This manuscript, an autograph, contains various writings on the monastic way of life and about monasticism in the past and present. It contains, among others, translations of letters by Saint Jerome and of sermons by Bernard of Clairvaux. These are argumentation aids for disputes with proponents of monasteries and convents.
Online Since: 12/14/2018
This chronicle of the Reformation, an autograph illustrated with numerous woodcuts, comprises seven “books”: the first book is about Christ and the Pope, and Kessler describes the old church. In the second book he describes the emergence of Luther and the new faith. Books III through VII give a detailed report about the beginning and the course of the Reformation in St. Gall and in the adjacent area ruled by the Prince-Abbots, in the Swiss Confederation and in the German Empire. Regarding volume and detail, the events in St. Gall and in Eastern Switzerland take up the largest share. Mentioned and praised over and over again are the merits of Vadian, whose work Kessler named “Sabbata” because it was written “an den Sabbaten, das sind an den Fyrtagen und Fyrabendstunden” (on the Sabbath, which are the holidays and the hours at the end of the day, after work).
Online Since: 12/14/2018
This paper manuscript contains a series of alchemistic writings attributed to the Catalan Franciscan Raimundus Lullus. It was copied by the scribe Johannes de Sancta Maria. The text is accompanied by twenty colored plates depicting the alchemistic process of transforming base metals into noble ones. The manuscript is part of a group of works of alchemistic content that was the property of Bartlome Schobinger (1500-1585), a wealthy merchant, book collector and councilman of the city of St. Gall, who left his notes in the manuscript. Schobinger is considered a promoter of alchemy and its studies, an interest that complemented his activities in the metal trade.
Online Since: 10/08/2020
The impulse for writing the original model of this text, Vadian's “Kleinere Chronik der Äbte” (1544-46) (VadSlg Ms. 44), came from Heinrich Bullinger and Johannes Stumpf; they wanted to make use of Vadian's knowledge of the history of St. Gall for the Eidgenössische Chronik (1547/48) that appeared under Stumpf's name. The chronicle consists of three parts: the first part is about Saint Gall; the second part is a history of the monastery and of the city of St. Gall; the third part gives a historical-topographical description of the city of St. Gall and of Lake Constance. Wolfgang Fechter produced two copies thereof in 1549. The illustrations are by Caspar Hagenbuch.
Online Since: 12/14/2018
Ardüser's notes begin in the year 1572 and end in 1614. His chronicle is considered an important source of political and social life in the "Alt Fry Rätien" of the time. Not until the 1870s was Hans Ardüser's chronicle discovered and published by cantonal high school principal J. Bott from Grisons. A large part of the chronicle consists of reports about political events at the end of the 16th and the beginning of the 17th century. In his work Ardüser also mentions crimes and the execution of witches; among other things he reports about extraordinary weather events and consequent crop failures. From his autobiographical nots, which are recorded in the "Rätische Chronik" (Raetian chronicle) as well, it becomes clear that Ardüser was a gifted reader. We can conclude that he obtained his knowledge about all of these topics from written sources such as parish registers, circulating news bulletins, official publications and personal contacts to officials, returning mercenary soldiers or traveling merchants.
Online Since: 06/22/2017
The family register of the Feldkirch student Jakob Hygel, which was established in Dillingen in 1598, was later continued at Lake Constance and in Grisons. The entries contain colored coats of arms with inscriptions in poetry and prose, some of them full-page miniatures. Between 1622 and 1645 entries were made for the Ragaz parish priest Petrus Higelius, a relative (brother?) of Jakob Hygel. Locally this family register is considered a first-rate cultural-historical showpiece (“erstrangiges kulturgeschichtliches Schaustück”) (Burmeister).
Online Since: 12/10/2020
Pontifical-missal of the St. Gall Abbot Diethelm Blarer (1530-1564) – the finest 16th century manuscript in Switzerland.
Online Since: 12/31/2005
A volume of canonical readings for the mass, opulently illuminated for Bishop of Augsburg Marquard von Berg (1575-11591), with a heraldic crest page, a full-page miniature, many scenes along the lower margin representing the important holy days of the church year, and artful flowers and flowerlike ornaments, possibly by Nurnberg book illustrator Sebastian Glockendon the Younger. The manuscript came into the possession of soldiers during the Thirty Years War and was later sold to the St. St. Gall monk and Vicar of Wil, Bernhard Hartmann, who presented it in 1641 to St. Gall Abbot-Bishop Pius Reher (1630-1654).
Online Since: 12/09/2008
The pontifical vesperal of St. Gall Abbott Diethelm Blarer (1530–1564) contains the prayers, psalms with antiphones and responsories, as well as hymns for the high holidays of the church year. Except for the incipits of the antiphones of the Magnificat, which are written in German plainsong notation (“Hufnagelnotation”) on five lines, the manuscript contains no melodies. The scribe of this volume was Father Heinrich Keller (1518–1567), subprior of the Monastery of St. Gall. The book's decoration - 20 historiated initials and several richly decorated borders with pictures - is the work of an unknown artist from the region of Lake Constance, who also illuminated Cod. Sang. 357 and 442.
Online Since: 06/25/2015
Ritual for the personal use of Prince-Abbot of St. Gall Diethelm Blarer (1530−1564; cf. his coat of arms on p. 8 and the stamp for his personal library on p. 7); written by the St. Gall monk Heinrich Keller (1518−1567) and illustrated around 1555 by an unknown illuminator from the area of Lake Constance. The St. Gall manuscripts Cod. Sang. 357 and Cod. Sang. 439 were illuminated by this same artist at the same time. The small-format volume contains liturgical texts on the administration of the sacrament of baptism (pp. 9-107), on the readmission of a woman into the circle of believers after giving birth (pp. 107-114), on marriage (pp. 114-141), as well as on the distribution of wine on October 16th, the feast day of Saint Gall, the founder of St. Gall (pp. 144a-154).
Online Since: 09/23/2014
This manuscript consists of two-parts bound together; the first part (pp. 3-26) contains a 15th century ritual with instructions for visits to the sick, for spiritual care for the dying, and for burial (this is cut off in the prayer at the coffin on p. 26). The second part (pp. 27-86) consists of two discourses in defense of polyphonic music, composed by St. Gall monk Mauritius Enck († 1575) at the behest of Abbot Diethelm Blarer (1530-1564). These discourses are meant as prefaces to Manfred Barbarini Lupus' compositions for several voices in Cod. Sang. 542 and 543. Enck defends polyphonic music against widespread criticism, for example for its presumed lascivia (wantonness), and postulates an ideal for church music consisting of a combination with a chorale as the foundation and figural music as embellishment. Thus he describes precisely the compositions of Barbarini Lupus. At the end of the first discourse (pp. 47-48), Enck names the artists who contributed to Cod. Sang. 542 and 543 as well as the time period of their work on the manuscripts (from 1561 to 1563).
Online Since: 09/23/2014
The book was written in 1541 by the St. Gall calligrapher and cathedral organist Fridolin Sicher (1490–1546). Organized according to the ecclesiastical calendar, this volume contains German-language instructions for the preparation of the altars and ceremonies of the St. Gallen Monastery on the individual Sundays and holidays. In addition, it offers an alphabetical listing of all the altars in the post-Reformation monastery district of St. Gall. At that time, the duties of a sacristan were in the hands of a lay brother, who cleaned the church, lit the candles and monitored them while they burned, and rang the church bells (hence the name "Läuterbuch").
Online Since: 10/07/2013
Meant for daily use in the chapter office, this volume was written in 1542/43 by the secular cleric Fridolin Sicher (1490−1546), born in Bischofszell, for St. Gall Prince-Abbot Diethelm Blarer (1530−1564; cf. his coat of arms on p. 5 and p. 8 as well as p. 268); later the volume came into the possession of the monastic community of St. Gall. Before as well as after the Reformation, Fridolin Sicher was cathedral organist and calligrapher for St. Gall Abbey. In the front of the volume there is a Latin copy of the Rule of Saint Benedict (pp. 5-72), followed in the later part by an abridged version, consolidated into a single draft, of the Martyrologium Romanum and a necrology related to St. Gall Abbey (pp. 83-267). Under Prince-Abbot Bernhard Müller (1594−1630), this chapter office book was replaced with a new necrology begun in 1611 (cf. Cod. Sang. 1442) that no longer contained the Rule of Saint Benedict.
Online Since: 09/23/2014
Song collection of St. Gall organist Fridolin Sicher; 49 songs for three to five voices in 16th century mensural notation without texts. Among the composers are, among others, Alexander Agricola, Loyset Compère, Josquin Desprez and Jacob Obrecht. Several pieces give the name of the composer and the beginning of the text (in French, Italian, Flemish or Latin). Usually one piece fills a double page, less frequently all (three or four) voices are arranged on a single page
Online Since: 09/23/2014
The song book of Chaplain Johannes Heer of Glarus: a collection of 88 folk-, students-, love-, drinking- and joke songs, among them 40 unique items; from the pre-reformation period (1510-1520).
Online Since: 12/31/2005
Songbook compiled by the universal scholar Aegidius Tschudi (1505-1572) from the middle of the 16th century. The volume contains 215 musical scores in measured notation using the five line staff, mainly by contemporary French, Dutch, and German composers such as Josquin Desprez, Adrian Willaert, Jacob Obrecht, Heinrich Isaac, and Ludwig Senfl. The descant (or soprano) parts are found on the left-hand pages, with the alto (or tenor) parts on the right-hand pages.
Online Since: 12/09/2008
Songbook owned by the universal scholar Aegidius Tschudi (1505-1572) of Glarus; together with Tschudi's estate, it became the property of the Abbey Library of St. Gall in 1768. This volume contains in one binding the part-books for bass and descant voices for 17 motets and chansons in five or six parts by contemporary composers such as Josquin Desprez or Loyset Compère, written in mensural notation using the five line staff. This songbook was written by several hands, among them Tschudi himself, who added notes about modes on fol. 12r–v and 24v–25r (the schemata on fol. 25v likely are by Heinrich Glarean). Except for one piece, all the compositions in Tschudi's songbook also appear in Cod. Sang. 463; therefore these part-books seem to be drafts for the final collection.
Online Since: 06/25/2015
This small-format prayer book of Franz Gaisberg, who later became Abbot of St. Gall (abbot 1504–1529), only contains prayers in Latin. It begins with a calendar (f. 1r–12v) and a computistic table (f. 13r/v), followed by prayers about the passion (f. 14r–29v), prayers and antiphons to Mary (f. 31r–49r) and other saints (f. 49r–80r), as well as to the Commune sanctorum (f. 81v–83v), various other prayers (f. 83v–107r), as well as the liturgy of the hours for the passion and for the souls of the deceased (f. 107v–140r). There is no decoration except for initials with simple scroll ornamentation in red ink that stretch across two to four lines.
Online Since: 06/13/2019
This small codex consists of two parts. The first part (ff. 1-79) is made up of texts by two female scribes (ff. 1r-28r and 28v-79r); it was produced around 1500 or shortly thereafter. According to a colophon on f. 162r, the second part (ff. 80-226) was written by Sister Fides Baierin and, according to a note on f. 80r, belonged later to Sister Barbara Wingelhus. The last three leaves are blank. The booklet reached the Abbey Library in the late 18th century. The first part contains various prayers, especially on the passion; the second part contains prayers in honor of the Virgin Mary. The language of the texts is an Early Modern High German with Swabian influences.
Online Since: 06/13/2019
This breviary was written in bastarda by a single hand, probably belonging to a choir monk of the Abbey of St. Gall. In addition to the usual parts of a full breviary (Calendar, Psalterium feriatum, Proprium de tempore [incomplete], Proprium de sanctis and Commune sanctorum), it also contains Marian prayers, the liturgy for compline and the vigil of the dead, a Cursus B. M. V., suffrages, and further prayers.
Online Since: 04/25/2023
This manuscript, probably from a nuns' convent in St. Gall, contains a cycle of prayers and meditations through the liturgical year, beginning with Advent and on through Christmas, Easter, Pentecost to the Assumption of Mary. The visions of the Nativity of Jesus of Saint Bridget of Sweden and a rosary, among others, are interspersed. This codex is written by a single hand which, along with others, can also be found in the sister manuscript Cod. Sang. 510.
Online Since: 10/04/2018
According to the scribe, this manuscript originally is from the Dominican convent of St. Katharina in St. Gall, later Wil; it contains a cycle of prayers and meditations through the liturgical year, beginning with Advent and on through Christmas, Easter, Pentecost to the Assumption of Mary. The visions of the Nativity of Jesus of Saint Bridget of Sweden and a rosary, among others, are interspersed. One of the scribes of this manuscript also wrote the entire sister manuscript Cod. Sang. 509.
Online Since: 10/04/2018
This small-format prayer book in German contains prayers to Christ, on the Passion and on Communion, to Mary, Mother of God, and to various saints, further prayers on various topics, reflections on the Passion, and devotions according to Johannes Gerson. On f. 38v and 39r there are two full-page miniatures. They depict Christ on the cross with Mary and John (f. 38v) and the Pietà with the instruments of torture (Arma Christi, f. 39r). The manuscript was probably written for a women's convent or for female users, although some male forms also appear in the prayers. According to the ownership note on f. 185r, in the 17th century the book was owned by the Benedictine Convent St. Wiborada in St. Georgen above St. Gall.
Online Since: 12/10/2020
An organ tablature by the St. Gall cathedral organist and calligrapher Fridolin Sicher (1490-1546). Starting in 1512, while he was a pupil of the organist Hans Buchner in Konstanz, Sicher gathered 176 pieces by 94 composers (including Paul Hofhaimer, Hans Buchner, Jacob Obrecht, Josquin Desprez, Matthaeus Pipelaere) together in this volume. Two thirds are sacred vocal pieces, the rest are originally secular songs. The descant is in measured notation on a five line staff, while the remaining vocal parts are indicated with alphabet letters and rhythmical symbols. Some of the compositions may be found only in this particular organ book.
Online Since: 12/09/2008
Copied after 1540 (the date can be deduced from the mention of the consecration of the chapel of Saints Fabian and Sebastian on p. 6) by the St. Gall organist and scribe Fridolin Sicher (1490-1546), this manuscript contains the first two rules of the Directorium perpetuum. Its content is almost entirely identical to Cod. Sang. 533, which is the first of seven volumes commissioned by Abbot Franz von Gaisberg (Cod. Sang. 533-539). Produced some twenty years later, Cod. Sang. 532 is the only volume that survives from the second series; the others were either never produced or have been lost. Decoration had been planned but was never done (p. IV and 56 for full pages, and p. 1 and 57 for initials). Analogously to the first series, it is likely that the arms and the portrait of the commissioning abbot – probably Diethelm Blarer (1530-1564) – would have been included.
Online Since: 09/22/2022
The Directorium perpetuum of the monastery of St. Gall, commissioned by Abbot Franz von Gaisberg (1504–1529), consists of seven volumes (Cod. Sang. 533–539). A total of 36 regulae contain the liturgical rules for the Liturgy of the Hours for all possible annual calendars, due to the variable date of Easter. Each rule begins with Epiphany; the rules for the holidays of the Christmas season until the Vigil of Epiphany (which do not depend on the date of Easter) are compiled in Cod. Sang. 539. Cod. Sang. 533 contains the first and second rule, for when Easter falls on March 22nd and 23rd (reference date in the codex: Septuagesima, January 18th/19th). The illumination of the manuscript is by Nikolaus Bertschi from Rorschach: p. 6 contains a full-page miniature (at the top a Lamentation of Christ with the donor, below Saint Gall and Saint Othmar supporting the coat of arms), p. 7 and p. 65 have initials in gold leaf and richly decorated borders. Unlike the following volumes, this volume was not written by Fridolin Sicher.
Online Since: 06/23/2016
The Directorium perpetuum of the monastery of St. Gall, commissioned by Abbot Franz von Gaisberg (1504–1529), consists of seven volumes (Cod. Sang. 533–539). A total of 36 regulae contain the liturgical rules for the Liturgy of the Hours for all possible annual calendars, due to the variable date of Easter. Each rule begins with Epiphany; the rules for the holidays of the Christmas season until the Vigil of Epiphany (which do not depend on the date of Easter) are compiled in Cod. Sang. 539. Cod. Sang. 534 contains the third through tenth rules, for when Easter falls between the 24th and the 31st of March (reference date in the codex: Septuagesima, January 20th to 27th). The illumination of the manuscript is by Nikolaus Bertschi from Rorschach and an assistant: p. 3, 41, 83, 135, 243, 301 and 360 contain initials in opaque colors (partly on a background of gold leaf) with scrolls or richly decorated borders. This volume was written by the St. Gall cathedral organist Fridolin Sicher. As only one of the seven volumes, this one used to be a liber catenatus.
Online Since: 12/14/2018
The Directorium perpetuum of the monastery of St. Gall, commissioned by Abbot Franz von Gaisberg (1504–1529), consists of seven volumes (Cod. Sang. 533–539). A total of 36 regulae contain the liturgical rules for the Liturgy of the Hours for all possible annual calendars, due to the variable date of Easter. Each rule begins with Epiphany; the rules for the holidays of the Christmas season until the Vigil of Epiphany (which do not depend on the date of Easter) are compiled in Cod. Sang. 539. Cod. Sang. 535 contains the 11th through 17th rules, for when Easter falls between the 1st and the 7th of April (reference date in the codex: Septuagesima, January 28th to February 3rd). The illumination of the manuscript is by Nikolaus Bertschi from Rorschach and an assistant: p. 6 contains a full-page miniature (at the top a Lamentation of Christ, below Saint Gall and Saint Othmar supporting the coat of arms), p. 6a, 54, 108, 164, 211, 263 and 317 contain initials in opaque colors (p. 164 on a background of gold leaf) with scrolls or richly decorated borders. This volume was written by the St. Gall cathedral organist Fridolin Sicher.
Online Since: 12/14/2018
The Directorium perpetuum of the monastery of St. Gall, commissioned by Abbot Franz von Gaisberg (1504–1529), consists of seven volumes (Cod. Sang. 533–539). A total of 36 regulae contain the liturgical rules for the Liturgy of the Hours for all possible annual calendars, due to the variable date of Easter. Each rule begins with Epiphany; the rules for the holidays of the Christmas season until the Vigil of Epiphany (which do not depend on the date of Easter) are compiled in Cod. Sang. 539. Cod. Sang. 536 contains the 18th through 25th rules, for when Easter falls between the 8th and the 15th of April (reference date in the codex: Septuagesima, February 4th to 11th). The illumination of the manuscript is by Nikolaus Bertschi from Rorschach and an assistant: p. 5, 53, 107, 161, 213, 259, 313 and 367 contain initials in opaque colors (p. 213 on a background of gold leaf) with scrolls or richly decorated borders. This volume was written by the St. Gall cathedral organist Fridolin Sicher.
Online Since: 12/14/2018
The Directorium perpetuum of the monastery of St. Gall, commissioned by Abbot Franz von Gaisberg (1504–1529), consists of seven volumes (Cod. Sang. 533–539). A total of 36 regulae contain the liturgical rules for the Liturgy of the Hours for all possible annual calendars, due to the variable date of Easter. Each rule begins with Epiphany; the rules for the holidays of the Christmas season until the Vigil of Epiphany (which do not depend on the date of Easter) are compiled in Cod. Sang. 539. Cod. Sang. 537 contains the 26th through 31st rules, for when Easter falls between the 16th and the 21st of April (reference date in the codex: Septuagesima, February 12th to 17th). The illumination of the manuscript is by an assistant to Nikolaus Bertschi from Rorschach: p. 7, 63, 119, 175, 231 and 287 contain initials in opaque colors with scrolls or richly decorated borders. This volume was written by the St. Gall cathedral organist Fridolin Sicher.
Online Since: 12/14/2018
The Directorium perpetuum of the monastery of St. Gall, commissioned by Abbot Franz von Gaisberg (1504–1529), consists of seven volumes (Cod. Sang. 533–539). A total of 36 regulae contain the liturgical rules for the Liturgy of the Hours for all possible annual calendars, due to the variable date of Easter. Each rule begins with Epiphany; the rules for the holidays of the Christmas season until the Vigil of Epiphany (which do not depend on the date of Easter) are compiled in Cod. Sang. 539. Cod. Sang. 538 contains the 32nd through 36th rules, for when Easter falls between the 22nd and the 26th of April (reference date in the codex: Septuagesima, February 18th to 22nd). The 36th rule (for the extremely rare case that Easter falls on April 26th) contains only the months of January and February, since years with this date for Easter are always leap years, and the previous rule therefore covers all moveable feasts after the last day of February. The illumination of the manuscript is by an assistant to Nikolaus Bertschi from Rorschach: p. 1, 57, 115, 173 and 235 contain initials in opaque colors with scrolls or richly decorated borders. This volume was written by the St. Gall cathedral organist Fridolin Sicher.
Online Since: 12/14/2018
The Directorium perpetuum of the monastery of St. Gall, commissioned by Abbot Franz von Gaisberg (1504–1529), consists of seven volumes (Cod. Sang. 533–539). A total of 36 regulae contain the liturgical rules for the Liturgy of the Hours for all possible annual calendars, due to the variable date of Easter. Each rule begins with Epiphany. Cod. Sang. 539 contains the seven possible rules for the holidays of the Christmas season (which do not depend on the date of Easter) until the Vigil of Epiphany. The illumination of the manuscript is by Nikolaus Bertschi from Rorschach and an assistant: on p. 4 a full-page miniature, on pp. 5, 21, 37, 53, 69, 85 and 101 initials in opaque colors (partly on a background of gold leaf) with scrolls or richly decorated borders. This volume was written by Fridolin Sicher, St. Gallen cathedral organist.
Online Since: 09/26/2017
Lectionary for feast days of saints, written at least partially by St. Gall Abbey Librarian Anton Vogt (around 1486-1529), by order of Prince-Abbot Franz Gaisberg (1504-1529). The illumination (scrolls with flowers and animals, numerous ornamental initials, among them six portrayals of figures) is by the illuminator Nikolaus Bertschi from Augsburg. A calendar (f. Ir-Xv) precedes the lectionary (f. 1r-130r), which then is followed by readings for the commemoratio of the patron saints of St. Gall and of Mary, and by collects for feast days of saints.
Online Since: 06/23/2014
This large-format antiphonary from the Cloister of St. Gall, produced in the year 1544 at the request of Abbot Diethelm Blarer (1530-1564), contains songs to be sung during the liturgy of the hours on holy days throughout the year. The scribe who wrote this volume was the cleric, cathedral organist and calligrapher Fridolin Sicher (1490-1546), the illuminator who made the 22 figured initials and the full-page double illustration at the beginning of the antiphonary is unknown.
Online Since: 12/09/2008
An opulently illustrated large-format gradual containing four-part vocal pieces, from the Cloister of St. Gall, written and illuminated in the year 1562. By order of Prince-Bishop Diethelm Blarer, the Italian Manfred Barbarini Lupus from Correggio composed these challenging vocal pieces, Father Heinrich Keller (1518-1567) wrote the text, and the manuscript illustrator Kaspar Härtli from Lindau on the Bodensee illuminated the first pages with the important holy days of the church year. The volume has richly ornamented borders and numerous miniatures, among them five of full-page size, and contains the heraldic shields of St. Gall monks living at that time; the ornamented pages include many depictions of musical instruments of the period (some of which are no longer known).
Online Since: 12/09/2008
Large-format antiphonary with chants in four parts, written and illuminated between 1562 and 1564. By order of Prince-Abbot Diethelm Blarer (1530-1564), the Italian Manfred Barbarini Lupus from Correggio composed the pieces for four voices - antiphons, responsories, hymns and psalms for the principal feast days of the liturgical year as well as passions according to Matthew, Mark and Luke. Father Heinrich Keller (1518-1567) wrote the text and the illuminator Kaspar Härtli from Lindau on Lake Constance created a full-page All Saints picture with Christ on the cross (f. IVr), as well as a donor portrait with the coats of arms of the then-living members of the St. Gall monastic community (f. 1r).
Online Since: 06/23/2014
This Psalter contains the psalms in liturgical sequence with antiphons, followed by biblical canticles and a hymnal. The codex was written in 1545 (colophon f. 102v) by the organist and calligrapher Fridolin Sicher (1490-1546) by order of Prince Abbot Diethelm Blarer (1530-1564). Large parts were rewritten by numerous later hands, probably after the reform of the liturgy following the Council of Trent. The Psalter contains several figurative initials by an unknown illuminator.
Online Since: 06/23/2014
Great collection of St. Gallen tropes and sequences by Father Joachim Cuontz († 1515), compiled for Abbot Franz Gaisberg (1504-1529) shortly before the beatification of the St Gall monk Notker Balbulus († 912) in the year of 1513. Important document of late medieval choral history. Many of the melodies are, for the first time in St. Gall, provided with musical notation on five staves.
Online Since: 05/24/2007
The oldest German language version of the life history of St. Gall patron saint Notker Balbulus († 912), produced by Hans Conrad Haller (1486/90-1525), a member of the St. Gall religious community, for the Benedictine nuns of the Cloister of St. George above St. Gall in the year 1522. With decorated initials and borders. Following the vita are German prayers as well as a German translation of the tract Exhortationes ad monachos ("Von der geistlichen Ritterschaft der Mönche" or the "Exhortations to Monks") by Abbot Johannes Trithemius of Sponheim (1462-1516).
Online Since: 12/09/2008
Composite manuscript from a lay community of St. Gall (from Scarpatetti, p. 137), partly written and compiled around 1505 by the St. Gall Conventual Joachim Cuontz († 1515). The two most substantial parts of the manuscript are the life and miracle of St. Anne (pp. 49-137) and an incunable (Inc. Sang. 995; Hain 12453) bound together with the manuscript of the German version of the Passio S. Meinradi, decorated with 37 woodcuts and printed between 1496 and 1500 by Michael Furter in Basel (pp. 141−195). The manuscript furthermore contains medical advice, for instance on the use of St. Benedict's thistle or a remedy for the plague (pp. 15−21; p. 138); translations of sequences into German (pp. 5-9); numerous prayers and exempla, especially to Mary, Anne and Joachim (pp. 25-44); as well as a letter, surviving in fragments, from Silvester, provost of the Monastery of the Augustinian canons of Rebdorf in Eichstätt to the sisters of the Convent of Pulgarn in Upper Austria, regarding poverty in the convent (pp. 44-48).
Online Since: 06/25/2015
This composite manuscript from the estate of the humanist Aegidius Tschudi (1505-1572) of Glarus consists of 12 individual sets of papers, purchased by the monastery ofSt. Gall in 1768 and bound in the years thereafter. This volume, mostly written by Tschudi himself, contains, among others, lists of bishops and other important office holders in the dioceses of Konstanz, Strasbourg, Basel and Chur; documents concerning the history of the Monasteries of St. Gall, Einsiedeln, Muri, Pfäfers, Engelberg and their abbots; a German copy of the vita of St. Meinrad; copies of documents of several southern German monasteries; and – the most important text – the only surviving copy of excerpts from the "Reichsgutsurbar" of Churrätien from the first half of the 9th century. The original did not survive; it was no longer available at the time of Tschudi, who instead copied an incomplete version from the 10th to 12th century.
Online Since: 12/20/2012
The first part of this volume contains a copy of the text En Damvs Chronicon … Evsebii …, published in 1529 by the humanist Johannes Sichardus (1499−1552) in the printer's workshop of Heinrich Petri in Basel. This printed work contains the Universal Chronicle by Eusebius of Caesarea and its continuation by the Church Father Jerome, the Universal Chronicle by Prosper of Aquitaine, the historiographic work De temporibus by the Florentine Matteo Palmieri (1406−1475), the short Chronica by Cassiodorus, and the Chronicon by Herman the Cripple. The printed part is preceded (on Fol. Av) by a handwritten computistic-calendric table for the years 1501 to 1540 by the scholar Aegidius Tschudi (1505−1572) of Glarus. The second, handwritten part of the volume contains a copy of the text of the first four parts of the history of the monastery of St. Gall, the Casus sancti Galli. Aegidius Tschudi had his collaborator Franciscus Cervinus of Schlettstadt, who had a humanist university education, copy the historiographic works of the St. Gall monks Ratpert (pp. 1−37) and Ekkehart IV (pp. 38−253), the abbey chronicle of those who anonymously continued it for the years 975 to 1203 (pp. 255-305), as well as the continuation by Conradus de Fabaria about the fate of the abbey between 1203 and 1234 (pp. 307-367). The printed as well as the handwritten parts contain numerous marginal notes in Tschudi's hand. The volume was owned by Tschudi (Sum Aegidii Schudi Claronensis; ownership note on the front inside cover); as part of Tschudi's book collection, this volume was sold to St. Gall Abbey in 1768 by his heirs.
Online Since: 10/13/2016
This manuscript, named after the person who commissioned it, Abbot Franz Gaisberg (abbot 1504-1529), contains assorted historiographic and hagiographic texts: a history of the abbots of St. Gall with coats of arms, epitaphs of St. Gall abbots and monks, the history of the St. Gall abbey (Casus sancti Galli) for the years 1200-1232 by Konrad von Fabaria, the anonymous Vita of Notker Balbulus († 912), together with a copy of the records of his beatification process in 1513 and the legends of saints Constantius, Minias, and Roch. The codex was written by the organist and calligrapher Fridolin Sicher of the St. Gall Abbey (1490-1546).
Online Since: 03/31/2011
Manuscript compilation containing a collection of fables (Ulrich Boner's Edelstein), decorated with simple pen drawings, farcical stories – preserved only here – by the so-called "Swiss Anonymous" as well as chronicle notes on the history of Zurich and Glarus.
Online Since: 12/12/2006
A copy made in 1520 of the so-called “Klingenberger Chronik” (Klingenberg Chronicle) originally composed in 1450. It is the history of the Appenzell Wars (1401-1429) and of the Old Zurich War (1440-1446) from the point of view of the losing side: the eastern Swiss nobility. Illustrated with several color sketches of battle scenes and coats of arms. In addition this codex contains copies of legal documents, chronological notes, songs, and in the very front an incompletely preserved 1520 Strasbourg print edition by Sebastian Brant (1457/58-1521) of the biographies of Roman emperors Titus and Vespasian. This volume was obtained by the Abbey Library of St. Gall from Glarus humanities scholar Aegidius Tschudi (1505-1572) in 1768.
Online Since: 12/09/2008
This composite manuscript is rich in material; it contains numerous registers, compilations, and excerpts of astronomical and especially geographic-historical content taken from a great variety of sources and written down by the Swiss universal scholar Aegidius Tschudi (1505−1572) from Glarus in the period after 1550. The greatest part of the notes in this volume, collected, compiled and ordered with great diligence by Tschudi, concern what today is France (Gaul with its tribes, provinces, cities, mountains, islands, etc.). Especially noteworthy are the maps Tschudi has drawn of varies parts of Gaul (pp. 706−723). Among them are a map of Franche-Comté (pp. 714/715) and of the western parts of Switzerland (p. 717/718). After Tschudi's death in 1572, the three sheaves which make up the current volume remained in the possession of his family, and from 1652 until 1768 they were held at Gräpplang Castle near Flums. In February 1768 they came to the Abbey Library of St. Gall, which purchased the Glarus scholar's estate of manuscripts. In St. Gall, the three sheaves, which were listed as numbers 59, 43 and 44 in the auction catalog of 1767, were bound together with several more leaves into the current volume between 1768 and 1782.
Online Since: 09/26/2017
The manuscript chiefly transmits a 1481 Landgerichtsordnung (procedural and penal ordinances) for the Abbey-Principality of Kempten, which was possibly copied before the end of the fifteenth century. The manuscript was used by Ulrich Degelin, Chancellor under Abbot Johann Erhard Blarer von Wartensee (1587–1594) and author of a new Landgerichtsordnung for Kempten. Thereafter, the manuscript passed successively into the possession of the Lindau legal scholars Johannes Andreas Heider († 1719) and Johann Reinhard Wegelin († 1764), before Johann Nepomuk Hauntinger acquired it for St. Gall Abbey between 1780 and 1792.
Online Since: 09/22/2022
A composite manuscript consisting mainly of historiographic and hagiographic content. The texts were written between 1450 and 1550, then assembled as a volume in 1573 by St. St. Gall monk Mauritius Enk. In addition to transmitting an anonymous Dialogus de sectis, numerous legends about the saints in German, portions of the Strassburg Chronicle by Jakob Twinger von Königshofen, as well as records from the Constance Synod of 1491, the manuscript also contains, on pages 283 through 288, without a title and almost seamlessly continuing into the following text, 30 short accounts recorded in about 1500 of the gruesome deeds of the Wallachian Count Vlad III Tepes ("the Impaler", 1431-1476), who as member of the Order of the Dragon also held the title of Dracula. This Dracula text is only transmitted in three other manuscripts: one at the library of Lambach Abbey in upper Austria, one at the British Library in London, and one at the Municipal Library of Colmar in France.
Online Since: 03/31/2011
This only surviving copy of the prose story Frau Tugendreich was written by an unknown author in the circle of Emperor Maximilian I in the second decade of the 16th century. The text is a mixture of a ‘Zeitroman' (a novel giving a critical analysis of an age) and a debate about the value of women or the lack thereof. An external narrative frame presents a discussion between a young narrator beholden to the courtly ideal and his more experienced master, who clings to a traditional view of women, about the value, significance and conduct of women. Unfortunately from p. 196 on, essential parts of the text have been lost due to missing pages. This copy, written in East Swabian dialect by scribe A. S. (p. 219), is dated 1521.
Online Since: 09/23/2014
This manuscript was written in the years 1521 and 1522 by the copyists Regina Sattler, Dorothea von Hertenstein and Elisabeth Schaigenwiler in the Dominican Cloister St. Katharina in St. Gall; it is the only manuscript to transmit the spiritual works of the Dominican Monk Wendelin Fabri (around 1465 - after 1533), who was born in Pforzheim. Between 1510 and1518, while Spiritual (chaplain and confessor) at the Dominican Cloister Zoffingen in Constance, for reading aloud during meals at the cloister, he created spiritual treatises about the Eucharist, about the five loaves of barley bread of the religious and about the fruits of the Holy Mass, the collations of the seven O-Antiphons, as well as the treatises Villicatorius and Prudentia simplex religiosorum. The manuscript came to the monastery library of St. Gall between 1780 and 1782; at the end of the 16th century, it had still been at the Dominican Cloister St. Katharina in Wil.
Online Since: 12/13/2013
The main text of this manuscript, which shows signs of intense use, is the Rule of St. Benedict in a German translation (pp. 3-107). Based on a comparison of the script with that of Cod. Sang. 546, this text was written by the St. Gall monk Fr. Joachim Cuontz († 1515). According to a 1504 note of ownership on p. 1, the manuscript belonged to the monastic women's community of St. Georgen above St. Gallen. On pp. 120-121 there is an admonition to the sisters to keep the Rule, also written by Fr. Joachim Cuontz. In between and after, there are short texts by other hands: pp. 108-112 an instruction on how to pray the "Heavenly Rosary" following on pp. 112-117, a spiritual song for rosary meditation in 13 verses with the promise of indulgence (Inc. gott vater in dem höchsten tron), p. 118 an exhortation to the sisters to be vigilant (according to 1 Pt 5:8-9) and to ask for blessings, pp. 123-125 a dictum and the rhyming prayer of Nicholas of Flüe (ain guotti hailsamy lerr von bruoder clausen in schwitz, Inc. bruoder klaus von underwalden, and bruoder klausen gewonliches gebett, Inc. O min gott und min schöpfer nim mich und gib mich gantz zuo aigen). On p. 126 there are notes of ownership (?), on p. 128 (according to Paul Staerkle, Die Handschriften des ehemaligen Klosters Wiborada zu St. Georgen, in: Die hl. Wiborada, vol. 2: Die Verehrung der Heiligen, St. Gallen 1926, p. 84) a register for the transport of sand from 1477-1487, "which stipulates some services from the quarry donated to the church for the new church construction” ("der einige Dienstleistungen aus dem der Kirche geschenkten Steinbruch zum neuen Kirchenbau festsetzt”).
Online Since: 06/18/2020
The five parts of this manuscript were written by various scribes, among them the St. Gall Conventual Hans Conrad Haller (1486–1525), who was calligrapher, priest and, from 1523 until 1525, librarian of the monastery of St. Gall; he wrote various works such as a missal and other spiritual literature, as well as a life of Notker Balbulus. In Cod. Sang. 1006 Haller frequently left colophons, e.g., on p. 531 and p. 540. The five parts of the manuscript contain the following texts: part I (pp. 13–45) Prayers on the Passion and – partly in fragments – liturgical plays, among them the Ludus ascensionis on pp. 33-44. Part II (pp. 46–65) a prayer to St. Dorothea, which, according to the scribe, was translated from the Latin and written down in 1430 (pp. 61-62). Part III (pp. 66-80) Der Seele Klageby Heinrich der Teichner. Teil IV (pp. 81–95) liturgy of the hours on the Passion of Christ. Part V (pp. 96-762) a wide variety of devotional texts such as prayers and meditations, among them on pp. 188-190 Ein babst lag uurmals an dem tod, pp. 406–486 St. Anselmi Fragen an Maria and pp. 508–524 a German Salve Regina in rhyme.
Online Since: 12/14/2018
Around 1500, this composite manuscript of theological-mystical content, which may have originated in Northern Bavaria and have been completed in the area of Lake Constance, was the property of the spiritual community of Franciscan sisters at the lower hermitage (Untere Klause) of St. Leonhard, west of the city of St. Gall, which was dissolved in the wake of the Reformation. This volume contains more than thirty mostly anonymous sermons, treatises and excerpts of treatises of Dominican character. Among them are Eberhard Mardach's open letter Von wahrer Andacht (pp. 83–116), a sermon by Johannes Tauler (pp. 129−156), the treatise Liebhabung Gottes an den Feiertagen by Thomas Peuntner from the year 1434 (pp. 232−237), excerpts from the Auslegung der zehn Gebote by Marquard of Lindau (pp. 238–245), the beginning of the prologue and three chapters of the anonymous Theologia deutsch (also called Der Frankfurter; pp. 287–297) that was published in print in its entirety for the first time by Martin Luther in 1518, as well as excerpts from a German version of Der Minnebaum (Arbor amoris; pp. 323–331), which differs significantly from other manuscripts.
Online Since: 06/22/2017
Book of heraldry by the universal scholar Aegidius Tschudi (1505-1572) of Glarus, produced at some point between 1530 and 1572. It contains more than 2,000 coats of arms of the aristocratic families of the Old Swiss Confederacy. Many of the coats of arms include genealogical explanations in Tschudi's hand.
Online Since: 12/23/2008
This study notebook, written in 1567, contains two transcriptions of lectures written by the St. Gall monk Mauritius Enk († 1575), who was studying in Paris: 1) fol. 1r−53r: lectures by Petrus Christinus SJ on Aristotle's Metaphysics, 2) fol. 56r−130r: lectures by Jacobus Valentinus de Borrasa SJ († 1581) on Metaphysics.
Online Since: 10/08/2015
A study notebook used by the St. Gall monk Mauritius Enk († 1575) containing notes on lectures given by the Jesuit Jacobus Valentinus (also known as Jacobus de Borrasa; † 1581) on Aristotle's De physica, De caelo et mundo, Tractatus de elementis, De ortu et interitu and De anima, written in 1568/69 while Enk was a student at the Jesuit-run Collège de Clermont in Paris.
Online Since: 04/15/2010
Transcriptions, prepared by Mauritius Enk (1538-1575) of the Abbey of St. Gall, of lectures about the Holy Scripture (Isagoge in sacram scripturam) presented by the Spanish Jesuit Johannes Marianus (Juan de Mariana, 1536–1624). This text is on pp. 33–269. In addition, the volume contains excerpts from Augustine (pp. 19–21 from letter 28 to Jerome, with an alphabetical index on pp. 1–12; pp. 27–28 from the Confessiones), as well as a short treatise about confession before the Eucharist, Num confessio necessaria sit ante sumptionem Eucharistiae (pp. 270–271, not written by Enk).
Online Since: 06/23/2016
Transcriptions, prepared by Mauritius Enk (1538-1575) of the Abbey of St. Gall, of lectures by Hubertus Morus (Hubert Meurier, 1535–1602) on the third and fourth book of the Libri magistri sententiarum (Peter Lombard's Sentences). The lectures on the third book (pp. 7–109) took place from April 22 until June 27, 1566; those on the fourth book (pp. 199–433) from May 7 until August 14 (19?), 1566. This transcription of lectures has a Parisian calfskin binding bearing an owner's mark embossed in gold.
Online Since: 06/23/2016
Transcriptions, prepared by Mauritius Enk (1538-1575) of the Abbey of St. Gall and an unknown fellow student, of lectures presented by the Spanish Jesuit Johannes Maldonatus (Juan Maldonado, professor of philosophy from 1564 to 1565 and of theology from 1565 to 1569 at the College de Clermont) and Jacobus Valentinus (Jacques Valentin, professor of theology at the College de Clermont from 1565 to 1569). In addition to an introduction to theology, the lecture notes include a commentary on Aristotle by Jacques Valentin (Annotationes in libros Ethicorum) and other material. The volume has a Parisian calfskin binding bearing an owner's mark embossed in gold.
Online Since: 04/15/2010
Transcriptions, prepared by Mauritius Enk (1538-1575) of the Abbey of St. Gall, of lectures by Hubertus Morus (Hubert Meurier, 1535–1602) on the first and second book of the Libri magistri sententiarum (Peter Lombard's Sentences). The lectures on the first book (pp. 7–178) took place from October 15 (?) 1565 until January 31, 1566, those on the second book (pp. 279–401) from February 4 until April 10, 1566. In between (on pp. 181–189) is a short text De Unione Hypostatica Verbi, pp. 181–183 not written by Enk (his hand begins again with the last three words on p. 183). This transcription of lectures has a Parisian calfskin binding bearing an owner's mark embossed in gold.
Online Since: 06/23/2016
This volume contains lecture notes by the St. Gall monk Mauritius Enk (1538−1575) on lectures on the topic De eucharistia. The lectures took place between 27 January and 11 May 1568 at the Jesuit College de Clermont in Paris. The volume also contains the sentences of the Jesuit Professor Johannes Maldonatus (professor of theology at the College de Clermont 1565−1569), as well as some of Mauritius Enk's mottos, such as on the inside cover: Min Hoffnung und Vertrauwen / will ich allzit uf Gott bauwen. This manuscript is the second of three volumes of lectures notes in chronological order by Mauritius Enk that belong together (vol. 1: Cod.Sang. 1122, Annotationes on the Gospel of Matthew by a Dr. Sorbanicus and Johannes Maldonatus's commentary on the fourth book of sentences by Peter Lombard, from 15 July 1567 to 27 Januar 1568; vol. 3: Cod. Sang. 1120, Annotationes on lectures on the topic De eucharistia, de missa eiusque ceremoniis, beginning 11 May 1568).
Online Since: 09/26/2017
Lecture notes by Mauritius Enk (1538-1575) of the abbey of St. Gall from lectures by the Spanish Jesuit Jacobus Valentinus (professor of theology at the Collège de Clermont 1565-1569) on Aristotle's Ethics.
Online Since: 04/15/2010
Transcription of lectures on Thomas Aquinas (pp. 15–260) and on the Holy Scripture (In universam sacram scripturam … eisagoge, pp. 1–116) by the Spanish Jesuit Johannes Marianus (Juan de Mariana, 1536–1624), prepared by the St. Gall Conventual and later Abbot Joachim Opser (1548–1594, Abbot 1577–1594); it consists of two parts, each with its own pagination. Another transcription of the latter lecture, written by Mauritius Enk (1538–1575), is in Cod. Sang. 1115, pp. 33–269.
Online Since: 03/22/2018
Transcription made by Joachim Opser († 1594, St. Galler monastic community member, Abbot beginning in 1577) of lectures presented by the Spanish Jesuit Jacobus Valentinus (professor of theology at the College de Clermont 1565-1569) on the writings of Aristotle gathered together as the Organon.
Online Since: 04/15/2010
Lecture note transcriptions made, not as earlier thought, by Joachim Opser, but rather by St. Gall monastic community member Mauritius Enk (1538-1575) and by unknown fellow students. In addition to commentaries on Aristotle by the Spanish Jesuit Johannes Maldonatus (Juan Maldonado, professor of philosophy 1564-1565 and of philosophy 1565-1569 at the College de Clermont) and Jacobus Valentinus (Jaques Valentin, professor of theology at the College de Clermont 1565-1569) as well as additional lectures by the Scottish Jesuit Jacobus Tyrius (professor of theology and philosophy at the College of Clermont) and other texts about arithmetic and geometry, some of them anonymous.
Online Since: 04/15/2010
This manuscript, initiated in 1551 under Prince-Abbot Diethelm Blarer (1530−1564; colored abbot's coat of arms on p. 2) and continued (in the first part) until 1571, consists of three parts. The beginning (pp. 5-50) consists of copies of certificates of admission for pastoral care of St. Gall conventuals in the territory of the Diocese of Konstanz, issued by the episcopal chancery in Konstanz between 1551 and 1571. The second part (pp. 131-134) gives a description of the laying of the foundation stone for the Renaissance library of St. Gall Abbey on Juli 6, 1551; it also lists the names of all persons present for this festive ceremony. The Renaissance library was completed in 1553 and was replaced with the late Baroque library between 1758 and 1767. The third part (pp. 181-183) treats the creation of a large silver altar cross by the goldsmith Thomas Gennius from Wil; St. Gall Abbot Diethelm Blarer commissioned it in 1553 and had the sculptor (sculptor?) Heinrich Reissi, who was from Rapperswil but was active in Wil, carry it to St. Gall on his back in six hours. Also mentioned are the saints relics kept in this cross. All traces of the cross are lost during the liquidation of the assets of St. Gall Abbey after the dissolution of the monastery in 1805. Between the three parts and at the end, there are numerous empty pages (pp. 51−130; pp. 135−178; pp. 184−194).
Online Since: 10/13/2016
This manuscript was written in 1583 during the abbacy of Prince-Abbot Joachim Opser (1577-1594) by the Cantor Johannes Strang who died young († 1588; profession 1580), based on notes by Father Heinrich Keller. Mostly in Latin but often also in German, the manuscript describes the worship practices of the Monastery of St. Gall in the course of the year from January 1 to December 31. This Directorium cultus divini is one of the most important sources of information about the monastic liturgy in the monastery after the Reformation. It refers to prayers and chants that were said and sung on certain days or to the order of liturgical processions (even separately for days of fair versus bad weather). The volume contains directions for the decoration of the church and numerous notes that are interesting for their cultural history, such as those relating to the St. Gall custom of naming a boy abbot (abbas scholasticus). In addition to a list of anniversaries, p. 1 also contains historical notes about various events internal to the monastery. This volume was continued until 1606.
Online Since: 06/23/2014
This manuscript was written by the St. Gall monk Jakob an der Rüti (1562-1615), probably for private use. The first part (f. 1r-125r) contains responsories for the principal feast days of the liturgical year with melodies in German plainsong notation ("Hufnagelnotation") and often with directions for processions. These are followed by directions regarding the location of certain Vespers (f. 126r-128r), more directions on the order of processions f. 128v-136v), melodies for the doxology (f. 139r-140v), directions for the Vespers of the boy abbot (abbas scholasticus) on the Feast Day of St. John the Baptist and on the eve of the Feast of the Circumcision (f. 140v-147v), as well as prayers for processions (f. 150r-155v). Jakob an der Rüti decorated the manuscript with several somewhat clumsy pen sketches and borders (full-page decoration f. 1r, 58v-59r and 77v-78r, also representations of figures in initials). On f. 126r he gives his name in initials (F.I.A.R.), on f. 125r his name is written out (erased, legible under UV-light: Per me fratrem Jacobum An der Rüti …um Anno 1582).
Online Since: 06/23/2014
The manuscript was bought in the year 1779 by the St. Gall monk Gall Metzler (1743-1820), parish priest in Ebringen near Freiburg, which was owned by St. Gall. It contains liturgical instructions for the church year, divided into two parts (de tempore and de sanctis). Written in German, its stated aim is to avoid ‘vnwißenheit' (ignorance) in liturgical matters. Information on collects has been left out both for reasons of space and because only priests needed this information. This may indicate that the manuscript was intended for nuns (the masculine form is, however, retained throughout). It remains to be seen to what the source text mentioned in the prologue – ‘Index' – refers.
Online Since: 12/17/2015
The manuscript contains a number of normative texts from the Cistercian nuns' convent of Günterstal, written partly in German and partly in Latin. It begins with a treatise on simony, in Latin and German, which was written by ‘brůder Johannes' and dedicated to ‘der erwurdigen frowen von Mulhein', presumably Veronica von Mülheim, who was abbess of the convent from December 1504 until her death in May 1508. Johannes may have been a monk from Tennenbach, the Cistercian monastery which had responsibility for the cura animarum of the nuns. The rest of the manuscript contains a number of translations of normative texts from the Cistercian order, including the Liber definitionum and the Ecclesiastica Officia. Their use for nuns is highlighted by the German translations and the inclusion of only relevant chapters. Many of these were also transmitted in the Cistercian nuns' convent of Lichtenthal, near Baden-Baden. Although the convent was never formally reformed, the manuscript points to reforming impulses in the early part of the sixteenth century. The manuscript was bought in 1782 by the St. Gall monk Gall Metzler (1743-1820), parish priest in Ebringen near Freiburg, which was owned by St. Gall.
Online Since: 12/17/2015
This manuscript was written by the Freiburg University Theology Professor Jodocus Lorichius (1540-1612) for the Cistercian nuns of Günterstal. It was dedicated to the convent's abbess, Maria Störin von Störenberg. Following a prologue by Lorichius on the usefulness of liturgical ceremonies, the author provides the nuns with German translations of two of the founding texts of the Cistercian order from the twelfth century: the Exordium Cistercii, a narrative of the early history of the order, and the Ecclesiastica Officia, a set of regulations for liturgical and monastic life. It concludes with a short justification of why Cistercians pray the Seven Penitential Psalms on a Friday. A set of statutes (the Usus Conversorum) for lay brothers, translated into German, is appended. Lorichius dedicated four printed books to the nuns of Günterstal between 1581 and 1598, all in German, and this manuscript must be seen as part of this wider relationship.
Online Since: 12/17/2015
Abbot Otmar Kunz's (1564−1577) small format prayer book, with several pages of rich decoration (flowers, vines, animals), was written and illustrated in 1574 by unknown artists. Especially noteworthy are two full page miniatures. On p. 4, Abbot Otmar Kunz, dressed in ceremonial regalia, kneels in a landscape with a city, hills and trees, above him is God with the terrestrial globe and with his hand raised in blessing. On p. 10, the St. Gall abbot, dressed in a simple monk's habit, kneels with Mary and John beneath the Cross of Christ. The prayer book contains (from p. 11 on) the so-called 5 Passion Psalms (Ps 22, 31, 55, 69, 109). These are followed by the 15 Gradual Psalms, the vigil for the deceased, as well as the 7 Penitential Psalms with the Litany of the Saints. After the death of Abbot Otmar, a scribe with the initials FVF added a prayer (pp. 105−109); probably this was Brother Ulpianus Fischer from Überlingen, who joined the Abbey of St. Gall in 1583. In 1594, the former abbot's prayer book belonged to St. Gall monk Georg Spengler († 1609), who was born in Wil. In 1599 the manuscript received its current binding with blind stamp decoration.
Online Since: 06/22/2017
Cod. Sang. 1398a is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2003 to 2004 the extensive fragment volume Cod. Sang. 1398a was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 14 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1398a.1, pp. 1-2 (= Cod. Sang. 1398a, Folder 1, pages 1-2). The first folder of Cod. Sang. 1398a contains nine fragments from biblical texts and one document (p. 25-26). The fragments date from the eighth to the fifteenth/sixteenth century.
Online Since: 09/06/2023
This large-format manuscript, which forms a unit with Cod. Sang. 1758, itself consists of two parts. The first part (p. 1-214) from 1473 (dating in the initial on p. 1) was completed in the 16th/17th century. Both parts, however, are not complete; furthermore, multiple pieces have been deleted and replaced with other pieces. The volume contains chants for the Mass – Proprium de sanctis, Commune sanctorum, Ordinarium missae (partially troped), Sequences and Tractus– in German plainsong notation ("Hufnagelnotation") in a five line-system. Together with Cod. Sang. 1758, this codex presents the oldest systematic St. Gall records of sequences on a musical staff. Several pages have book decorations in the form of borders and initials, sometimes with figurative representations. Until 1930, the manuscript was kept in the choir library (first of the St. Gall monastery, later of the St. Gall cathedral).
Online Since: 10/07/2013
This large-format manuscript, which forms a unit with Cod. Sang. 1757, contains chants for the Mass – Proprium de tempore, Ordinarium missae (partially troped), Sequences and votive Masses - in German plainsong notation ("Hufnagelnotation") in a four line-system. Multiple pieces have been deleted and replaced with other pieces. Together with Cod. Sang. 1757, this codex presents the oldest systematic St. Gall records of sequences on a musical staff. Several pages have book decorations in the form of initials (several exquisite filled initials, some with gold leaf) and borders. Heavy decorative fittings with animal heads and mythical creatures. Until 1930, the manuscript was kept in the choir library (first of the St. Gall monastery, later of the St. Gall cathedral).
Online Since: 10/07/2013
Graduale de tempore, commissioned by Prince-Abbot Franz Gaisberg (1504–1529, coat of arms p. 1) and illuminated by the book illustrator Nikolaus Bertschi from Augsburg (initials, miniatures and borders with vine scrolls and animals). The banderole on p. 55, which ends with etc. 156, may give a (false) indication regarding the dating (1506 or 1516?). The chants for the Mass are written in German plainsong notation (“Hufnagelnotation”) on a five line staff. This codex is the largest of the St. Gall Abbey library's manuscripts. Originally it was even larger; for re-binding, the pages were severely trimmed, as can be discerned from the folded lower margin on p. 1 or from the trimmed border on p. 444. Binding with heavy fittings on a red velvet background.
Online Since: 06/22/2017
Composite manuscript with sermons and spiritual instructions, written around 1487 in the Dominican cloister St. Katharinen in St. Gall by the prioress Angela Varnbüeler. Among others, the volume contains a detailed sermon about Saint Clare of Assisi, into which is incorporated her vita; an open letter from a father to his spiritual children, attributed to a Franciscan monk; a sermon about suffering, death and the sacraments (an interpretation of John 16,21); and a meditation Von der Maß des gaistlichen Crutz, falsely attributed to Anselm of Canterbury.
Online Since: 10/07/2013
Late medieval prayer book. The first part contains an incomplete Office of the Virgin (fol. 1r-45v) with variants for Advent and for the time period between Christmas and Candlemas (fol. 46r-51v), Absolutions, Benedictions, Orations and other short prayers (fol. 51v-68r). The Office of the Dead (fol. 69r-98v), including Vespers, Vigil, and prayers for the anniversaries of the deaths of priests, abbots and other deceased persons, is followed by prayers of indulgence (fol. 99r-111v). The beginning of the Office of the Virgin as well as possibly a calendar preceding it have been lost. The fact that the patron saints of St. Gall, St. Gall and St. Othmar (fol. 56r-56v; fol. 58r-58v), are the only saints mentioned other than Mary and St. Benedict suggests a provenience from the Monastery of St. Gall. The manuscript is written in Gothic script; it is decorated with numerous initials executed in gold leaf and with colorful vine scrolls in the margins of individual pages. The beginning of the Office of the Dead (fol. 69r) is adorned with a small miniature of a catafalque bordered by two Benedictine monks, one of which is holding a prayer book in his hands. The cut leather binding with the monogram S, created by a master whose name is unknown, is particularly noteworthy. The covers show the two Princes of the Apostles, Peter (front cover, with book and key) and Paul (back cover, with book and sword), surrounded by rich vine scroll ornamentation. The Abbey Library of St. Gall was able to acquire this manuscript in June 2006 at a Christie's auction in New York from the collection of the American brewer Cornelius J. Hauck (1893−1967) from Cincinnati (Ex Libris on the inside front cover).
Online Since: 09/23/2014
This martirologio-inventario (an annal followed by an inventory of property) of the Church of S. Stefano in Torre in the Blenio Valley in Ticino, was written in 1568 at the request of the vicini (the original members of the municipal corporate body) of Torre and Grumo, in order to replace the older version. It contains the list of annuali, i.e., of the annual celebrations for the death days of deceased members of the Church, the inventory of movable and immovable property, of the monacharia and of the luminaria, that is, the requisites for illuminating the church. At the beginning of the manuscript there is a watercolor drawing of the church patron St. Stephen.
Online Since: 12/13/2013
The origin of this manuscript in the northern French-Flemish border region can be determined from its liturgical features, its leather binding with stamped designs and the inscription Robiers Plovrins as well as by a comparison with stylistically similar manuscripts. Another book of hours illustrated by the same artist is held at Claremont near Berkeley, California (USA). This exemplar is a somewhat cruder imitation of the style of scribe and book illustrator Jean Markant, who was quite popular around 1500 in Lille. The commissioner of this volume is unknown.
Online Since: 06/08/2009
This book of hours with a tall, narrow format is a true pocket book, and the framing of the miniatures with architectural elements, crowned volutes, putti, and garlands displays a definite Renaissance influence. The book is illustrated with 16 full-page illuminations and 21 smaller, simpler miniatures by a different artist. One of the full-page illustrations shows the coat of arms of the person who commissioned the book: he was a certain Michel de Champrond (d. August 1, 1539), Lord of Ollé, Advisor and Paymaster of the King. This would indicate that a well-to-do personage, not of noble birth, but part of the court circle, had an elaborate, richly decorated and partially customized prayer book made by a middle quality manuscript workshop as late as the 1530s, when printed Books of hours were already widely available.
Online Since: 06/08/2009
This highly unusual textual object contains three pastiches of cut-out colored initials and twelve Flemish miniatures from the second half of the 16th century, glued to newer parchment pages and outlined during the 19th century, such that the composite images are presented as if they were painted on a single, matted page. The miniatures were taken from a personal prayer book that belonged to Anne of Cleves (1515-1557).
Online Since: 07/31/2007
Paper manuscript setting forth moral and social wrongdoings by means of illustrations of stories from biblical, classical and medieval history as well as of contemporary works about manners and social customs. In the lower third of each page is a proverb in rhyme calling to mind the Christian virtue that forms a counterpoint to the moral wrong depicted.
Online Since: 04/26/2007
This paper manuscript – a Liber Amicorum for Ladislaus von Törring – contains 49 deptictions of costumes and four of coats-of-arms: all are high quality watercolors and probably all are by the same hand. The costumes mostly show high-ranking persons, mainly from France (Paris), Spain and Veneto. Means of transport, such as ships and carriages, from the same time period are also depicted. Some of the people pictured are identified by captions in French and Italian. Aphorisms and dedications, mostly in Latin, are added on seven pages. The dedicatee is Ladislaus von Törring (1566-1638), Baron in Stein and Pertenstein, Rector of the University of Ingolstadt, a relative of the Bavarian royal family.
Online Since: 03/19/2020
A collection of German prayers, most likely copied for a lay patron ca. 1500-1520.
Online Since: 04/26/2007
Register of the assets of the inhabitants of the communities Bergün, Filisur, Latsch and Stuls, compiled by the public notary and chancellor at the time, later Landammann (magistrate) and pastor Tumesch Zeuth; it was updated about every ten years, first in German and, towards the end, also in Romansh. Its significance is not well documented; perhaps originally it served as a basis for financing the communities' buying their freedom from the Bishop of Chur in 1537, later perhaps it served as a key for distributing the communities' income from, among other things, the Valtellina districts, from pensions, from tariffs on goods and tolls on roads, etc. Currently this is the oldest known manuscript from Bergün; it is the property of Werner Dübendorfer of Eglisau. The book containing its continuation, probably up to 1799, has been lost.
Online Since: 12/14/2017
A book of hours in Latin and French, written in the second quarter of the 15th century in Paris, but not illuminated until 1490 in Paris or perhaps in Tours by various artists who shared the work. Two miniatures as well as the decoration of the calendar and of the Office of the Dead are the work of an artist from the circle of the Maître François, a close collaborator of the Master of Jacques of Besançon, who honors Notre-Dame in a veduta of the city of Paris (f. 93r). The luminous colors and the monumental forms of the other miniatures attest to the influence of Jean Bourdichon of Tours. This artist can probably be considered responsible for the Master of the Chronique Scandaleuse, who, during the creation of this manuscript, was still working under the guidance of Jean Bourdichon.
Online Since: 12/20/2012
A book of hours following the liturgical custom of Rome, with a calendar in French. The miniatures are framed by borders decorated with plants that were executed with great botanical precision. This examplar from the late period of the French Book of hours, preserved in its entirety, was illuminated by an important master from this late phase of French book illumination. He was influenced by the Master of Claude de France und was recently identified as the Master of the Lallemant-Boethius. In the small pictures on the borders, he tries to compete with Jean Bourdichon, who introduced realistic flower borders in the marginal decoration of Anne of Brittany's Grandes Heures and in other major works. The Master of the Lallemant-Boethius is also guided by Flemish book illumination of his time. On f. 1r one can read the name of Agnès le Dieu, the owner of the codex in the year 1605.
Online Since: 12/20/2012
A book of hours following the liturgical custom of Rome, with a calendar containing a selection of saints for Langres. The manuscript was illuminated and dated in 1524 by a Master of Bénigne Serre, who was known by the name of his client, a highly-ranked official of the King of Burgundy. The artist was a hitherto unknown illuminator from the circle of the “1520s The Hours Workshop,” which framed the miniatures with Renaissance architecture or added naturalistic flowers and animals to borders. This manuscript contains a number of unusual images, e.g., for the Lauds of the Office of the Virgin, the meeting of Joachim and Anna at the city gate of Jerusalem replaces the usual image of the Visitation. In the 18th century, the manuscript was owned by the family Bretagne of Dijon, whose family members wrote a „Livre de raison“ on several appended pages.
Online Since: 12/20/2012
In addition to the unusual book for King Charles VIII described in Utopia Cod. 111, there is another book of hours that was painted by the same artist. Its border decoration remained incomplete, and all the large images follow not the usual canon of images for books of hours, but instead depict unconventional motifs. What strikes the eye in both manuscripts is the motif of the family tree of Adam, which creates an optical link between the volumes and which is not found in other of the book decorator's manuscripts. The almost identical mass of foliage also suggests that the two volumes could belong together, produced for the king at a certain time interval from one another. The premature and unexpected death of Charles VIII after his accident at the Château d'Amboise may explain why the second manuscript was never completed.
Online Since: 10/13/2016
After the city council of St. Gall ended the enclosure of the convent of Dominican sisters at St. Katharina on May 2, 1528 and the convent gradually broke up, only Regula Keller and two sisters remained in its buildings, where they continued to work throughout 1543, copying the Augustinian Rule and Constitutions. The reading of the Rule and the Constitutions was more strongly emphasized in the reformed cloisters, in keeping with the character of their religious observance.
Online Since: 07/31/2009
Formerly referred to in the reseach literature as the "Chronic" or "Chronicle", this was in truth the convent record book of the Cloister of St. Katharina in St. Gall (61r:...und sol dis also in des convents buoch gesetz werden...). The content consists of chronologically ordered entries concerning the business transactions of the convent. The manuscript was produced in the course of the reform period, as the convent was converted from private to communal ownership. Thus this convent book served as a record of the transfer of administrative authority of St. Katharina to the convent community itself and made it possible for the sisters to maintain oversight of the goods they had brought with them when they joined the convent. Records concerning building projects, decoration, scriptorium, legal conflicts and donations, entries concerning individual sisters, pastoral staff and employees as well as sporadic entries about the history of the convent were also set down in this manuscript.
Online Since: 07/31/2009
This manuscript contains various liturgical and ascetic texts. The volume was written by various more or less practiced hands; one wrote a date .I.5.I.3. with his initials J. ae. (f. 47v), another only his initials J. h. L. (f. 101v). A parchment fragment of a document from the bishop of Konstanz from the year 1441 was used as binding.
Online Since: 10/04/2018
The first half of this manuscript contains two sermons on charity translated from Latin. They were copied in 1589 by a scribe who signed as F. C. A. (f. 7v). The rest of the manuscript is the work of two different scribes who were active in the second half of the 15th century; this part contains a sermon for members of religious orders (ff. 8r-30r) and a treatise about sin and repentance (ff. 31r-49r). A calendar page (November/December, 14th century) containing several obituary notes was used for the binding.
Online Since: 10/04/2018
Described in fols. Ir-lxxxjv: a catalog of properties, farms and land holdings together with information on their productivity and income generated; after fol. 84 an inserted fascicle contain an index, in a hand from about 1600, with alphabetical locators on to the right-hand edge of the spread.
Online Since: 07/31/2009
The Roman rite, generally known as Nussah Roma, is the oldest order of prayer outside the ancient lands of Israel and Babylonia, retaining many old Palestinian traditions. The ornamentation of this manuscript includes many attractive initial word panels, decorated with geometric designs and floral pen work, usually in red and blue ink. The illuminated opening page contains the initial word Ribbon (Master [of all Worlds]), which is set within a rectangular panel with red and blue filigree pen work and gold-leaf letters. In the bottom border there is an unidentified family emblem depicting a rampant lion. The manuscript was copied by Samson ben Eljah Halfan, a member of the Halfan family of scribes and scholars, whose ancestors were among a group of Jews who were expelled from France in 1394 and found refuge in Piedmont, in northern Italy.
Online Since: 10/13/2016
This collection of eleven documents in Italian concerning the condemnation and burning of the Talmud relate to one of the darkest periods in the history of the Hebrew book. The collection of documents constitute a more or less chronological account of the events and were probably a part of a file that belonged to a Venetian Inquisitor. Reproduced here is a summary (regesta) of six papal briefs from 1518-1537, in which Popes Leo X, Clement VII, and Paul III grant Daniel Bomberg licenses to print Hebrew books in Venice. Other documents include: orders to converted former Jews to inspect Hebrew texts for heretical content, copies of the relevant papal decrees, and reports on the events in Rome and Venice.
Online Since: 03/22/2017
This work is dated to the 3rd Adar of the year 5324 (15 February 1564) in Venice and is thus the earliest dated example of a fully decorated Esther scroll. It was made by Stellina and therefore contains the only early modern megillah that we know to have been created by a woman. The scroll begins with blessings. These are followed by the text, which is placed between arcades. The columns of text are flanked by caryatids carrying antique vases, urn vessels or oil lamps on their heads. In the seventh, thirteenth and nineteenth arcade, the caryatids are replaced by a satyr and a woman with animal paws. All illustrations include gold highlights. The style and motifs correspond to the visual language of contemporary mannerism.
Online Since: 12/10/2020
The first part (1-XX) of this illuminated manuscript on paper contains images of members of the House of Habsburg, kneeling in pious posture, represented with their respective coats of arms. These images reproduce those of the stained glass windows (1325-1340), now partially lost, of the church of Königsfelden Monastery (AG), donated in honor of Albert I of Habsburg (murdered in 1308) by his widow Elizabeth. The prototype of this dynastic cycle of pictures is the Ehrenspiegel des Hauses Österreich, which was commissioned between 1555 and 1559 by Johann Jakob Fugger in Augsburg. Several other copies thereof exist in Vienna (ÖNB, Cod. 8614), Munich (BSB, Cgm 895 and Cod. icon. 330) and Lucerne (ZHB Ms. 124 fol.). The second part (XXI-203) contains portraits of knights in armor with their respective coats of arms, who, along with Leopold III, died in the Battle of Sempach (1386).
Online Since: 04/09/2014
The Housebook of the Lords of Hallwil, also known as Turnierbuch, is a combination of family chronicle, tournament book and book of heraldry. This paper manuscript from the second half of the 16th century probably replaces an older copy. On the inside of the cover are found the large coats of arms of Burkhart von Hallwil and his two wives Judith von Anwil and Margaretha von Löwenberg. Pp. 4-10 contain a late version of the poem Ring von Hallwil, a saga about the endangerment and saving of the inheritance of the Hallwils. On pp. 11-17 there follow texts about family history and then a second, older version of the poem Ring von Hallwil (pp. 19-21). After a number of empty pages, there are six empty crests (pp. 48-50), meant for the three brothers Thüring I von Hallwil († 1386) und Katharina von Wolfurt, Walter V († after 1370) and Herzlaude von Tengen, “Hemann” (Johannes IV, † 1386) and Anna vom Hus. On p. 51 there is a view of the ancestral home of the Hallwil family. It is followed by pictures of Caspar (p. 54) and Burkhart von Hallwil (p. 55), scenes from tournaments (pp. 56-59), and images relating to the Ring von Hallwil (pp. 60-66). At the end of the manuscript, there are more coats of arms of the Lords of Hallwil and their wives (pp. 68-96), the last ones only sketched out but not completed (pp. 97-118). The manuscript was donated to the Swiss National Museum in 1907 by Count Walther von Hallwil, the last occupant of the castle, and his wife Wilhelmine. A second version is held by the Basel University Library (Ms. H I 10).
Online Since: 04/09/2014