscript; it also is considered among the most important textual witnesses for the fragment of the Sept sages de Rome and for Perceval. Because of its great importance to French poetry, it was lent to Paris at the beginning of the 19th century, was temporarily lost, and had to be re-bought by the municipal library of Bern at great expense in 1836.
Online Since: 10/08/2015
This manuscript, which was probably produced in Reims, consists of two parts that contain only the scholia on Lucan, but not the actual text. The first part (up to f. 125v) contains the scholia known as the Commenta Bernensia, which are preserved only in this codex. The text is interspersed with 21 simple schemata in color, geographic representations as well as plans of cities and of battles. The second, unfortunately incomplete part contains a collection of non-illustrated glosses (Adnotationes) for books 1 to 4 as well as 9 and 10 (beginning). As becomes clear from the content, the original plan of merging the Commenta and the Adnotationes into a single text was apparently abandoned in the middle of the first book of the Commenta, and the Adnotationes were copied separately in the last third of the manuscript (from f. 125v).
Online Since: 03/29/2019
Late 13th century songbook from Lorraine (Metz?); the manuscript has empty staves throughout. It contains 524 trouvère songs by anonymous as well as by named authors and includes various genres, religious texts and many songs that are transmitted only in this source.
Online Since: 12/14/2017
A manuscript consistiting of three production units. The first two were copied in Paris, probably around the end of the 15th century, by the famous professor of Greek, Georgius Hermonymus of Sparta (†1511-1516). They contain prayers and liturgical pieces, particularly from the Abbey of Saint Denis in France, including an as yet apparently unpublished translation of a Mass formula for Saints Dionysius, Rusticus and Elutherius into Greek. The last part, an addition to the others, is the work of a single hand, very similar in appearance to that of Hermonymous, perhaps that of one of his pupils.
Online Since: 11/04/2010
A "small medicine book for poor people", probably written in the region of Venice/Northern Adriatic Sea; the work, written in Arabic in Hebrewscript, was completed on May 19, 1413, according to the date note. The manuscript was later probably part of a Jewish library that cannot be located more precisely; it was transferred to the Bernese Library at the end of the 18th/beginning of the 19th century, where it was evaluated by the Bernese theology professor Gottlieb Studer (1801-1889).
Online Since: 06/18/2020
Bifolium from a manuscript of Ambrose's Hexameron from the Upper Rhine area/Switzerland, later used as a book binding material. Provenance and acquisition of the fragment are unknown.
Online Since: 07/02/2020
Single sheet of a collection of homilies, probably in two volumes, from the Dominican Monastery of Bern, which were used around 1495 by the bookbinder Johannes Vatter as pastedowns for various incunables that are currently held in Bern and Solothurn. After the secularization of the monastery in 1528, the host volume perhaps came into the possession of the Sterner family in Biel and further to Bern via the antiquarian bookshop Max Müller (BBB Mss.h.h.XXXIV.35).
Online Since: 07/14/2021
Single sheet of a collection of homilies, probably in two volumes, from the Dominican Monastery of Bern, which were used around 1495 by the bookbinder Johannes Vatter as pastedowns for various incunables that are currently held in Bern and Solothurn. After the secularization of the monastery in 1528, the host volume perhaps came into the possession of the Sterner family in Biel and further to Bern via the antiquarian bookshop Max Müller (BBB Mss.h.h.XXXIV.35).
Online Since: 07/14/2021
Important remnants of a collection of homilies, probably in two volumes, from the Dominican Monastery of Bern, which were used around 1495 by the bookbinder Johannes Vatter as pastedowns for various incunables that are currently held in Bern and Solothurn. After the secularization of the monastery in 1528, the host volumes perhaps as part of a bequest of books by the Venner [standard bearer] Jürg Schöni in 1534, became part of the Bern library. Around 1945, Johannes Lindt detached the fragments from the host volumes.
Online Since: 07/14/2021
Important remnants of a collection of homilies, probably in two volumes, from the Dominican Monastery of Bern, which were used around 1495 by the bookbinder Johannes Vatter as pastedowns for various incunables that are currently held in Bern and Solothurn. After the secularization of the monastery in 1528, the host volumes perhaps as part of a bequest of books by the Venner [standard bearer] Jürg Schöni in 1534, became part of the Bern library. Around 1945, Johannes Lindt detached the fragments from the host volumes.
Online Since: 07/14/2021
The two fragments come from the previous binding of Cod. 125, from which they were removed during restoration; presumably they contain parts of a plenarium with musical notation.
Online Since: 06/23/2016
Fragment from a choir book with neumes (Proprium Sanctorum) for Benedictines in the Diocese of Constance, with a large initial H for the Matins of Candlemas (f. 1vb). This leaf is from a manuscript that was perhaps produced in Engelberg for the monastery of Augustinian Canons Regular at Interlaken; since the 16th century it served as the cover of a book of accounts in Meiringen. In 1940 it was acquired by the City Library of Bern through an exchange with the State Archives of Bern.
Online Since: 07/02/2020
Single leaf with a splendid initial from a richly illustrated manuscript of Flavius Josephus' Antiquitates Iudaicae from the monastery of Engelberg; around 1600 it was sold by Abbot Andreas Hersch or Abbot Melchior Kitz to the Zurich bookseller and bookbinder Johann Felix Haller (active 1603-1637) and was then used by him as manuscript waste for a historical work by Hans Felix Grob the Younger (1572-1653). It is unclear when this volume reached the City Library of Bern and when it was assigned the shelf mark Mss.h.h.XXIa.25; the binding manuscript waste was removed by Johann Lindt in 1941.
Online Since: 07/02/2020
Monumental Bible in one volume, which reveals Spanish tradition and which is related to the so-called ‘Theodulf-Bibles.' At the beginning there is a binio with the coena nuptialis in the version of Rabanus Maurus. Inserted into the text are a version of the Sibylline Oracles, a vita of John, as well as an oath regarding the rights of the church and a catalog of the bishops of Vienne; at the end are remnants of the Psalmi iuxta Hebraeos. The greater part of the manuscript's many initials has been cut out.
Online Since: 04/09/2014
This Österreichische Chronik der 95 Herrschaften was copied around 1479 by Clemens Specker in Königsfelden Monastery. It is followed by a song about the War of Aargau, texts about King Frederick III, Konrad Pfettisheim's story of Peter von Hagenbach, a song about Charles the Bold, the Swiss Annals by Clemens Specker, as well as pasted woodcuts of the Nine Worthies. It is richly decorated with miniatures and coats of arms. A copy of Cod. A 45 from 1597 can be found in BBB Mss.h.h.VI.74. After the dissolution of the monastery, the codex passed into private hands in Bern in 1528, and in the 17th/18th century, it became part of the Stadtbibliothek of Bern.
Online Since: 06/14/2018
Large-format bifolium from a manuscript of Dioscorides that was probably produced in Fleury. Other parts of it are conserved in Paris, BnF, lat. 9332. The script and decoration display Insular characteristics. This fragment came to Bern in 1632 as part of the bequest of Jacques Bongars.
Online Since: 07/12/2021
Ten leaves from a manuscript in two parts containing the medical treatises of Isaac Judaeus and Johannes Afflacius. This fragment came to Bern in 1632 as part of the bequest of Jacques Bongars.
Online Since: 07/12/2021
Four bifolia from a manuscript probably produced in Eastern France, containing a collection of greco-latin glossaries whose central part is transmitted in this form only here. This fragment came to Bern in 1632 as part of the bequest of Jacques Bongars.
Online Since: 07/12/2021
Three bifolia of a manuscript probably produced in Fleury, containing musical treatises by Guido of Arezzo and illustrated with various diagrams. This fragment came to Bern in 1632 as part of the bequest of Jacques Bongars.
Online Since: 07/12/2021
Bifolium of a latin glossary of the type beginning with Abstrusa, probably from Septimania. The fragment, written in a Western Gothic minuscule, contains a beautiful decorated initial G on f. 2va; in 1632 it came to Bern as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Two bifolia from a manuscript produced in France containing Horace's Odes; on f. 1r there is a collection of Latin sayings. The fragment came to Bern in 1632 from the property of Jacques Bongars.
Online Since: 07/12/2021
Three bifolia of a humanistic manuscript perhaps produced in Italy. This beautifully illuminated fragment contains the beginning of Cicero's De amicitia and came to Bern in 1632 as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Two leaves of a manuscript probably produced in the Loire region with Isidore's De natura rerum. The second leaf contains a carefully drawn and illuminated map of the winds with the Latin and Greek names of the winds. The fragment came to Bern in 1632 as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Bifolium from a manuscript produced in France. The fragment contains the accessus to Cicero's De amicitia as well as the beginning of a glossed version of Horace's Ars poetica. It came to Bern in 1632 as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Two bifolia from a manuscript produced in France. The fragment contains, in addition to Walter Map's Praedicatio Goliae and the beginning of Hugh of Saint Victor's De quinque septenis, one or two homilies that have not yet been identified. The fragment came to Bern in 1632 as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Three large-format leaves from a manuscript produced in Eastern France and containing the Instituta coenobiorum of John Cassian. The fragment, probably taken from a medieval book binding, came to Bern in 1632 as part of the property of Jacques Bongars.
Online Since: 07/12/2021
18 leaves (two whole quires and one bifolium) from a manuscript of the Cistercian abbey of Vauluisant. Additional parts of the manuscript are in Paris, BnF latin 2820. The fragment contains the end of Aelred of Rievaulx's Compendium speculi caritatis and the beginning of Alcuin's Compendium in cantica canticorum. In 1632, it came to Bern as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Two bifolia from a manuscript produced in France and containing the last part of Petrus Alphonsi's Disciplina clericalis. In 1632, it came to Bern as part of the property of Jacques Bongars.
Online Since: 07/12/2021
7 leaves of a manuscript probably produced in Eastern France and containing Peter Lombard's Prologus in Isaiam and other prologues to various biblical books. In 1632, the fragment came to Bern as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Sixteen leaves (= two whole quires) from a manuscript probably produced in France and containing Bernard of Pavia's Summa decretalium. In 1632, the fragment, illuminated in the Cistercian style, came to Bern as part of the property of Jacques Bongars.
Online Since: 07/12/2021
5 bifolia (=1 quire) from a manuscript produced in France and containing the beginning of Constantine the African's Viaticus. In 1632, the simply-decorated fragment came to Bern as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Bifolium from a magnificently-illuminated manuscript produced in France and containing Boethius' Institutio musica, which once was in the library of the Sorbonne, as attested by the other parts of the same manuscript in Paris, BnF latin 16652 (olim Sorbonne 909). In 1632, the fragment came to Bern as part of the property of Jacques Bongars.
Online Since: 07/12/2021
An extensive part (18 leaves) of a large-format homiliary, probably coming from the Loire area, and decorated with various initials in a Romanesque style. The leaves, which belong to at least three different quires, are today heavily damaged and bound together. In 1632, the fragment came to Bern as part of the property of Jacques Bongars. In the 20th century, a leaf was lost and was found again in Zurich in 1944.
Online Since: 07/12/2021
A single leaf in two halves from a manuscript probably produced in the Metz region and containing Gregory the Great's Homiliae in Evangelia; another part of the manuscript can be found in Bern, Burgerbibliothek, Cod. 168 (flyleaf). In 1632, the fragment, with a beautiful initial, came to Bern as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Former flyleaf of Bern, Burgerbibliothek, Cod. 111, an anthology with saints' lives from the Cistercian abbey of Pontiffroy (Moselle départment). In 1632, the fragment came to Bern as part of the property of Jacques Bongars and was detached from its host volume probably between 1854 and 1875.
Online Since: 07/12/2021
Bifolium of a manuscript probably produced in the area of Soissons, which contained a Marian miracle of Hugo Farsitus as well as an excerpt of the Vitae patrum. According to an ownership mark, the bifolium was later in the Carthusian monastery of Arvières-en-Valromey (Ain). In 1632, the fragment came to Bern as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Fragment of a panegyric on Queen Blanche of Navarre (1331–1398), consisting of almost 400 verses. The author Robin Comtet - who mentions himself toward the end of the piece - is not otherwise known. The poem seems to have been preserved only in this copy and has not yet been published.
Online Since: 06/14/2018
Single leaf of a manuscript probably produced in Micy with the miracles of saint Maximinus. The fragment subsequently belonged to Pierre Daniel and later came to Bern in 1632 as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Four bifolia (perhaps 1 quire) containing parts of the statutes of the Parisian confraternity of the Twelve Apostles. Due to the unusual writing, there have been some uncertainties regarding the classification and dating of the text. In 1632, the fragment came to Bern as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Four bifolia (1 quire) from a manuscript written in France with the Beniamin minor by Richard of Saint-Victor. Unfortunately, the origin cannot be determined more precisely from the partly cut owner's note on folio 1. In 1632, the fragment came to Bern as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Two bifolia from a manuscript written in France, containing Sedulius' Carmen paschale. The sparsely illuminated and glossed fragment previously belonged to Pierre Daniel and came in 1632 to Bern in the property of Jacques Bongars.
Online Since: 07/12/2021
Four bifolia from an illuminated manuscript produced in France containing the De civitate Dei of Augustine. As can be seen from the fold marks and partially present book titles, the bifolia were later used as book covers. In 1632, the fragment came to Bern as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Four bifolia (probably 1 quire) from a manuscript produced in France with texts by Walter Map and Jean Lefèvre, further parts of which are in Vatican City, B.A.V., Reg. lat. 598; it shows similarities with other manuscripts of the Abbey of Saint-Victor in Paris and connections to Saint-Vaast Abbey in Arras. In 1632, the fragment came to Bern as part of the property of Jacques Bongars.
Online Since: 07/12/2021
The so-called "Berner Parzival" is the last dated manuscript of Wolfram von Eschenbach's epic poem about the Holy Grail, created between 1200 and 1210; moreover, this textual witness is adorned with illustrations. Presumably the Bernese merchant Jörg Friburger commissioned the manuscript in 1467 from the scribe Johann Stemhein of Konstanz, who edited and stylistically modernized the text of his model to match the tastes of a late medieval urban public. In addition, he gave directions for illustrations, which were later executed by a painter who created 28 colored pen and ink drawings. The further history of this manuscript,which today consists of 180 leaves, is unknown; it must, however, have reached the Bernese municipal library in the early years of the 19th century, where it is attested at least since 1816.
Online Since: 09/26/2017
Composite manuscript consisting of four very different parts that probably came to Bern in 1632 as part of the property of Jacques Bongars; parts B and C are from the Collège de Navarre in Paris. All parts are at least partly illuminated. All fragments have related parts in other libraries: for part A, Paris BN lat. 7709, f. 1–4; for B, Paris BN lat. 17566, f. 1–40; for C, Paris BN lat. 17902, f. 1–85; and for D, Leiden UB, Voss. Q 2 IX (f. 60).
Online Since: 10/10/2019
Fragment of the Boethius' On Arithmetic, containing numerous schematic drawings; it probably came to Bern in 1632 as part of the property of Jacques Bongars.
Online Since: 10/10/2019
Two bifolia from an Isidore manuscript that was probably produced in the Loire region. The fragment contains, among others, a carefully sketched wind rose as well as astronomical texts at the end that, in the context of the Aratea, are known as the “Scholia Bernensia”. It probably came to Bern in 1632 as part of the collection of Jacques Bongars.
Online Since: 10/10/2019
The Amtliche Berner Chronik (Official Chronicle of Bern) was commissioned by the city of Bern in 1474. About ten years later, Diebold Schilling was able to present the city council with this three-volume work, with its title pages in color, decorative initials, and more than six hundred large illustrations. The first volume contains the early history of Bern from the founding of the city until the year 1421, based on the older chronicle by Konrad Justinger, following the version by Bendicht Tschachtlan. The work remained in the possession of the Bern Chancellery for nearly three hundred years before the volumes were given to the City Library in 1762.
Online Since: 12/20/2012
The Amtliche Berner Chronik (Official Chronicle of Bern) was commissioned by the city of Bern in 1474. About ten years later, Diebold Schilling was able to present the city council with this three-volume work, with its title pages in color, decorative initials, and more than six hundred large illustrations. The second volume contains accounts of events from the years 1421 through 1466, based for the most part on Benedicht Tschachtlan's edition of Fründ's work. The work remained in the possession of the Bern Chancellery for nearly three hundred years before the volumes were given to the City Library in 1762.
Online Since: 12/20/2012
The Amtliche Berner Chronik (Official Chronicle of Bern) was commissioned by the city of Bern in 1474. About ten years later, Diebold Schilling was able to present the city council with this three-volume work, with its title pages in color, decorative initials, and more than six hundred large illustrations. The third, artistically richest volume contains Schilling's own description of the Burgundian wars, together with that of the preceding period, up to the year 1480. It is closely related to the Grosse Burgunderchronik (Great Burgundian Chronicle) currently held by the Zentralbibliothek Zürich. The work remained in the possession of the Bern Chancellery for nearly three hundred years before the volumes were given to the City Library in 1762.
Online Since: 12/20/2012
The Spiezer Chronik by chronicler Diebold Schilling, named after its longtime home city of Spiez, is also known, because it was privately commissioned by Rudolph von Erlach, as the Privater Schilling. It contains the early history of Bern from the founding of the city to events that took place in the mid-15th century. Unlike Schilling's three-volume official chronicle, the Amtliche Berner Chronik (Bern, Burgerbibliothek Mss.h.h.I.1-3), it remains incomplete (the Burgundian wars are not included).
Online Since: 12/20/2012
This missal following the practice of the Diocese of Constance was written for the church in Hochdorf (Lucerne) in 1474-1475 by Johannes Dörflinger, prebendary of Beromünster. The manuscript was commissioned for the new chaplainry of Sts. Peter and Paul, probably by its founder, the parish priest and dean Johannes Teller. It contains delicate filigreed initials at the beginning of the various liturgical sections and a full-page miniature of the Crucifixion (f. 106v), which introduces the Te igitur. Several pages originally left blank hold copies of the most important documents concerning the establishment of the prebend of Sts. Peter and Paul in Hochdorf (f. 78r-82v).
Online Since: 09/23/2014
Composite manuscript of catechetical-ascetic content, in quarto format on paper. Three fascicles of various strengths. The oldest is from the second half of the 14th century; it is written by Albert von Münnerstadt, Conventual from the Commandry of the Teutonic Knights of Hitzkirch, and contains Moralitates super evangelium sancti Lucae. In the second half of the 15th century, probably in Beromünster, this was bound together with two natural science Compendia moralia (excerpts from Thomas of Cantimpré's encyclopedia) and with catechetical treatises by Heinrich von Langenstein, Johannes Gerson and Bonaventure. Scholarly manuscript for regular use in the area of pastoral care (hasty hand with numerous abbreviations, especially in the third fascicle).
Online Since: 09/23/2014
The Beromünster cantatorium contains the solo sung parts of the mass with notation, and some tropes added during the 14th century. Among these are the Kyrie tropes Kyrie fons bonitatis and Cunctipotens. The examples of conductus are interesting. The codex is bound in a wooden case with two ivory panels from the 8th-9th century.
Online Since: 12/21/2009
The Epistolary is the oldest manuscript in the library at Beromunster; according to local tradition it was presented by a member of the patron family of Lenzburg, Count Ulrich († before 1050). The front cover, added later, is an ivory panel dating from the second half of, perhaps the end of, the 13th century.
Online Since: 12/21/2009
The Eidgenössische Chronik by Werner Schodoler (1490-1541) is the last of the illustrated Swiss chronicles of the late Middle Ages. It was written on private initiative between 1510 and 1535 and took as its primary models the Official Bernese Chronicle - Amtliche Berner Chronik - by Diebold Schilling and the Chronicle - Kronica - by Petermann Etterlin. This volume, the second of the three volumes of the chronicle, consists primarily of an account of the Old Zurich War and is illustrated with 130 colored pen sketches. Today the three volumes are held in different libraries: the first volume is in the Leopold-Sophien-Bibliothek in Überlingen, the second in the City Archive in Bremgarten, and the third in the Cantonal Library of Aargau.
Online Since: 12/20/2012
Composite manuscript of liturgical texts, containing the prayers of the breviary of the Carthusian Order (1r Capitula, 18r Temporale, 35v Sanctorale, 49v Commune Sanctorum und 51v Usus communis). This small prayer book was probably produced in a Carthusian monastery in Burgundy in the 13th century. Certainly it was used from the 13th to about the 15th century in one of the Carthusian monasteries in present-day Western Switzerland, such as La Valsainte, La Part-Dieu or La Lance. The text is written on parchment and is decorated with blue and red paragraph initials. There are notes and drawings in the margins.
Online Since: 06/22/2017
This small liturgical book was used in the Monastery of San Michele di Campagna near Verona during the 15th century. The work contains the rite of the profession of faith and of the consecration practiced on the occasion of the investiture of a Benedictine nun. It is valuable evidence of a ritual for women who take their vows.
Online Since: 06/22/2017
The Ordo iudiciarius is a work of canon law written at the beginning of the 13th century by Tancred of Bologna (ca. 1185-ca. 1236): f. 60r Explicit ordo iudiciaris magistri Tancreti. Tancred was archdeacon and professor at the University of Bologna.
Online Since: 06/22/2017
Inventory of property, prepared by the notary Michel d'Enney on behalf of Peter of Gruyère, Prior of Broc, and written between November 17, 1565 and November 20, 1566. The register consists of records of the properties of Broc Priory, organized by location. Originally Broc Priory was a dependency of the one at Lutry; in 1577 it was annexed to the Cathedral Chapter of St. Nicholas in Fribourg.
Online Since: 06/22/2017
This martirologio-inventario (annal) was written in 1554 at the request of the vicini (the original members of the municipal corporate body) of Castro and Marolta in the Blenio Valley (Ticino) in order to replace an older one that was destroyed in a fire. It contains the list of obligations toward the parish and toward the community for bequests and anniversaries of deaths. The first page is decorated with an illuminated initial and has in its bottom margin a painting of the coat of arms of the canton of Uri. At the time, the Blenio Valley was governed ruled by the cantons of Uri, Schwyz and Nidwalden.
Online Since: 06/25/2015
This manuscript contains the poems La satyre megere, a poem about the reconciliation of King Louis XII with Emperor Maximilian I, Les quatres eages passees, followed by a Ballade and three Rondeaux, and at the end Le portail du temple, inspired by an incomplete treatise by Boccaccio. This artificial composite manuscript consists of three original manuscripts entitled "Satyre Megere, poème d'Antitus dédié à Aymon de Montfacon, evesque de Lausanne, l'an de grâce mille cinq cens". The author Antitus Faure was chaplain to the Dukes of Burgundy and Savoy and, beginning in 1499, to the Prince-Bishop Aymon de Montfaucon († 1517) of Lausanne, to whom he dedicated these three works. This illuminated manuscript was bought by the state archive of the canton of Vaud in 1920.
Online Since: 03/19/2015
This Book of Hours following the liturgical custom of Paris contains a large number of private prayers in Latin and French, most of them unpublished. As indicated in the colophon on page 193r, the book was produced in 1421 in Paris in the workshop of the bookseller Jacquet Lescuier. It was commissioned, or perhaps only bought, by Jean II de Gingins, born around 1385 and died either at the end of 1461 or the beginning of 1462; he had his coat of arms painted on p. 193v. The miniatures were executed by several illuminators, among them the “Guise Master,” the “Bedford Master” and a student associated with the “Boucicaut Master.” The last representative of the Gingin-La Sarraz family left the castle to her brother-in-law, Henri de Mandrot, who in turn gave this manuscript and the family archive to the state archive of the canton of Vaud in 1920.
Online Since: 03/19/2015
This manuscript contains three different texts: The German Lucidarius (1r-32v), a didactic dialogue between master and student, is a Middle High German prose work written around 1190, which presents the contemporary theological and scientific knowledge of its time. The Constance World Chronicle (Konstanzer Weltchronik) (117r-150v) is a brief universal historical compendium, probably written in Konstanz in the 14th century. The Zurich Chronicle (Zürcher Chronik) (153r-191r), the oldest version of which dates from the 14th century, belongs to the genre of late medieval German city chronicles. The manuscript was written in the area of the diocese of Constance. The original owner was the not further identified Hans von Endiner. In the 18th century, the manuscript was owned by Georg Litzel, theologian and philologist from Ulm. How it found its way to Chur is unknown.
Online Since: 12/10/2020
The upper half of the illustrated side contains a naked Job and his three friends, the lower half shows the author, Gregory the Great, inspired by the Holy Spirit in the form of a dove, and a Benedictine monk, portrayed in the usual manner of Petrus Diaconus, the latter probably drawn by a different artist. On the back is a Leonine couplet, which attributes the leaf unambiguously to Engelberg. The leaf is, according to P. Karl Stadler's 1787 description, the original opening of the first volume of the Moralia Iob by Gregory the Great (Engelberg, Stiftsbibliothek, Cod. 20, here immediately before f. 1). In the mid-19th century it was owned by Jacob Heinrich von Hefner-Alteneck (1811-1903) and was faithfully reproduced in his book Trachten des Mittelalters (1840-54, Vol. 1, Plate 57, p. 76f). In November 1953 the leaf was purchased from the J.H. Wade Fund for the Cleveland Museum of Art.
Online Since: 12/19/2011
Manuscript from Italy with the widely disseminated and successful collection of Medieval Latin fables in elegiac couplets called Esopus. These were initially anonymously published in 1610 by Isaac Nevelet and were therefore attributed to the Anonymus Neveleti. The editor Léopold Hervieux in 1884 attributed them to a Gualterus Anglicus, who lived in Palermo during the 12th century. However, this attribution has in recent years been called into question by various specialists. The fables have as their protagonists various animals and end with a moral in the form of a couplet.
Online Since: 12/13/2013
This Latin manuscript on astronomical topics includes works by Germanicus, Pliny the Elder and Hyginus. The codex features numerous pen and ink drawings, including a planisphere (rotatable star chart) consisting of five golden concentric circles containing constellations portrayed as people or animals. These drawings, dating from the 15th century, have been attributed to Antonio di Mario of the Neapolitan region.
Online Since: 07/31/2007
Multiple treatises by Archimedes are brought together in Codex Bodmer 8, notably On the Sphere and Cylinder and The quadrature of the Parabola. This manuscript, which was written in about 1541 on paper, also includes commentaries on the work of the celebrated mathematician by the geometer Eutocius, followed by a treatise on instruments of measurement by Heron of Alexandria.
Online Since: 06/02/2010
Manuscript CB 10 was probably intended for educational use, it contains works of Aristotle, Avicenna, Nicolaus Damascenus, Qusta Ibn-Luca and Alexander Aphrodisiensis. This manuscript, written on parchment during the 13th century, presumably belonged to a student of the Faculty of Arts in Leipzig, as may be concluded from a list of lectures attended during the year 1439 which is included in the codex. The list contains the names of the professors, titles of the texts covered, lecturers' fees, and starting and ending dates for the lecture periods.
Online Since: 12/20/2007
There is only a single medieval Italian translation of Augustine's De civitate Dei (City of God), an impressive apologetic work in twenty-two books; the translation was prepared at the end of the 14th or the beginning of the 15th century. It is usually attributed to the Florentine Dominican Jacopo Passavanti (ca. 1302 – 1357); however, this attribution is without basis. The frontispiece of this manuscript is richly decorated with foliage in all four margins and initials with vine scroll ornamentation at the beginning of each book.
Online Since: 12/17/2015
This Latin parchment manuscript from the 14th century contains a comprehensive commentary by jurists of Bologna on the "Corpus Iuris Civilis" as well as on others, such as the "Codex Justinianus" and the "Digests".
Online Since: 07/31/2007
This manuscript was created in the German area in the 12th century. It contains the Venerable Bede's († 735) commentary on the Gospel of Mark. The codex belongs to the libray of the Benedictine Abbey of Gladbach near Cologne.
Online Since: 10/07/2013
In the middle of the 12th century the Latin works of Statius and Virgil as well as adaptations of Homer were translated into the vernacular. At the same time these Latin texts were being brought into the “romance” language (French), the first examples of the French poetic form called the “Roman” or Romance were being written. CB 18, a parchment manuscript, contains two such works, the Roman de Troie by Benoît de Sainte-Maure and the anonymously authored Roman de Thèbes.
Online Since: 03/25/2009
This manuscript, produced in 1480 at the Cistercian Abbey of Maulbronn (Diocese of Speyer, Württemberg, cf. f. 44r), contains texts written by Ekbert of Schönau, the brother of St. Elizabeth of Schönau, as well as prayers to Mary written in another hand.
Online Since: 03/25/2009
The Chronique de Bertrand du Guesclin (Version B) is one of the two prose versions of Cuvelier's epic poem Chanson de Bertrand du Guesclin. This work recounts the life of the Constable for Charles V, from his childhood to his death.
Online Since: 12/14/2018
A remarkable manuscript from the end of the 10th century, undoubtedly produced in either Constantinople or Smyrna, CB 25 presents all four Gospels together in Greek. The biblical text is accompanied by commentaries by Peter of Laodiceia (an exegetical chain) written in cursive. The volume is decorated with two valuable full-page miniatures representing Luke and Mark against gold backgrounds.
Online Since: 12/21/2009
Copied in the 13th century, probably in the north of France, this Latin Bible unifies in one volume the books of the Old- and New Testaments, most of them preceded by prologues. It transmits the standard Vulgate text, called the Paris version, with the chapter divisions attributed to Stephen Langton, and its last thirty pages provide a glossary of Hebrew names. Historiated initials open the various biblical books and give the volume its structure. A smaller script than usual in this volume has been used on fol. 1 for the Commentary on the Tree of Consanguinity, a text usually transmitted in juridical works, augmented here by an illustration of such a tree.
Online Since: 12/21/2009
This codex from southern Germany is composed of two parts bound together in one German binding in 1569. The first part of the manuscript contains about a hundred leaves from the 12th and 13th centuries. It begins with a calendar featuring numerous constellations and full page illustrations. Following are prayers and liturgical songs. The second part consists of thirty leaves containing a series of Latin prayers in carefully wrought late 14th century Gothic script.
Online Since: 12/20/2007
This manuscript contains the Song of Songs with a lacuna (6.5-8) due to the loss of a sheet. The Glossa ordinaria is written on the first sheet (1r-1v); it contains a heretofore unknown commentary. Placed alongside this is the first part of the Song of Songs (f. 2r-29r. until Ct 6.8), which in the beginning (f. 2r-v) is surrounded by another unknown commentary. The last sheets (f. 29v-30) contain excerpts from the prologue to the interpretation of the Song of Songs by Rupert of Deutz. The beginning of the Song of Songs is adorned with an initial depicting Solomon and the Shulamite.
Online Since: 04/09/2014
This Armenian manuscript was written in 1606 at the church of Saint Nikoghayos in Istanbul. It contains the Four Gospels, the Apocalypse of Saint John, and a Gospelindex devised for liturgical use written by another scribe in the same century. The silver binding was probably made a century after the manuscript writing. Special attention should be drawn to the illuminations of the canon tables painted according to the text of the “Commentary of the Canon Tables” of Stepanos Syunetsi (8th century), where the author thoroughly expounds the animal, floral and geometrical motives, as well as the symbolism of numbers and colors of each of the canon tables. The painter has interpreted the symbols and motives used in all ten canon tables by placing the explanations below each of them.
Online Since: 03/19/2015
Written in two columns in bastarda script with a decoration of fleuronné initials, from the first quarter of the 15th century (Wetzel), with two astrological tables added already in the 15th century (Wetzel) on the old flyleaf (f. 1r). The text of the Psalter, in the dialect of Rhenish Franconia (Hessen?), is closely related to the Psalter Göttingen, Niedersächsische Staats- und Universitätsbibliothek, Cod. Ms. theol. 214 v from the beginning of the 15th century. Wetzel assumes at least one common model. Thus the translation is part of Schöndorf's group 9, subgroup c) around München, Bayerische Staatsbibliothek, Cgm 182 or Walter's Psalter 18.
Online Since: 12/17/2015
The Comedia delle ninfe fiorentine or Ameto, an early work (around 1341) by Boccaccio, recounts the transformation of the rough shepherd Ameto into a virtuous man after overhearing the stories told by seven nymphs, allegories of the virtues. The text is written as a prosimetrum — alternating prose and verse — as is immediately obvious from the single column page-design of the manuscript. Copied on paper without watermark, the manuscript opens with a single initial in watercolor that contains the coats of arms of the Almerici family (f. 2r), the owner of this copy who probably also commissioned it.
Online Since: 09/26/2017
The Elegia di madonna Fiammetta, dedicated to "women in love", describes in the first person the feelings of the young Neapolitan Fiammetta, who has been left by her beloved Panfilo. The Elegia, a prose work written by Boccaccio in his youth, praised for the subtlety of its psychological approach, mixes autobiographical elements and obvious references to Latin literature. It is preserved here in a manuscript copied in 1467 by Giovanni Cardello da Imola, whose regular calligraphy is set off by decorations in bianchi girari (white vine-stem).
Online Since: 12/21/2009
Jean Bodel, who was a member of the Brotherhood of Buskers and a bourgeois (middle-class resident) of Arras, wrote his Chanson des Saisnes (Song of the Saxons) during the last third of the 12th century. This epic in Alexandrine verse tells of the war prosecuted by Charlemagne against the Saxon King Guiteclin. The Chanson exists today in three manuscripts (a fourth was completely destroyed in the fire at the library of Turin) which present different versions of the text. The long version held by the Fondation Martin Bodmer is in a small-format manuscrit de jongleur or performer's script. It was probably produced around the end of the 13th century and is a simple piece of work, without miniatures, written on parchment, much of which was poorly cut, and it is roughly sewn together.
Online Since: 12/21/2009
Boethius' De consolatione Philosophiae knew continuous success during the Middle Ages. This 14th century manuscript offers a complete copy of the Latin text with some interlinear glosses. The book decoration consists of a historiated initial with a half-length frontal portrait of the author as he points to his book (f. 1). From this initial sprouts a short leaf scroll. In addition there are very beautiful decorated initials placed at the beginning of the various books of the Consolatione (f. 8, 17, 30 and 41). Their style indicates that the manuscript was made in northern Italy, perhaps Bologna.
Online Since: 12/12/2019
The Edelstein contained in this manuscript consists of 100 fables, composed around 1330 by the Bernese Dominican Ulrich Boner; the fables were taken from various Latin sources and were translated by Boner into Swiss Dialect. The script and the typical characteristics of the layout with spaces for never-executed illustrations indicate a work from the late phase (approximately about 1455-1460) of Diebold Lauber's workshop in Hagenau in Alsace, a work that had been prepared to be completed at the request of a buyer.
Online Since: 12/13/2013
This parchment manuscript from the end of the 15th century contains the "Chronicle of London" as well as a version of the paraphrase text of the "Metrical Chronicle" by Robert of Gloucester found only in this manuscript, CB 43. The dialect used in the text indicates that the manuscript was written by a scribe from the southern Midlands.
Online Since: 03/25/2009
This copy of Cesar's "Commentarii" from about 1480 attests to the great popularity this text attained during the early Renaissance (there are more than 240 surviving manuscripts of the "Commentarii" from the 15th century). This manuscript was produced in the atelier of the illuminator Cola Rapicano in Naples. The "bianchi girari" (white vine) book decoration and the illuminated initial capitals which mark the beginning of each book are of a type often found in codices containing humanistic works. The illuminated initial capital on fol. 1r, on the other hand, portrays the Roman ruler in an unusual way, as an armored horseman.
Online Since: 03/25/2009
This elegant codex, written in humanistic script, was commissioned by Pope Leo X († 1521). The Medici coat of arms can be found in the middle of the original binding's cover, in a rich frieze on the frontispiece, and in the initials on f. 3v and f. 134v. The decoration is attributed to the famous Florentine illuminator Attavante degli Attavanti († 1525) or his circle. This codex is from the collection of Major J.R. Abbey.
Online Since: 03/22/2017
The Carmina by Catullus contained in this codex was written in a humanistic cursive, attributed to the calligrapher Ludovico Regio di Imola. The frontispiece in grisaille with gold highlights is framed by motifs in the manner of antiquity with trophies, sphinxes and mascarons, while the title in gold letters stands out from the crimson background. At the bottom of the page, the coat of arms on a disc held by two putti is overlaid in the same crimson color.
Online Since: 12/13/2013
This manuscript, commissioned by the bibliophile Antoine of Bourgogne in 1460, contains the Epître d'Othea by Christine de Pisan, decorated with about a hundred masterful miniatures (a complete pictorial cycle). One of these contains the dedication of the work and shows four figures, identifiable as Philip the Good, Charles the Brave, and two of Philip's illegitimate sons, David and Anthony of Burgundy.
Online Since: 07/25/2006
This codex contains De senectute, De amicitia, the Paradoxa ad Brutum by Cicero, the Synonyma by Pseudo-Cicero, and the anonymous treatise De punctorum ordine. It was created in Italy in a humanistic script from the second half of the 15th century. The frontispiece and the intials introducing the various texts are decorated with “bianchi girari;“ on f. 1r the coat of arms with the golden lion rampant on a red background, framed by a laurel wreath, could not be identified.
Online Since: 12/13/2013
This manuscript contains Cicero's speeches, which were copied out in a humanistic script of the 15th century. The book decoration consists of initials with „bianchi girari“ (white vine-stem) on colored background which introduce the various texts, and a frontispiece, the decoration of which extends across the entire page f. 1r. At the center of the bottom margin, surrounded by a laurel wreath, the coat of arms of the Medici family of Florence stands out, covering an even older coat of arms. The manuscript belonged to Cardinal Giovanni Salviati (1490-1553) from Florence and then to the Venetian monk and later manuscript dealer Luigi Celotti (1768-1848).
Online Since: 12/13/2013
While Cicero is regarded today mainly as a philosopher and politician, he was regarded during the middle ages mainly as a teacher of public rhetoric. This is demonstrated by CB 52, most likely of French origin, which consists of copies of "De inventione" and a work long attributed to Cicero, "Rhetorica ad Herennium". The manuscript dates from the beginning of the 12th century.
Online Since: 03/25/2009
This French translation of the story of Alexander, destined to belong to Charles the Bold, was commissioned by Vasco da Lucena, "the Portugese", a retainer of the Infanta Isabella, who was married to Philip the Good. This revival of the work by Quintus Curtius Rufus, which is augmented by texts from Plutarch, Valerius Maximus, Aulus Gellius and Justin, allows the author to liberate the Macedonian conqueror from legends perpetuated by the medieval tradition. The Miroir des princes portrays a model of a hero shaped within the framework of the humanistic movement initiated by the dukes of Burgundy in the late middle ages. CB 53 was copied in Burgundy and may be fairly accurately dated only a few years after the translation was made; it was decorated with miniatures in the artistic circle of the Master of Marguerite of York (ca. 1470-1475).
Online Since: 12/21/2009
The "Codex Ricasoli Firidolfi", written on paper at the end of the 14th century, provides important evidence of the dissemination of Dante Alighieri's Commedia. The initial of the opening verse of the Inferno shows the famous profile of the author, surrounded by flowers.
Online Since: 12/20/2007
Copied in 1378 by Francesco di maestro Tura of Cesena, who included both a date and a signature at the end of the volume, the Codex Severoli opens each of the three sections of the Commedia with an historiated initial. A number of interlinear glosses explicate the verses of the Paradiso.
Online Since: 12/21/2009
This manuscript from the 14th century unites four disquisitions on medicine. The rounded Gothic script is the product of several different hands and the principal incipits are set off with Gothic capitals elaborately decorated with penwork filigree. At the end of the manuscript is an assortment of formulas for medical preparations.
Online Since: 06/02/2010