This large-format manuscript (the translation of the Russian title is “Bridge-building project across the Neva River to accommodate the passage of ships at all times, 1802”) presents a bridge-building project across the Neva River in St. Petersburg. Following the title page with a decorative frame in a gray color wash (fol. 2) and the table of contents (fol. 3), there are twelve panels of watercolored drawings that give an overview and a detailed view of the project. Seven illustrations are two-sided, one of them has a fold-out page. All texts in this manuscript are in Russian and in Cyrillic script. — The bridge was designed by Charles Baird (1766–1843), a Scottish engineer who had set up a business for metal casting, machine construction and shipbuilding in St. Petersburg and who had built a cast-iron bridge nearby in 1805/06. The manuscript's bridge project, however, calls for a combination of a floating bridge and a drawbridge: the floating bridge, resting on pontoons, splits into two branches, which end in two drawbridges near the shore (fol. 4a-5), so that it is possible to cross the bridge even while a ship passes beneath it. Other panels show, for example, the lifting mechanism hidden in the pillars (fol. 14a, 16, 17) and one of the boat-like pontoons anchored in the bed of the Neva River (fol. 20a-21). – The manuscript was purchased in Copenhagen in 1978.
Online Since: 10/08/2015
This manuscript of Six âges du monde, created in France at the end of the 14th century or at the very beginning of the 15th century, appears towards the end of the Middle Ages in the library of the Supersaxo family, one of the most important libraries of Valais, which today is held in the Médiathèque Valais-Sion and (this manuscript) in the State Archives of Valais in Sion. The work is remarkable in more ways than one: first, it was created in the rarely-used scroll format, a format reserved for, among others, universal chronicles, a genre to which this manuscript belongs. Second, a complex family tree, showing the descendants of Adam until the birth of Christ, runs the entire length (eight meters) of the manuscript. The columns of text of this impressive graphic document are accompanied by numerous drawings that resemble the style of Parisian works. Finally, this exemplar is not unique, since the municipal library of Reims owns a similar scroll (ms. 61), which certainly was illustrated by the same master.
Online Since: 03/22/2017
At once a travel memoir and a geography book, the Voyages by John Mandeville, probably written around 1355-1357, were a great success in the Middle Ages. Numerous handwritten copies make it possible to distinguish three different versions of the French text, which gave rise to translations into Latin and into the vernacular languages. The oldest German translation, going back to about 1393-1399, is by Michel Velser, a member of the von Völs family (Völs, South Tyrol). This copy, S 94 from the library of Walter Supersaxo (ca. 1402-1482), Bishop of Sion, and of his son Georges (ca. 1450-1529), contains numerous ornamental initials, some zoomorphic or anthropomorphic. The endpapers are parchment. Based on the language, the manuscript should be from Northern Switzerland. An ownership note on f. 120v mentions an uncle “G”, which may suggest Georges Supersaxo himself. In the binding, there was a fragment of a papal document that can without doubt be dated to the middle of the 13th century, from a Pope Innocent and addressed to the Abbot of Kempten. Ms. S 94 can be compared to another manuscript from the Supersaxo library, namely with S 99, which contains a French version of the Voyages.
Online Since: 12/14/2017
This composite manuscript brings together assorted treatises, mainly computistical and astronomical works (by Jakob Twinger von Königshofen, Johannes Münzinger, Johannes de Sacrobosco and others). It was written between 1388 and 1394 in Strassburg and in Rottweil on the Neckar (Wurttemberg) by Konrad Justinger and by Werner Mardersberger. One of the scribes, Werner Mardersberger was later director of the Solothurn Abbey School. The volume was acquired by the Solothurn Abbey Library in 1504.
Online Since: 12/21/2009
Compiled in 1593 by Felix Schmid from Stein am Rhein, this composite manuscript contains, among other items, the richly illustrated alchemistic treatise Splendor solis, various works by Paracelsus and Leonhard Thurneisser zum Thurn, and other alchemistic writings. Noteworthy is the binding by Hans Ludwig Brem from Lindau am Bodensee.
Online Since: 10/08/2015
The Solothurn history Bible (“Historienbibel”) was created in 1460 in the workshop of Diebold Lauber in Hagenau (Alsace). This prestigious piece of work may have been comissioned by Solothurn City Clerk Hans vom Stall (1419-1499). In 1763 the book was acquired by the Solothurn City Library as a part of the von Staal family library.
Online Since: 07/31/2009
In the years 1529-1531 the St. Gall humanist, reformer, and politician Joachim Vadian wrote a history of the abbey and city of St. Gall during the high and late middle ages (1199-1491). It goes by the title Grössere Chronik der Äbte (Great Chronicle of the Abbots). In this work, Vadian describes the way the abbey town changed into a self-reliant, independent city and became wealthy from the cloth weaving industry. The historical work is simultaneously a work of heated reformist protest, exposing and often bitingly commenting upon the increasing corruption of church dignitaries and institutions, particularly the Abbots and Abbey of St. Gall since the investiture conflict.
Online Since: 12/19/2011
The illustrations and text enjoy equal importance in this illustrated work of anti-papal propaganda, named after its opening "Ascende calve". The Vadian Collection manuscript is the most important exemplar of this text, which takes the form of proverbs. The most notable and fascinating feature of this manuscript is the way in which the gray-tone illustrations are used.
Online Since: 05/20/2009
This two-volume, large format history Bible (“Historienbibel”) is illustrated throughout in an artistic style characteristic of the workshop of Diebold Lauber in Hagenau. This history Bible is traceable to Constance in the third quarter of the 15th century; some defects were repaired in St. Gall in the early 17th century – one of the early conservation efforts undertaken in this city.
Online Since: 05/20/2009
This two-volume, large format history Bible (“Historienbibel”) is illustrated throughout in an artistic style characteristic of the workshop of Diebold Lauber in Hagenau. This history Bible is traceable to Constance in the third quarter of the 15th century; some defects were repaired in St. Gallen in the early 17th century – one of the early conservation efforts undertaken in this city.
Online Since: 05/20/2009
The Speculum humanae salvations is a work consisting of texts and illustrations of Biblical content. Each double page of the opened book shows four images, which usually juxtapose one scene from the life of Christ with three prefigurations from the Old Testament. In the present manuscript, this order has not been sustained consistently. The Latin text source has been translated into German verses, which earlier were erroneously attributed to Konrad von Helmsdorf. The Speculum is preserved as a composite manuscript of manuscripts and printed works; several pages are missing in the beginning.
Online Since: 06/23/2016
This paper manuscript contains a series of alchemistic writings attributed to the Catalan Franciscan Raimundus Lullus. It was copied by the scribe Johannes de Sancta Maria. The text is accompanied by twenty colored plates depicting the alchemistic process of transforming base metals into noble ones. The manuscript is part of a group of works of alchemistic content that was the property of Bartlome Schobinger (1500-1585), a wealthy merchant, book collector and councilman of the city of St. Gall, who left his notes in the manuscript. Schobinger is considered a promoter of alchemy and its studies, an interest that complemented his activities in the metal trade.
Online Since: 10/08/2020
Heinrich Schlüsselfelder's work, Blumen der Tugend, a collection of brief instructive tales, is derived from an Italian model. The author, originally from Nürnberg, translated them into German in 1468 in Italy. The paper is of Italian manufacture; the Lombard initials, the binding stamp and what remains of the fasteners are all of Italian design. For illustrations Schlüsselfelder used early Italian copperplate engravings portraying the cardinal virtues and a unicorn; slightly later he, or a reader, illustrated the text with color-washed pen sketches in the margins.
Online Since: 11/04/2010
The impulse for writing the original model of this text, Vadian's “Kleinere Chronik der Äbte” (1544-46) (VadSlg Ms. 44), came from Heinrich Bullinger and Johannes Stumpf; they wanted to make use of Vadian's knowledge of the history of St. Gall for the Eidgenössische Chronik (1547/48) that appeared under Stumpf's name. The chronicle consists of three parts: the first part is about Saint Gall; the second part is a history of the monastery and of the city of St. Gall; the third part gives a historical-topographical description of the city of St. Gall and of Lake Constance. Wolfgang Fechter produced two copies thereof in 1549. The illustrations are by Caspar Hagenbuch.
Online Since: 12/14/2018
Manuscript on paper from the library of the Abbey of Pfäfers, dissolved in 1838, containing the German translation by Otto of Diemeringen, widely disseminated in the late middle ages, of Jean de Mandeville's Travels. The Manuscript is illustrated with richly colored pen and ink drawings, which provide cultural and historical insights into this period.
Online Since: 10/15/2007
Bible manuscript from the time of Abbot Werdo (784-812), containing books of the Old Testament.
Online Since: 09/14/2005
According to the particularly venerated saints in the calendar (pp. 6–17, the months are in the wrong order), this missal, written on fine parchment, belonged to a convent of Dominican women dedicated to St. Agnes. The canon missae (pp. 193–204) is introduced by a high-quality drawing, whose similarity to the depictions of the crucifixion in the Dominican convent of Constance has been emphasized in the art-historical literature. But it is unlikely that the manuscript was produced in the Diocese of Constance, since, among others, Gallus and Otmar are missing from the calendar; rather, the calendar points to a Strasbourg provenance. The missal is richly decorated with red and blue pen-flourished initials. On p. 18 there is an Exorcismus salis et aquae; following the Commune sanctorum there appear votive masses (pp. 426–446) and sequences (pp. 447–461). The manuscript was in St. Gall since the sixteenth or seventeenth century at the latest (possession note on p. 5).
Online Since: 12/14/2022
Legendary of St. Gall: contains, among other items, the German lives of the St. Gallen Saints Gallus, Magnus, Otmar and Wiborada, illustrated with 142 vivid images.
Online Since: 06/12/2006
The oldest copy of the Chronicle of Konstanz by Gebhard Dacher, made between 1458 and 1472 by the author himself and illustrated with a series of colored pen sketches, among them the oldest known view of the city of Konstanz. Obtained by the Abbey Library of St. Gall in the 18th century, at the latest.
Online Since: 07/31/2009
German translation of a history of the First Crusade (1095/96-1099; Historia Hierosolymitana), composed by the monk Robertus Monachus from Reims. Written and illustrated with 22 colored pen drawings in the year 1465. As an appendix, the manuscript also contains around 9000 verses from the Österreichische Reimchronik (rhymed chronicle of Austria) by Ottokar of Steiermark describing the siege and destruction of the Crusaders' fortress in Akkon in the year 1291.
Online Since: 09/14/2005
Collection of German medical texts. The beginning is missing, then the Ordnung der Gesundheit for Rudolf von Hohenberg (pp. 3-60); various recipes for medicine, magic and food (pp. 63-101), among them a treatise on vultures and verbena from the Bartholomäus (pp. 64-69); “Verworfene Tage” (pp. 69-71); a recipe for vinegar (pp. 73-76); an excerpt from the Buch der Natur by Conrad of Megenberg (pp. 82-85); recipes making use of “Schwalbenstein” (pp. 89-90); prognostics for the new year and for thunder (pp. 90-94); recipes for wine (pp. 95-101). Herbal book with excerpts from the Macer Floridus by Odo von Meung (pp. 101-146); medical recipes (pp. 146-147); applications for medicines according to the Macer Floridus (pp. 147-161); recipe against the ritten (p. 162). At the end on p. 164 there is a colored sketch of Agrimonia (Odermennig). The manuscript, originally from the library of Aegidius Tschudi (no. 117), is related to the 2° Cod. 572 of the Staats- und Stadtbibliothek Augsburg.
Online Since: 09/23/2014
This manuscript, illustrated with numerous colored pen drawings, originated in a secular environment in Southern Germany or in Switzerland around the middle of the 15th century. It describes the signs of the zodiac, the planets, the four temperaments, and the four seasons regarding their influence on human health. This is followed by dietary guidelines primarily regarding bloodletting, but also regarding eating, drinking, sleeping, waking, resting and moving, as well as, in concrete terms, regarding bathing (illustration p. 101) or defecating (illustration p. 120). Most likely an amateur doctor with an interest in astronomy, from the Southern region of Germany, wrote the original text around 1400 and assembled it into a compendium. Later the text was repeatedly supplemented and modified. The last part (from p. 128 on) contains a prose and a poem version of the so-called letter from Pseudo-Aristotle to Alexander the Great, in which the Greek universal scholar advises the king on maintaining good health.
Online Since: 09/23/2014
This composite volume, written between 1425 and 1425 in the Lake Constance regions, though not at the Abbey of St. Gall, contains Latin versions of a great many computistic/astronomical/cosmographical treatises, including the widely disseminated work De sphaera mundi by John of Sacrobosco and his arithmetical foundation work Tractatus de algorismo. The manuscript, organized according to the calendar, also contains illustrations: the twelve signs of the zodiac, a map of the winds, sketches of the ecliptics of the sun and moon, planets and constellations, a diagrammatic guide for bloodletting, a set of early medieval Terra Orbis-type world maps, and (on pages 265 and 266) twelve simple illustrations for the months with brief rhyming proverbs in German derived from the nature- and landscape-dominated everyday life of the people of the late middle ages.
Online Since: 10/04/2011
A composite manuscript from the 11th century, possibly written at the Abbey of St. Gall. The main content of the codex consists of commentaries by Boethius on Cicero's Topica and on the Isagoge by the neoplatonic philosopher Porphyrius († after 300), Porphyrius's Isagoge itself and assorted other texts. Among these are, for example, small pieces by Walahfried Strabo (Regulae metricae; a letter with the incipit Domino meo benedictus salus et vita) and by Marius Victorinus, a 4th century Roman scholar (De generatione divina).
Online Since: 04/15/2010
This manuscript, written in 1499 under the schoolmaster Cunradus Reuschman of Lindau (note on p. 488), contains predominantly works by ancient writers, as well as several works by 15th century Italian authors. All texts have commentaries, and the more important works are generally preceded by an argumentum. Often there are several pages left blank between the texts. In the margins, there are several simple pen sketches (pp. 498–501, 504, 511, 513; on p. 706 and 712 sketches of maps of the world). P. 3 contains a full-page pen sketch of the city of Troy. The individual texts are: Publius Baebius Italicus, Ilias latina (pp. 5–51); Virgil, Georgica (pp. 57–146); Horace, Epistolae (pp. 148–230); Horace, Carmen saeculare (pp. 231–234); Lactantius, De ave Phoenice (pp. 234–241); Persius, Satires (pp. 245–282); Margarita passionis, inc. Cum prope pasca foret (pp. 283–288); Seneca, De providentia (pp. 289–298); Augustinus Datus, Elegantiolae (pp. 323–361); Carmen de dolo et astutia cuiusdam mulieris, inc. Summe procus caveat ducatur ne mala coniunx (pp. 362–365); hymns (pp. 366–388); Parvulus philosophiae moralis (pp. 395–417); Dominicus Mancinus, De quattuor virtutibus (pp. 419–488); Hieronimus de Vallibus, Jesuida (pp. 491–514); Matthaeus Bossus, Oratio in beata coena domini (pp. 515–524); Ps.-Leonardo Bruni Aretino, Comoedia Poliscena (pp. 539–549); Terence, Andria (pp. 563–621); Virgil, Bucolica (pp. 629–660); Horace, Ars poetica (pp. 661–678); Horace, Epodes (pp. 679–692); Ps.-Virgil, Moretum (pp. 692–694); Ps.-Ovid, Remedia amoris, inc. Qui fuerit cupiens ab amica solvere colla (pp. 694–695); Ps.-Ovid, De arte amandi, inc. Si quem forte iuvat subdi sapienter amori (pp. 695–698); a treatise on punctuation, De kanone punctorum (pp. 699); Virgil, Aeneis, lib. 1 and 3 (pp. 701–726 and 741–760); Sallust, De coniuratione Catilinae (pp. 765–802); Sallust, De bello Iugurthino, incomplete (pp. 803–804); Seneca, Epistolae morales (pp. 812–853).
Online Since: 10/04/2018
This manuscript from 1467, which first belonged to the convent of the Poor Clares at Freiburg in Breisgau and was transported to the Abbey of St. Gall in 1699, contains, in addition to some Latin texts, many tracts for spiritual instruction in German translation. These include an Ars moriendi, the Cordiale de quattuor novissimis by Gerard van Vliederhoven, the so-called Hieronymus-Briefe(Letters of Jerome) translated by John of Neumark (ca. 1315-1356), the Spiegelbuch, a dialogical text in rhymed verses on living life properly, the trials of worldly life and everyday tribulations, with about twenty colored pen sketches, and a version of the legend of the Three Kings by John of Hildesheim (1310/1320-1375). The manuscript also contains some additional pen sketches: a unicorn (p. 87), images representing two Apostles (p. 107; Paul and John?), a man and a woman in secular dress, and a stag and a wild boar (p. 513). There are imprints in Carolingian minuscule on front and rear inside covers (rear inside cover: Hrabanus Maurus, De computo).
Online Since: 10/04/2011
Verbatim copy of Books I-III of the Alchemy Compendium Aureum Vellus oder Guldin Schatz und Kunstkammer printed in 1598/99 by Georg Straub in Rorschach. The woodcuts in the third part (Splendor Solis, pp. 219–270) are executed as colored watercolors and, except for a small number of differences, are copied exactly from the print version. A pen and wash drawing on p. 116 depicts Paracelsus.
Online Since: 12/14/2018
This martirologio-inventario (an annal followed by an inventory of property) of the Church of S. Stefano in Torre in the Blenio Valley in Ticino, was written in 1568 at the request of the vicini (the original members of the municipal corporate body) of Torre and Grumo, in order to replace the older version. It contains the list of annuali, i.e., of the annual celebrations for the death days of deceased members of the Church, the inventory of movable and immovable property, of the monacharia and of the luminaria, that is, the requisites for illuminating the church. At the beginning of the manuscript there is a watercolor drawing of the church patron St. Stephen.
Online Since: 12/13/2013
Paper manuscript setting forth moral and social wrongdoings by means of illustrations of stories from biblical, classical and medieval history as well as of contemporary works about manners and social customs. In the lower third of each page is a proverb in rhyme calling to mind the Christian virtue that forms a counterpoint to the moral wrong depicted.
Online Since: 04/26/2007
This paper manuscript – a Liber Amicorum for Ladislaus von Törring – contains 49 deptictions of costumes and four of coats-of-arms: all are high quality watercolors and probably all are by the same hand. The costumes mostly show high-ranking persons, mainly from France (Paris), Spain and Veneto. Means of transport, such as ships and carriages, from the same time period are also depicted. Some of the people pictured are identified by captions in French and Italian. Aphorisms and dedications, mostly in Latin, are added on seven pages. The dedicatee is Ladislaus von Törring (1566-1638), Baron in Stein and Pertenstein, Rector of the University of Ingolstadt, a relative of the Bavarian royal family.
Online Since: 03/19/2020
Collection of drawings of flags captured as booty, as well as Appenzell stained glas heraldic panels, landscapes and buildings from the 17th and 18th centuries, created by the illustrator Johann Ulrich Fitzi, with commentary by the historiographer and commissioner of the work, Johann Caspar Zellweger.
Online Since: 12/13/2013
Three volumes of scientific treatises by Johann Georg Schläpfer on historical, biological, geological, medical and philosophical topics as well as several drawings and watercolors of landscapes, plants, animals and anatomical specimens, made by Johann Ulrich Fitzi.
Online Since: 04/09/2014
Three volumes of scientific treatises by Johann Georg Schläpfer on historical, biological, geological, medical and philosophical topics as well as several drawings and watercolors of landscapes, plants, animals and anatomical specimens, made by Johann Ulrich Fitzi.
Online Since: 04/09/2014
Three volumes of scientific treatises by Johann Georg Schläpfer on historical, biological, geological, medical and philosophical topics as well as several drawings and watercolors of landscapes, plants, animals and anatomical specimens, made by Johann Ulrich Fitzi.
Online Since: 04/09/2014
This manuscript contains an Evronot ("Rules for Calculation of the Calendar"). Many so-called Sifre evoronot ("Books of calculation") emerged in the 17th and 18th centuries. They can be taken as a reaction to the Gregorian calendar, introduced in 1582. Such manuscripts often depict the biblical Issachar, one of Jacob's sons, on or near a ladder; as an attribute, he holds an hourglass in his hand. This manuscript has two such miniatures; above the first of which there is also an illustration of a waning and a waxing moon with a human face and stars. The title page depicts an ornamental architectural arch. At the end of the book, there is the familiar motif of Moses seated at a table holding the Tablets of the Law.
Online Since: 03/19/2015
The Massekhet Purim contained in this manuscript is a Purim parody by the Provençal author and translator Kalonymus ben Kalonymus (Arles 1286- after 1328), who wrote this work in Rome in the early 1320s. The text is about eating, drinking and drunkenness during Purim. The author humorously imitated the text and style of the Talmud. The illustrations include depictions of harlequins, of a street musician and of seven playing cards represented as trompe l'œil, which is rarely found in Hebrew manuscripts. The codex was copied in Amsterdam in 1752, at a time when this work was very popular in the Ashkenazic Jewish community.
Online Since: 12/18/2014
This scroll (on five sheets with 13 columns of text) opens with an impressive sun disk surrounded by the signs of the zodiac. The month of Adar is particularly emphasized, since it was in this month under the sign of Pisces that the extermination of the Jews took place. Each column begins, if possible, with the word ha-melech (the king), which designates the king Ahasuerus in the Book of Esther, but is also an allusion to the never explicitly mentioned and yet omnipresent God. The silver case from around 1800 is crowned by a bouquet of flowers and leaves, which can be found in a similar way on Torah finials (rimmonim) and other Judaica metalwork of the Ottoman Empire.
Online Since: 10/08/2020
The opening panel of this megillah (on 4 leaves with 34 columns of text) shows a rampant lion with a palm frond, surrounded by four birds and insects. Above it, an inscription gives the name “Salomon Marinozzi”, presumably the original owner. To its right, a cartouche containing the name of his son as owner, was probably added later: “This scroll belongs to Mordecai, son of Solomon Marinozzi of blessed memory, and it was bought by Solomon […] in the year 1652.”
Online Since: 12/10/2020
Influenced by the Islamic culture of North Africa, this megillah (on three sheets with 19 columns of text) dispenses with figurative representations and uses the formal language of Islamic art with its manifoldly varied ornaments. The text is adorned by an arcade that extends over the entire scroll. The decoration most closely resembles that of some ketubot from the city of Meknes in Morocco.
Online Since: 12/10/2020
The first part (1-XX) of this illuminated manuscript on paper contains images of members of the House of Habsburg, kneeling in pious posture, represented with their respective coats of arms. These images reproduce those of the stained glass windows (1325-1340), now partially lost, of the church of Königsfelden Monastery (AG), donated in honor of Albert I of Habsburg (murdered in 1308) by his widow Elizabeth. The prototype of this dynastic cycle of pictures is the Ehrenspiegel des Hauses Österreich, which was commissioned between 1555 and 1559 by Johann Jakob Fugger in Augsburg. Several other copies thereof exist in Vienna (ÖNB, Cod. 8614), Munich (BSB, Cgm 895 and Cod. icon. 330) and Lucerne (ZHB Ms. 124 fol.). The second part (XXI-203) contains portraits of knights in armor with their respective coats of arms, who, along with Leopold III, died in the Battle of Sempach (1386).
Online Since: 04/09/2014
The Housebook of the Lords of Hallwil, also known as Turnierbuch, is a combination of family chronicle, tournament book and book of heraldry. This paper manuscript from the second half of the 16th century probably replaces an older copy. On the inside of the cover are found the large coats of arms of Burkhart von Hallwil and his two wives Judith von Anwil and Margaretha von Löwenberg. Pp. 4-10 contain a late version of the poem Ring von Hallwil, a saga about the endangerment and saving of the inheritance of the Hallwils. On pp. 11-17 there follow texts about family history and then a second, older version of the poem Ring von Hallwil (pp. 19-21). After a number of empty pages, there are six empty crests (pp. 48-50), meant for the three brothers Thüring I von Hallwil († 1386) und Katharina von Wolfurt, Walter V († after 1370) and Herzlaude von Tengen, “Hemann” (Johannes IV, † 1386) and Anna vom Hus. On p. 51 there is a view of the ancestral home of the Hallwil family. It is followed by pictures of Caspar (p. 54) and Burkhart von Hallwil (p. 55), scenes from tournaments (pp. 56-59), and images relating to the Ring von Hallwil (pp. 60-66). At the end of the manuscript, there are more coats of arms of the Lords of Hallwil and their wives (pp. 68-96), the last ones only sketched out but not completed (pp. 97-118). The manuscript was donated to the Swiss National Museum in 1907 by Count Walther von Hallwil, the last occupant of the castle, and his wife Wilhelmine. A second version is held by the Basel University Library (Ms. H I 10).
Online Since: 04/09/2014
This richly illustrated “Historienbibel” (history Bible) from the workshop of Diebold Lauber belongs to edition IIa of the text (following Vollmer). For the Old Testament, it contains a prose version of the Weltchronik by Rudolf von Ems; for the New Testament, it contains a prose version of the Marienleben by Bruder Philipp. The cycle of illustrations, richer in comparison to sister-manuscripts, can be attributed to the illuminators of Group A, active in the Lauber workshop during the 1430s.
Online Since: 04/09/2014
This codex contains a rare illuminated manuscript constituted entirely by illuminated pages, for each of which only a succinct caption is given, most often only a line of text, and which therefore provides exceptional historical image-sources for numerous domains. The pictures presented here of military technology were perhaps originally part of a medieval house book. A typical collector's item, this illuminated manuscript underscores the collection character of the Rheinau conventual library, whose librarians and abbots were expressly on the lookout for rare books.
Online Since: 06/09/2011
The Eidgenössische Chronik by Werner Schodoler (1490-1541) is in chronological order the last of the illustrated Swiss Chronicles of the late Middle Ages. It was written by private initiative between 1510 and 1535 and took as its model primarily the Official Bernese Chronicle - Amtliche Berner Chronik - by Diebold Schilling and the Chronicle - Kronica - by Petermann Etterlin. This volume, the first of the three volumes of the chronicle, covers the history from the legendary origin of Zurich and Lucerne up to Antipope John XXIII's flight from Constance (1415). Although space was left for illustrations, they were not realized (except those of 12v). Today the three volumes are held in different libraries: the first volume is in the Leopold-Sophien-Bibliothek in Überlingen, the second in the City Archives in Bremgarten, and the third in the Cantonal Library of Aargau.
Online Since: 12/20/2012