This copy of Cesar's "Commentarii" from about 1480 attests to the great popularity this text attained during the early Renaissance (there are more than 240 surviving manuscripts of the "Commentarii" from the 15th century). This manuscript was produced in the atelier of the illuminator Cola Rapicano in Naples. The "bianchi girari" (white vine) book decoration and the illuminated initial capitals which mark the beginning of each book are of a type often found in codices containing humanistic works. The illuminated initial capital on fol. 1r, on the other hand, portrays the Roman ruler in an unusual way, as an armored horseman.
Online Since: 03/25/2009
A collection of Spanish poems, addressed to Don Alvar Garcia de Santa Maria, advisor to King John II of Castille. The collection includes all the Proverbios of Inigo Lopez de Mendoza, Marquis of Santillana, and poetry by Juan de Mena, Diego del Castilla, Fernando de Escobar, Gomes Manrique, Juan Angras, Juan De Dueñas, Juan Rodrigues de la Camera, and others. The manuscript was commissioned by Pedro Fernandez de Velasco, first Count of Haro, one of the most powerful personalities of the 15th century, well known as a statesman, independant scholar, poet, and bibliophile.
Online Since: 03/22/2012
The Carmina by Catullus contained in this codex was written in a humanistic cursive, attributed to the calligrapher Ludovico Regio di Imola. The frontispiece in grisaille with gold highlights is framed by motifs in the manner of antiquity with trophies, sphinxes and mascarons, while the title in gold letters stands out from the crimson background. At the bottom of the page, the coat of arms on a disc held by two putti is overlaid in the same crimson color.
Online Since: 12/13/2013
The Canterbury Tales by Geoffrey Chaucer, the "Father of English Poetry", have been preserved in 82 medieval manuscripts and four incunabula editions. The copy in CB 48 was made in the 15th century by a single scribe. The manuscript is still in its original binding of suede deerskin stretched over wooden covers.
Online Since: 12/09/2008
This manuscript, commissioned by the bibliophile Antoine of Bourgogne in 1460, contains the Epître d'Othea by Christine de Pisan, decorated with about a hundred masterful miniatures (a complete pictorial cycle). One of these contains the dedication of the work and shows four figures, identifiable as Philip the Good, Charles the Brave, and two of Philip's illegitimate sons, David and Anthony of Burgundy.
Online Since: 07/25/2006
This codex contains De senectute, De amicitia, the Paradoxa ad Brutum by Cicero, the Synonyma by Pseudo-Cicero, and the anonymous treatise De punctorum ordine. It was created in Italy in a humanistic script from the second half of the 15th century. The frontispiece and the intials introducing the various texts are decorated with “bianchi girari;“ on f. 1r the coat of arms with the golden lion rampant on a red background, framed by a laurel wreath, could not be identified.
Online Since: 12/13/2013
This manuscript contains Cicero's speeches, which were copied out in a humanistic script of the 15th century. The book decoration consists of initials with „bianchi girari“ (white vine-stem) on colored background which introduce the various texts, and a frontispiece, the decoration of which extends across the entire page f. 1r. At the center of the bottom margin, surrounded by a laurel wreath, the coat of arms of the Medici family of Florence stands out, covering an even older coat of arms. The manuscript belonged to Cardinal Giovanni Salviati (1490-1553) from Florence and then to the Venetian monk and later manuscript dealer Luigi Celotti (1768-1848).
Online Since: 12/13/2013
This French translation of the story of Alexander, destined to belong to Charles the Bold, was commissioned by Vasco da Lucena, "the Portugese", a retainer of the Infanta Isabella, who was married to Philip the Good. This revival of the work by Quintus Curtius Rufus, which is augmented by texts from Plutarch, Valerius Maximus, Aulus Gellius and Justin, allows the author to liberate the Macedonian conqueror from legends perpetuated by the medieval tradition. The Miroir des princes portrays a model of a hero shaped within the framework of the humanistic movement initiated by the dukes of Burgundy in the late middle ages. CB 53 was copied in Burgundy and may be fairly accurately dated only a few years after the translation was made; it was decorated with miniatures in the artistic circle of the Master of Marguerite of York (ca. 1470-1475).
Online Since: 12/21/2009
Manuscript CB 59 brings together in one contemporaneous binding three manuscripts that were produced independently of one another. All three show the influence of Alemannic dialect and all three were produced at the end of the 15th entury. They offer a selection of sermons in written form, originally composed by Meister Eckhart or others in the circle of the Rheinish Master of mysticism. The first part could have been completed in an atelier in Constance or Ravensburg, it belonged to the Carthusian House of Buxheim. Threads, meant to serve as bookmarks, may be found sewn into the paper leaves.
Online Since: 12/21/2009
The Sachenspiegel by Eike von Repgow is one of the oldest books of law in the German language. This parchment manuscript, CB 61, was produced at the beginning of the 15th century and contains codes of common and feudal law.
Online Since: 07/31/2007
Following Aeschylus (Seven Against Thebes) and Sophocles (Oedipus the King, Euripides sought to treat the Theban myth in a new way in his writing. The first pages of this manuscript, copied around the end of the 15th century on paper, lay out the plot summary of the work, call to mind the prophecy about Oedipus and the riddle of the Sphinx, and then present the list of characters. The page following the transcription of the work also presents a summary of Sophocles's Oedipus the King and thus alludes to the relationship between these two masterpieces of the ancient theater.
Online Since: 06/02/2010
This manuscript of English origin contains the Historia regum Britannie by Geoffrey of Monmouth (ca. 1100-1154). At the end of the text (114v), the writer transcribed some annotations regarding the Anglo-Saxon Heptarchy, a note about Edward I, King of England, and about the defeat Edward II suffered at Bannockburn.
Online Since: 03/22/2017
The Roman de Fauvel is a French poem in verse, written in the 14th century by various authors, among them the cleric Gervais du Bus. It has survived in no more than 15 manuscripts. With the metaphor of a donkey that becomes its owner's lord, the poem presents a critique of the corruption of the church and of the political system. The manuscript is written in a bastarda script; the decoration remains incomplete.
Online Since: 03/22/2017
This manuscript contains the German version of the Gesta Romanorum, a collection of anecdotes and tales originally in Latin that were compiled around the end of the 13th or the beginning of the 14th century. It was very popular throughout the entire Middle Ages and was published repeatedly. This codex was written 1461 (f. 150vb) in Bavaria.
Online Since: 03/22/2017
This Hebrew manuscript from the 15th century combines liturgical texts and contains commentaries on the rites that provide the framework for the observation of the Passover. This Pesach Haggadah, adorned with miniatures and rich illustrations, contains the complete liturgical version of the Exodus story. The first part of the manuscript contains the text of the Italian rite, the second part that of the Ashkenazi. The manuscript was written and illuminated by Joël ben Siméon, who signed his work with a colophon (f. 34r): I am Joel ben Simeon, called Veibusch Ashkenazi – blessed be his memory – and I am from Cologne, which is on the banks of the Rhine.
Online Since: 04/23/2013
The Ilias latina was frequently copied during the entire occidental middle ages, which enjoyed access to material about the Trojans via Latin adaptations. Today these manuscripts number about one hundred. The date and location of Codex Bodmer 87 can be ascertained with the help of the inscription: "Aretii die 15 Iuli 1469" (Arezzo, July 15, 1469, fol. 22). The humanistic script, a somewhat angular cursive, is the hand of a single scribe.
Online Since: 06/02/2010
Many scribes contributed to the copies of the works of Horace, Virgil, Persius and Statius that have been brought together in CB 90. These humanistic re-copyings made in the 15th century demonstrate the reception of Latin authors in Renaissance Italy. Two leaves at the end of the manuscript are palimpsests: a letter from Ovid's Heroides (from Sappho to Phaon) and an extract from the Epigrams of Martial have been were written over the text of the biblical book of Tobit.
Online Since: 12/21/2009
This manuscript from the southern Tyrol was produced by two scribes in the year 1468 and bound as one volume during the same period. It brings together the didactic work Der Renner (The Runner or Courier) by Hugo von Trimberg and the Alexanderroman (Romance of Alexander) following a compilation by Johann Hartlieb. The codex contains 91 pen sketches. Instructions for the execution of these sketches can be found in the lower margins of the pages on which they appear.
Online Since: 12/20/2007
This generously illuminated manuscript in two volumes was made at the beginning of the 15th century and contains Guiron le Courtois, a romance about the fathers of the knights of the round table written around the year 1235. The various tales are presented here in an order unique to the to the CB 96 manuscript.
Online Since: 03/25/2009
This generously illuminated manuscript in two volumes was made at the beginning of the 15th century and contains Guiron le Courtois, a romance about the fathers of the knights of the round table written around the year 1235. The various tales are presented here in an order unique to the CB 96 manuscript.
Online Since: 03/25/2009
The two originally independent parts of this manuscript were bound together probably in the last third of the 15th century (after 1469, cf. Index p. Iv). The first part, written in a single column (pp. 1r-272), contains the Buch der Natur (Prologfassung) by Conrad of Megenberg. This part of the manuscript features marginal corrections and glosses (especially for medically relevant parts of the text), which may be by the original owner of the manuscript (Hayer 1998, p. 162). Especially parts I, III, IV, and V of the Buch der Natur contain marginal notes and interlinear glosses in a 15th century hand which reworks the natural history texts allegorically for preaching. Numerous smaller and larger marginal illustrations. The second part, written in two columns (pp. 274ra-307rb) contains a medical compendium in six parts (childhood illnesses – illnesses due to the imbalance of the humores – diseases of the eyes – the plague, skin diseases, fever – surgery and wound care – venereal diseases, bone injuries, burns), Latin and German recipes and prescriptions, as well as a German table of contents. On p. 284ra is a drawing of surgical instruments. Formerly privately owned by the antiquarian Hans P. Kraus, New York, Nr. 1958/13; prior to that Maihingen, Fürstl. Öttingen-Wallersteinsche Bibl., Cod. III.1.2° 3.
Online Since: 04/09/2014
This manuscript contains works by Lactantius, written in an Italian humanistic script in the second half of the 15th century. The book decoration consists of numerous initials with bianchi girari (white vine scroll), with side borders and with a frontispiece decorated along three sides with bianchi girari and with naturalistic elements: birds, butterflies and a donkey. In the bottom margin, two putti hold a laurel wreath surrounding the coat of arms of the person who commissioned the work, a member of the Aragonese royal family of Naples, probably Ferdinand I, King of Naples (1458-1494). An old signature confirms that the manuscript is from the library of the Aragonese Kings of Naples.
Online Since: 04/23/2013
This 15th century paper manuscript in four volumes brings together the prose texts Lancelot Propre, La Queste del saint Graal, and La Mort le roi Artu. The first volume contains 42 aquarelle tinted pen drawings, the fourth volume features two full-page illustrations on inserted parchment leaves.
Online Since: 12/20/2007
This 15th century paper manuscript in four volumes brings together the prose texts Lancelot Propre, La Queste del saint Graal, and La Mort le roi Artu. The first volume contains 42 aquarelle tinted pen drawings, the fourth volume features two full-page illustrations on inserted parchment leaves.
Online Since: 12/20/2007
This 15th century paper manuscript in four volumes brings together the prose texts Lancelot Propre, La Queste del saint Graal, and La Mort le roi Artu. The first volume contains 42 aquarelle tinted pen drawings, the fourth volume features two full-page illustrations on inserted parchment leaves.
Online Since: 12/20/2007
This 15th century paper manuscript in four volumes brings together the prose texts Lancelot Propre, La Queste del saint Graal, and La Mort le roi Artu. The first volume contains 42 aquarelle tinted pen drawings, the fourth volume features two full-page illustrations on inserted parchment leaves.
Online Since: 12/20/2007
John Lydgate, Troy Book, written c. 1412-1420 at the request of Henry V when still Prince of Wales. It is composed in couplets, with a prologue, five books, an epilogue, and an address to Henry V (thirteen stanzas rhyme royal=7-line stanzas ababbcc), and envoy, titled ‘Verba auctoris' (two 8-line stanzas). Lydgate translated the story of the Trojan War into English, not directly from Homer but through the re-workings by Benoit de Ste Maure, Roman de Troie (1165) and Guido delle Colonna, Historia Destructionis Troiae (1287).
Online Since: 06/18/2020
CB 113 is a copy of a manuscript from the Bibliothèque nationale de France and contains a collection of fables in the Æsopian tradition written by Marie de France in the 12th century. Marie de France, author of the famous Lais, augmented the 101 fables with six "fabliaux". The erotic passages of the fabliaux have been erased from this manuscript.
Online Since: 07/31/2007
This manuscript, written in a humanistic script, contains the Epigrammata by Martial (ca. 40- ca. 102) in twelve books, followed by the usual two concluding texts, Xenia and Apophoreta. The first leaf of the manuscript is missing. Several epigrams were added, probably at the same time period, but by a hand different from that of the principal scribe (41v, 105v, 132r, 133v, 136v). In the absence of a title page, the decoration is limited to a series of initials, created by two different artists; one with bianchi girari, the other with interlace on a background of gold, sometimes referred to as “a cappio annodato.“ Each epigram begins with a simple initial in blue. Produced in Northern Italy in the middle of the 15th century, the manuscript was verifiably in France since the 18th century, in the hands of the Jarente de Sénas family; later it was owned by Ambroise Firmin-Didot. During the 19th century, ownership changed several times before the manuscript became part of the collection of Martin Bodmer.
Online Since: 03/22/2018
The approximately 40 surviving manuscripts of the Nibelungenlied attest to the important position held by this text during the middle ages. The copy in CB 117 (the "Maihingen manuscript") was produced in the 15th century by three different scribes. The first five adventures have been abridged by the removal of about 100 supplementary strophes. The "Lament of the Niebelungen", which recounts the mourning of heroes who died in battle, forms the closing section of the manuscript.
Online Since: 03/25/2009
This manuscript was written on paper in Northern Italy. It contains two ancient historical texts that were copied independently of one another: the Epitome of Roman History by Florus and the History Against the Pagans by Paulus Orosius. These texts enjoyed great success during the entire Middle Ages and would be found in any library of even minor importance. According to the 15th century ex-libris (f. 147r), this copy was the property of the Abbey of the Augustinian Hermits of San Pier d'Arena near Genoa.
Online Since: 10/04/2018
The double page at the beginning of this manuscript of the Metamorphoses and the Fasti of Ovid shows its connections to antiquity: the use of initials in the fashion of antiquity, the purple tint that colors the entire double page and the laurels that crown the poet's verses and anchor the production of this volume in the Italian Renaissance. The dedication in golden letters on the back of the first page confirm this origin: the manuscript was copied by the Neapolitan Ippolito Lunense for the secretary of Ferdinand I. of Aragon, Antonello Petrucci, whose coat of arms, surrounded by putti and horns of plenty, may be found on the back of the second page. The style, color and ink are changed according to the text. The decoration with bianchi girari of a very high quality is typical of Neapolitan production methods that were practiced by the royal illuminator Cola Rapicano.
Online Since: 12/21/2009
This codex was produced in the opening years of the 16th century. Though it was created at a time when book printing had already proven its usefulness, this manuscript serves to demonstrate a high level of achievement in the calligraphic and illuminatory arts. Copied by Bartolomeo Sanvito, who also produced four other manuscripts of the Canzoniere and the Triumphi by Petrarch, CB 130 was written using a well-balanced, simplified script and refined illuminations. The beginning of the manuscript contains three full-page illustrations on parchment.
Online Since: 03/25/2009
An exceptional testimony of the "Renaissance" that rediscovered Platonism, as opposed to the medieval Thomism based on Aristotle, CB 136 was copied by the hand of the great Florentine humanist Leonardo Bruni, also called Aretino. This manuscript on parchment, written in a regular calligraphy, contains many philosophical dialogues, and it served as the basis for the Latin translation made by Aretino.
Online Since: 12/21/2009
In this work from Plato's most productive period, Phaedo tells of the death of Socrates from a witness's point of view and relates the last words of the great philosopher in the form of a last dialogue with Cebes and Simmias. This manuscript, which contains a number of attractive decorative initials, was written during the 15th century on parchment. The round humanistic script is that of a single scribe, who identifies himself in red thus, "Marcus Speegnimbergensis scripsit" (fol. 76)
Online Since: 06/02/2010
The twenty comedies by Plautus contained in this manuscript were written in the course of the second half of the 15th century in a very careful humanist script. Each comedy begins with a golden initial with bianchi girari. The first page is also decorated with a frame of floral interlace, which is interrupted in the lower part by a laurel crown flanked by two putti; the inside of the frame was left blank and must have been meant to contain the owner's coat of arms. According to a shelfmark on the front pastedown, in the 17th century this manuscript belonged to the Maurist library in Rome.
Online Since: 12/14/2018
This manuscript, which was written during the 15th century in Florence, retains its original binding. The humanistic script is the work of a single scribe, with large golden initials and "bianchi girari" (white vine) decorations at the beginning of each book. There are some marginal glosses written in violet ink as well as other, newer additions which were probably made during the 16th century. After Herodotus and Thucydides, Polybius is the third-greatest Greek historian. He concentrated on accounts of the Roman conquest, as characterized in the many conflicts that took place in a variety of different locations.
Online Since: 06/02/2010
This manuscript contains Propertius' elegies; it was written in an elegant humanist script by Gian Pietro da Spoleto in Florence in 1466. The manuscript belonged to Antonello Petrucci d'Aversa († 1487), who was active in the Aragonese chancery and later in the library of the Aragonese kings in Naples. The initials at the beginning of each book as well as on the frontispiece are decorated with bianchi girari (white vine scroll); the coat of arms that should have appeared within the laurel wreath (f. 1r) was never executed.
Online Since: 12/18/2014
This manuscript contains the Romuleon, a collection of anonymous Latin texts about the history of Rome attributed to Benvenuto da Imola. CB 145 was written in France in about 1440, probably during the lifetime of Charles VII, whose portrait can be found on fol. 6v. There is a series of noteworthy miniatures at the beginning of the manuscript.
Online Since: 03/25/2009
This manuscript contains the tract Le Mortifiement de Vaine Plaisance by King René of Anjou. This allegorical poem, composed in 1455, invites people to live a holy life by means of a dialogue between soul and heart about abstinence from unsatisfying earthly things. CB 144 is decorated with eight full-page miniatures made by Jean Colombe in about 1470.
Online Since: 07/25/2006
The larger part of this manuscript contains works by Marquart von Stadtkyll – Chirurgie (5r-50r) and Von den Zeichen des Todes (50v-58v) – or works attributed to him (59r-109r, various recipes for plasters, ointments, powders, baths, etc.). The rest of the manuscript (1v-4v, 109r-139r) contains transcriptions of 150 medical recipes by various scribes from between the 15th and the 16th century. The type of script and the dialect used indicate an origin in Southwestern Germany. In the 19th century, this manuscript was the property of the family of Hegwein von Herrnsheim (Lower Franconia); family members left their names and various dates in the manuscript. In 1969, it was purchased by Martin Bodmer at the William H. Schab Gallery in New York.
Online Since: 06/13/2019
Manuscript CB 151, completed in November 1402 by the copyist Johannes Man de Creussen (cf. fol. 187), is one of the oldest texts of the "Alexander Romance" by Seifrits. On the last page a remedy for the plague is added in Latin in a later hand.
Online Since: 03/25/2009
A precursor to the rediscovery of Statius during the Renaissance of the 12th century this manuscript of the Thebaid (sometimes Thebiad) from the 11th century was certainly copied in Germany. It contains some marginal glosses that originate in part in the commentary of Lactance, and is distinguished above all by its neumes, which stand above the verses on fols. 46v, 80r and 81r. The notation indicates the rhythem of the text and underscore the importance of some passages that have a pathetic tone: the mourning of Hypsipyle over the body of the child Archemorus, the prayer of Tydeus shortly before death, the pain of Polyneikes before the body of Tydeus.
Online Since: 12/21/2009
This dated paper manuscript contains the Büchlein der ewigen Weisheit by the German mystic and Dominican Henry Suso (1295-1366), which was in wide use during the Middle Ages, as well as the allegorical treatise Die zwölf Lichter im Tempel der Seele, which originally might have been part of a sermon. The linguistic characteristics of the text (Bavarian dialect) suggest an origin in South Tyrol, while a later annotation on the flyleaf (18th-19th century) could be an inventory note stating that it belonged to the library of the St. Elisabeth Convent of the Poor Clares in Brixen.
Online Since: 06/14/2018
The Theban and Trojan sagas held an important place in the literature of the middle ages. The contents of manuscript CB 160, written in 1469 on paper by Jacotin de Lespluc (« escript par la main de Jacotin de Lespluc »), form part of this tradition. This codex contains a prose version of the "Historia trojana" by Guido delle Colonne and a history of Thebes that closely follows the "Histoire ancienne jusqu'à César". The ink wash drawings are very similar to those found in Ms. 9650-52 of the Königliche Bibliothek of Belgium.
Online Since: 03/25/2009
In his De bello Peloponensium, Thucydides fully achieves the work of a historian, as he shows the origins of the Peloponnesian War and then relates its events year by year with great exactitude. This parchment manuscript is extraordinarily beautiful in its illustrations, especially the two "putti" and the human figure in the center of one initial, wearing a blue suit of armor and holding a sword. The humanistic script, a slightly angular cursive, is the work of a single scribe.
Online Since: 06/02/2010
This elegant codex, written in humanist cursive, contains the Elegiae by the Latin elegiac poet Tibullus; this text was not very widely distributed in the Middle Ages, but was rediscovered by Italian humanists at the end of the 14th century. The manuscript was written and illuminated in Florence, perhaps for Braccio, a member of the Martelli family, who had his coat of arms added to the title page. Later the manuscript passed into the hands of the Medici family of Florence; they had their coat of arms painted on the front pastedown. In 1968 Martin Bodmer purchased the manuscript from the collection of Thomas Phillipps.
Online Since: 06/25/2015
The verse narrative Willehalm by Wolfram von Eschenbach - one of the most important German authors of the Middle Ages - is a historical-legendary novel based on French heroic poems ("chansons de geste"). It tells the love story of Willehalm, Count of Toulouse, and Arabel, daughter of a Muslim king, and reflects the history of the conflict between these two medieval cultures. Since the 1360s it has been integrated into a unique cycle, together with the Arabel by Ulrich von dem Türlin, which tells the backstory, and the Rennewart, which tells the continuation. More than ten manuscripts and numerous fragments of this cycle have survived.
Online Since: 06/18/2020
This late Renaissance Italian humanist manuscript contains excerpts of various works by Latin and Greek authors, among them Pliny, Cicero, Silius Italicus, Plautus, Livy, Horace, Sallust, Plutarch, Seneca and others. Pellegrin, following Tammaro de Marinis, attributes the writing to the copyist Gian Marco Cinico, who worked for the kings of Naples between 1458 and 1494. The different parts are introduced by golden initials with bianchi girari, only partly completed (ff. 1v, 4v, 20r, 22r, 50r, 186v). Some of these bianchi girari are left unfilled on a blue, red, green or black background, others are colored pink, green or blue on a black or golden background. The vine scrolls are inhabited by putti and animals such as rabbits, stags, butterflies or birds. Numerous frames show putti engaged in hunting or other playful activities (e.g., ff. 55r, 79r, 139r, 169r).
Online Since: 12/17/2015
This ethical work by Boccaccio, originally written between 1353 and 1356 and expanded in 1373, addresses the subject of the unevenness of fate. Manuscript copies of the work were frequently made; it was issued in print and translated into many languages. It enjoyed great popularity in Europe. The French translation by Laurent de Premierfait for Jean de Berry was equally popular, as evidenced by the 68 manuscript copies of this text still in existence. Unlike the Latin version, the French manuscripts display a rich iconographic accompaniment, most likely produced by Laurent de Premierfait himself. This is also the case with CB 174, which was produced during the 15th century in France. Each book opens with a small illustration (150 in all) portraying the “pitfalls” described in the text that follows.
Online Since: 03/22/2012
The Rhetorica, a work in Latin recording ten years teaching by Guillaume Fichet, is a witness to this „Art of Speaking“, treatments of which would soon disappear. This richly illuminated manuscript was written in 1471 at the Sorbonne in Paris (in the same year as the printed edition of the text). The manuscript begins with a large miniature portraying the author presenting his book to Princess Yolanda of Savoy.
Online Since: 03/22/2012
The 13 large illustrations in this French manuscript, written in the 15th century, were produced by one of the most important book decorators of the late middle ages : Jean Fouquet (BnF, ms. fr. 247). They are richly decorated with gold and cover two thirds of a page; a large number of initials adorned with flowers round out the illustrator's iconographic program. The first page, which is missing, also certainly held a decorative illustration (Adam and Eve?). At the beginning of a prolog is a small miniature portraying the author writing the book. The Antiquitates iudaicae recounts the history of the Jewish nation from Genesis to the year 66 according to the modern western calendar.
Online Since: 03/22/2012
A luxurious copy of the Life of Aesop, part historical and part legendary, that was compiled around 1300 by Maximos Planudes. These pages once constituted the first part of a manuscript of Aesop's Fables , which today is held primarily in New York. It was written in Florence between 1482 and 1485 by Démétrios Damilas, one of the main scribes at the court of the Medici, for Lorenzo the Magnificent's young son Piero II de' Medici, who was 10-12 years old at the time. On the splendid frontispiece one can recognize the portraits of Planudes and Piero II.
Online Since: 12/17/2015
The text De verborum significatu by the Latin grammarian Pompeius Festus is an extremely valuable dictionary of Latin language and mythology for those seeking to understand the world of the Romans. This manuscript is of Italian origin and retains its contemporary binding with a wooden cover. It was written during the 15th century on parchment and contains lovely gilded initials on a blue and red background. Quotations have been added in the margins to explain certain words in the text. The last leaves in the volume contain excerpts from Greek and Latin authors.
Online Since: 06/02/2010
This unbound manuscript contains one of the most copied texts of the Śvetāmbara Jaina tradition, the Kalpasūtra, which was very popular all over India from the 14th century on. It is a collection of life stories of the great Tīrthaṅkāras. The present manuscript, written in Devanāgarī script, begins with the life of Mahāvīra Jīna, and continues with the biography of Pārśvanātha and Neminātha. The text is incomplete, missing folios 32, 85, 97, 103, and 125, which contained paintings that were sold separately. Their subject, however, can be restored through comparison with similar manuscripts. The paintings still in the manuscript (1v, 7r, 9v, 16v, 17v, 21r, 45v, 47v, 51r, 58r, 62v, 70r, 71v, 72v, 77v, 78r, 81v, 92r) depict the most important events of the lives of the Kalpasūtra's figures. Based on the painting style, the manuscript is close to the 15th century.
Online Since: 03/22/2018
This is an especially lovely exemplar, written in France (Paris?) or Flanders, of The Mirror of Human Salvation, or Speculum humanae salvationis. The work itself exists in over 200 manuscript copies and numerous print editions. The Mirror of Human Salvation is divided into the prefiguring of salvation (Old Testament), the story of salvation as told in the New Testament (from the Annunciation to the Judgement Day), the 7 Stations of the Passion, the 7 Sorrows and the 7 Joys of Mary. At this time, four leaves and the opening portion are missing.
Online Since: 11/04/2010
A collection of homiletic and pastoral texts dated with the years [14]52, [14]54 and [14]55, which came to Einsiedeln from the Lake Constance area. The main work are those by Nikolaus von Dinkelsbühl: Sermones de sanctis, De tribus partibus poenitentiae, De indulgentiis, De oratione Dominica; a collection of writings in Latin by Marquard von Lindau OFM; and texts by Jordanus von Quedlinburg OESA: Sermones de communi sanctorum, Sermones ad religiosos et religiosas.
Online Since: 12/21/2010
The devotional book of Abbot Ulrich Rosch of St. Gall contains various prayers, timetables and calendars, is decorated with elaborate initials and was written in the year 1472.
Online Since: 07/31/2009
This paper manuscript, copied in Bellinzona in the middle of the 15th century, contains a series of decrees issued by the Visconti government for the municipal authorities between 1352 and 1443. At the end of the text, there are blank pages onto which were copied letters of exemption for the people of theVal Mesolcina (a valley in the Swiss Canton of Grisons), which were issued in the years 1498-1499. The manuscript belonged to the Varone family; in 1537 it was bought and restored by the Bellinzona notary Giovanni Giacomo Rusca. In the 17th century, Carlo Bernardino Zacconi donated the manuscript to the library of the Jesuits of Bellinzona, which was later taken over by the Benedictines, and around 1787 the manuscript came to the Abbey Library of Einsiedeln.
Online Since: 12/20/2012
This composite manuscript is datable to the second half of the 10th century. It contains, among other items, the Annales Einsidlenses, Priscian's De grammatica, a fragment of a text on the game of chess, and a calendar with obituary entries up to the 16th century.
Online Since: 12/19/2011
German Psalter. The psalms are preceded by rubrics that indicate the occasion when the psalm should be recited. The manuscript also contains several canticles, the Te deum and the Litanies of the Saints. The names in the litanies indicate a Benedictine origin. The manuscript was written in 1421 by Othmar Ortwin. In 1839 it was purchased by the Einsiedeln monk and librarian P. Gallus Morell from the Cistercian Wurmsbach Abbey on Lake Zürich.
Online Since: 03/17/2016
This manuscript was produced in the Convent of Dominican Sisters of St. Verena in Zurich in 1449. In addition to the life of Benedict following Gregory's Dialogi, in a unique translation that seems to exist only in this codex (according to Werner Williams-Krapp), the manuscript contains translations of three more legends of 13th century Dominican saints. These as well are attested only in this codex, have practically never been studied, and have not even been edited. First there is one of three versions of the translation of the Vita S. Dominici by Dietrich of Apolda; then there is the translation of Thomas Agno de Lentino's Legenda maior about the Inquisitor Peter of Milan (also know as Peter Martyr or Peter of Verona), who was killed in 1252; attached to this is the bull of his canonization issued by Pope Innocent IV in 1253. It is noteworthy that the translation of the bull also contains a legend of Peter which, according to Regina D. Schiewer, is independent of the one by Thomas Agno. If the translations of these legends into Alemannic that are contained in Cod. 671 were in fact created around 1300, as assumed by Schwierer, then the (abbreviated?) version of the translation of the life of Dominic contained in Cod. 671 would constitute the earliest proof of the presence of the revelations of Mechthild of Magdeburg in Southwestern Germany, as the final chapter of the fifth book of the life of Dominic (cf. fol. 80v-82r) is based on excerpts from the Latin translation of Das Fließende Licht der Gottheit.
Online Since: 03/22/2017
This very small manuscript contains treatises on music by various Italian and French authors, among them Marchettus of Padua (f. 1-44), Johannes de Muris (f. 83-104v), and Prosdocimus of Beldomandi (f. 51-55, 75-82). It was written in Northern Italy at the beginning of the 15th century.
Online Since: 12/13/2013
Christus und die Minnende Seele ("Christ and the Courting (or wooing) Soul"); Henry Suso, life and works. This manuscript was a gift from a married couple, Ehlinger-von Kappel (Constance) to the Dominican convent of St. Peter in Constance, and from there it probably came to Einsiedeln via the Rheinau Abbey after its dissolution.
Online Since: 04/26/2007
The collection of nine Easter sermons in German from the body of works known as the "Engelberger Predigten" (früher "Engelberger Prediger") found in the Cod. 337 copy, which was probably made between 1415 and 1420, provides additional content to that found in the sermon collection in Engelberg Codices 335 and 336. In 1615 the Benedictine nuns of St. Andreas took this volume as well as Cod. 335, Cod. 336 and at least 24 additional manuscripts with them to their new location at Sarnen; these have been held in the library of Engelberg Abbey since 1887.
Online Since: 12/21/2010
The origin of this Büchlein der ewigen Weisheit attributed to Henry Suso (1295-1366), is unknown; perhaps it originated in a Franciscan environment in the Western Alemannic region. This text may have been created about a century after the very early witnesses in codd. 141 and 153.
Online Since: 12/18/2014
This volume is part of an antiphonary in three volumes that was produced in duplicate for the liturgy of the Collegiate Church of St. Vincent in the city of Bern shortly after the college's founding in the years 1484/85. The manuscript contains the entire winter portion of the Temporale, of the Sanctorale and of the Commune Sanctorum according to the liturgy of the Diocese of Lausanne. The book decoration with miniatures for numerous initials is attributed to the Master of the breviary of Jost von Silenen, an itinerant artist who was active in Fribourg, Bern, Sion and later in Ivrea and Aosta. He got his name from a breviary in two volumes that was created around 1493 for the Bishop of Sion, Jost of Silenen (1482-1496). After the introduction of the Reformation to Bern in the year 1528 and the subsequent secularization of the chapter, the entire group of antiphonaries was sold in 1530: four were sold to the city of Estavayer-le-Lac and were used there for the liturgy of the Collegiate Church of St. Lorenz; the other two — among them a duplicate of this manuscript — reached Vevey under circumstances that remain unexplained. They are currently held in the historical museum there.
Online Since: 12/18/2014
This volume is part of an antiphonary in three volumes that was produced in duplicate for the liturgy of the Collegiate Church of St. Vincent (founded in 1484/85) in the city of Bern. It contains the Proprium de sanctis and the Commune Sanctorum of the summer portion (March 25 to November 25) according to the liturgy of the Diocese of Lausanne. The book decoration generally matches that of the first volume and can be attributed to a different anonymous illuminator of lesser quality. After the introduction of the Reformation to Bern in the year 1528 and the subsequent secularization of the chapter, the entire group of six antiphonaries was sold in 1530: four were sold to the city of Estavayer-le-Lac and were used there for the liturgy of the Collegiate Church of St. Lorenz; the other two — among them a duplicate of this volume — reached Vevey under circumstances that remain unexplained. They are currently held in the historical museum there.
Online Since: 12/18/2014
This is the third and last volume of an antiphonary in three volumes that was produced in duplicate for the liturgy of the Collegiate Church of St. Vincent (founded in 1484/85) in the city of Bern. It contains the summer portion of the De Tempore according to the liturgy of the Diocese of Lausanne. Its duplicate is contained in volume IV. The book decoration consists of five illuminated initials, fleuronée initials and cadels, by the same artist who also decorated volume I. After the introduction of the Reformation to Bern in the year 1528 and the subsequent secularization of the chapter, the entire group of six antiphonaries was sold in 1530. Four were sold to the city of Estavayer-le-Lac and were used there for the liturgy of the Collegiate Church of St. Lorenz; the other two reached Vevey under circumstances that remain unexplained; they are currently held in the historical museum there.
Online Since: 12/18/2014
This volume is part of an antiphonary in three volumes that was produced in duplicate for the liturgy of the Collegiate Church of St. Vincent (founded in 1484/85) in the city of Bern. It contains the summer portion of the De Tempore according to the liturgy of the Diocese of Lausanne. Its duplicate is contained in volume III. The book decoration is by an anonymous artist; it consists of cadels, fleuronée initials and an illuminated initial with a border on f. 1r. After the introduction of the Reformation to Bern in the year 1528 and the subsequent secularization of the chapter, the entire group of six antiphonaries was sold in 1530. Four were sold to the city of Estavayer-le-Lac and were used there for the liturgy of the Collegiate Church of St. Lorenz; the other two reached Vevey under circumstances that remain unexplained; they are currently held in the historical museum there.
Online Since: 12/18/2014
This manuscript, which consists of only 28 leaves and which contains a part of a missal for the Ambrosian Rite, comes from the Oratory of St. Bernardino in Faido (Ticino); under the patronage of the Varesi family, this chapel was newly consecrated in the 15th century (probably 1459). The manuscript was donated to the Oratory by the Varesi family, possibly for this occasion, in order to allow the celebration of the Holy Mass. A quire containing the mass for the patron saint St. Bernardino (20-25) was added to the first quires (1-12, 16-19), as well as the loose leaf with two miniatures representing the Maiestas domini and the crucifixion. The script, a Gothic rotunda of the Italian type, contrasts with the miniatures which show a certain relationship to contemporaneous colored engravings of German origin.
Online Since: 06/13/2019
The Burgau Offnung of 1469 is a medieval law book. It governs the relations of associates in the law courts, at the princely court, and in communal landholdings within a court district (here the lower court of Burgau near Flawil) with the lord of that court, the "Vogt" (reeve). At the time this was Rudolf IX Giel of Glattburg, a ministry official of the abbot of St. Gall Abbey. Originally the Burgau Offnung was part of a single volume together with those of Flawil, Gebhartschwil, Uffhoven and Rudlen. The Flawil Offnung (up to page 17) was removed and bound separately. Preceding the text of the Burgau Offnung on pp. 18-28 were those of the Offnung of gebhartschwil, uffhoven und rudeln. The book was entrusted to the respective “Ammann” (head of the district council) of Burgau of the time. After 1798, following the dissolution of the lower court, the book transferred to the village corporation of Burgau. After consolidation of Burgau with Flawil, the book came into the custody of the municipality of Flawil.
Online Since: 06/23/2014
The Flawil Offnung of 1471, sealed on 21 January 1472, is a medieval law book. It governs the relations of associates in the law courts, at the princely court, and in communal landholdings within a court district (here the lower court of Flawil) with the lord of that court, the "Vogt" (reeve). At the time this was Rudolf IX Giel of Glattburg, a ministry official of the abbot of St. Gall Abbey. This document provides an insight into the legal and economic situation towards the end of the 15th century. Originally the Flawil Offnung was part of a single volume together with those of Gebhartschwil, Uffhoven and Rudlen (Aufhofen and Rudeln) as well as Burgau. Later the Flawil Offnung (up to page 17) was removed. Due to the dissolution of the lower court, after 1798 the Flawil Offnung was transferred to the citizens' corporation or today's municipality of Flawil.
Online Since: 06/23/2014
This processional (from the Latin processio, 'to advance' and referring to processions inside and outside the church), containing the order of the procession as well as the chants and texts to be recited during processions, consists of two codicological parts. The first part is from the last quarter of the 15th century and contains chants and prayers for the entire liturgical year; it is decorated with seven multicolor illuminated initials depicting scenes from the Gospels. The sections to be sung have square notation in black. While the first part presumably was not created in and for the convent of St. Katharinental (TG), the second part names the stations and the relics that are carried; thus it is meant for the processions of the Dominican convent.
Online Since: 03/19/2020
The Frauenfeld history Bible (“Historienbibel”) was completed in about 1450 in the atelier of Diebold Lauber at Hagenau (Alsace) and revised somewhat later. It contains 80 illustrations, each showing the work of three separate hands. It was probably in the possession of the Cloister of Augustinian Canons at Kreuzlingen beginning in the 16th century.
Online Since: 03/22/2012
This single-column manuscript, created in the second half of the 15th century, was very carefully written by a scribe in a humanistic minuscule. The work contains two texts by Cardinal Nicholas of Cusa (1401-1464), Cribratio Alcorani (ff. 1r-70r) and Contra Bohemos (ff. 70v-90r). With Cribratio Alcorani he attempted a precise philological and historical investigation of the Koran, and in Contra Bohemos he dealt with Hussitism. The title page (f. 1r) is decorated with bianchi girari (white vine scrolls). Two medallions with coats of arms are integrated in the border. The coats of arms show a white lion on a blue background and are crowned with the papal insignia. The coat of arms can be attributed to Pope Paul II. (Pietro Barbo, 1464-1471), which shows that the manuscript was made by order of the pope or at least during his papacy. Initials at the beginning of each chapter are golden with a background in blue and green. Individual initials are emphasized more strongly and one is decorated with white vine scroll, corresponding to the title page. The binding of the manuscript, richly decorated with plant ornaments, medallions and depictions of saints, dates from the 16th century. The central medallion on the front shows Mary with the infant Jesus.
Online Since: 12/10/2020
The prayer book was written in 1475 (f. 217v). The place of origin is unknown. The text begins with the incipit Diss büchlin ist von anis und zwantzig festen und von sextechen hochziten die durch das gantz jahr begangen werdent [...] (f. 1r). The initials and the incipit are highlighted in red. Otherwise, the text appears unadorned and was written in brown ink by one main hand in one column. Bound into the center of many quires are reinforcing strips from a 14th century missal (written in textualis). The leather binding, which was created at the same time as the manuscript, is decorated with diagonally arranged decorative lines and ornamental stamps.
Online Since: 12/10/2020
The "Schwesternbuch" (sister-book) of St. Katharinental was written in Katharinental near Diessenhofen in the first third of the 15th century. It belongs to the genre of monastic vitae literature and contains the life stories and the experiences of grace of 58 residents of the convent. The cover was inscribed by Antonia Bögin or Botzin (archivist, † 1763) from Kaufbeuren as follows: Lebensbeschreibung viler in allhiessigem gottshauss heylig-mässig gelebter closter-jungfrawen. The table of contents on the front pastedown, the chapter headings with the names of the St. Katharinental nuns mentioned in the book, and an enumeration of the nuns' vitae in the margins of the sheets are in a later hand. The two-column manuscript was written by two different hands. The main hand (pp. 1a-144a) wrote the lives of the nuns and a prayer. Another prayer (pp. 144b-154a) was written by the second hand. The parchment binding with fastening straps dates from the 18th century. The front flyleaf also contains a note of ownership: diss buoch ist schwester Margreten von Ulm († 1583) closterfrow in Sankt Kattrinen thal by Diessenhofen. For the year 1720, Sister Antonia is presumably registered on p. 104 as the new owner of the sister book.
Online Since: 12/10/2020
This composite manuscript was produced between 1460 and 1470 in the region of Lake Constance. Perhaps it was held for some time by the Ittingen Charterhouse near Frauenfeld. It contains late medieval sacred and profane texts, which were published for the first time in part based on this manuscript, such as Die fünf Herzeleid Mariä, the Frauenfelder Passionsgedicht and a prose recension of Wolfram's Willehalm, as well as an excerpt from the Büchlein der ewigen Weisheit by Henry Suso.
Online Since: 04/23/2013
This obsequiale (processional) of Otto IV von Sonnenberg, Bishop of Constance (1481-1491), was written during his lifetime in the Constance area; it contains instructions for the organisation of liturgical ceremonies (for example, administering the sacraments, ecclesiastic blessings, and exorcisms).
Online Since: 03/29/2019
This composite manuscript of homiletic content was written in Überlingen in 1495. Not only the place of origin of the manuscript, opido ùberlingen, but also the name of its author – scribebat Stephanus hamgarter nomen –, Stephanus Hamgarter von Stein (former parish assistant in Seefelden near Überlingen), can be gathered from the explicit (f. 38vb). The composite manuscript contains the Sermones dominicales de tempore (ff. 1ra-38vb) by Peregrinus de Oppeln (ca. 1260-1335), a Sermo de passione domini (ff. 59ra-66va), and further sermons (ff. 66va-82v). The volume was restored by “Hans Heiland und Sohn” in 1965, who also provided it with a new green leather binding.
Online Since: 12/10/2020
From the colophon (Finitus est liber Iste feria secunda Post festum Concepcionis virginis Marie. Anno domini 1498. Per fratrem iohannem Coci Conuentualem huius monastery. Iiij ydus decembris Laus deo, f. 186r), it can be inferred that this Psalter was written by Johannes Koch (mentioned in the Fischinger necrology and documented between 1498 and 1514, parish priest in Bichelsee (TG) from 1483 on) and that it was finished in 1498. It is striking that the writing on ff. 98r-110r was traced with black ink by a later hand. The paper pages with a hymn (ff. 187r-188v) were probably added later. The pages of musical notes have 5 red lines with German plainsong notation (“Hufnagelnotation"). The manuscript also has a simple red title (f. 1r): Incipit psalterium in nomine domini, immediately followed by a listing of the workdays. Headings are also kept in red. The front and back covers show the imprint of the former pastedowns. The contemporary yellow leather binding with Renaissance press patterns from the 15th and 16th century has two clasps as well as corner fittings. In addition, the front cover bears an 18th century paper label that unmistakably refers to the Benedictine Fischingen Abbey with the shelfmark C:XV. S:13. Notat: 10.
Online Since: 12/10/2020
This work, written in German, contains the life of Thomas Aquinas written by William of Tocco (1240-1323). On f. 106v, there is also a note on the writer and on the possible patroness of the work: Dis buoch hat ze tùtsche bracht gemachet vnd geschriben pfaff Eberhard von Rapreswil kilcherr zu Jonen (addition anno 1418 by a 16th or 17th century hand). Dem sol Got vnsri frow sant Thoman der heilig lerer vnd die erwirdig frow die Stoeklerin ze Toess wol lonen. According to this entry, the 15th century hand goes back to Eberhard von Rapperswil, who was pastor in Jona in the canton of St. Gallen. The woman who commissioned the work is considered to be the nun Stöklerin from Töss (probably Elsbeth Stükler). This makes the work one of the few German translations of the life of Thomas Aquinas. Individual initials are not only highlighted in red, but are also decorated. The manuscript has a raspberry-red leather binding with clasps, which was restored in the 20th century. The detached pastedowns in the front and back are from a 13th century manuscript with neumes (probably a Kyriale). The manuscript contains two ownership notes: Dijs buoch ist erhart blarer von Wartensee zuo Kemten, guothsher zuo kemtem vnd zuo Werdeg (f. 106v) and Monasterij apud D.[ivam] Yddam in Visch.[ingen] (f. 1r). Accordingly, the manuscript belonged to Prince Abbot Johann Erhard Blarer von Wartensee in Kempten, who is documented to have been active from 1587 to 1594; subsequently the manuscript became the property of Fischingen Abbey.
Online Since: 12/10/2020
This single-column paper manuscript is dated December 20, 1453 (f. 163r). The Liber officiorum was written by a main hand, which also added the red marginalia throughout the manuscript. A second hand is responsible for the interlinear glosses, other marginalia and red manicules. Chapter headings and lombards were kept in red throughout. The three parts of the work are each introduced by an initial containing a figure (f. 1r, 69r, 112v). Fol. 1r was additionally decorated with a frame of plant ornaments. The ex-libris on the front pastedown names Georg Alfred Kappeler (1839-1916, theologian and pastor) from Frauenfeld as the owner of the paper manuscript. The Kappeler family is proven to have lived in Frauenfeld since 1443. Due to their influential activities as governors, teachers and pastors, in the 19th century the Kappeler family was part of the educated middle class, to which Georg Alfred Kappeler also belonged. His legacy lives on today through several valuable manuscripts and prints still held by the Cantonal Library of Thurgau.
Online Since: 12/10/2020
This late 15th century manuscript is one of the earliest works in the holdings of the Carthusian Library in Ittingen. Jacobus Saurer von Blaubeuren (died 1514) is considered the scribe of the manuscript (with the exception of ff. 179r-180v): […] Jacobum Sënger alias Säurer propria ipsius manu conscriptus. The two-column paper manuscript contains the Tractatus super epistolas dominicales by the French scholastic Johannes Algrinus de Abbatisvilla as well as his entries on the Gospels for Pentecost. The text is written very evenly in a careful “Kurrent”. The brown wood-leather binding with clasps is contemporary and features decorative lines and ornamental stamps (stars and leaf ornaments).
Online Since: 12/10/2020
This breviary, created in the second half of the 15th century, contains texts for the celebration of the Liturgy of the Hours. The owner of the manuscript is Niklaus Hass (Primissarius in Allenbach): Iste liber pertinent Nicolao Hass primissario in Allenspach (f. 1r). This paper manuscript probably came to Kreuzlingen because of the good relations of Kreuzlingen Abbey to chapter of Constance. The two-column breviary was written by six different hands, of which that of Nikolaus Marschalk (died 1448, custos and canon of the monastery of St. Johann in Constance, see entry on f. 1r) can be named as the main hand (ff. 33ra-287vb, 290ra-303ra, 310ra-340rb and 342r). A second hand is responsible for the calendar and the beginning of the breviary (ff. 1r-8r, 12r-28vb and 309r-309v). Further entries are by four additional hands (third hand: ff. 28vb-32ra, fourth hand: ff. 288r-289v, fifth hand: ff. 303ra-304rb, sixth hand: ff. 305ra-308rb). The manuscript was written in a “Kurrent”. The contemporary wood-leather binding with a clasp and brass bosses is striking. The Kreuzlingen coat of arms was only subsequently engraved on the front as supralibros.
Online Since: 12/10/2020
The Schwabenspiegel manuscript was commissioned in 1410. It contains a collection of land and feudal laws that were in effect during the late middle ages in southern Germany and what is now the German speaking part of Switzerland. Additional content bound in this volume includes the biblical books of Kings and Maccabees as well as a first German translation of the Handfeste, the Fribourg City Law of 1249. An unusual item found in this manuscript is a miniature of the Flag of Fribourg, which appears here for the first time as we know it today, in the colors black and white.
Online Since: 12/21/2009
This manuscript contains an annal that records the celebrations for the anniversaries of the clergy of the Cathedral of Lausanne – cf. the unnumbered title page: Iste liber est capellanorum celebrancium in ecclesia katedrali Lausannensi de anniversariis que fiunt per dictos celebrantes. The original part might be from the 1420s, to which numerous later hands added on, in order to complete the anniversary masses that were celebrated. The internal organization follows the calendar month by month. The annal thus begins on January 1st (on page 1) and ends on December 24th (on page 167). Each page consists of two columns, each representing a different day, the title of which (letter – sometimes followed by the name of the liturgical feast) is rubricated. At the top of each column, the days are also given as days of the month (in Roman numerals) in a Gothic cursive script that seems to have been a later addition. The older necrologies of the cathedral chapter of Lausanne are known only through excerpts (included in the Lausanne cartulary at the behest of Conon d'Estavayer in 1224 and 1238) or mentions (in 1354 the chapter delegates were mandated to write an “anniversary book” – which, however, disappeared). This necrology was kept in Fribourg, probably arriving there after the conquest of Vaud by Bern in the course of the Reformation; it is therefore the oldest necrology surviving from the medieval period and makes it possible to fill in certain documentary gaps.
Online Since: 12/14/2018
The state archives of Fribourg owns a whole series of registers of citizens(Bürgerbücher). The first two of these registers are the most important ones; they cover the period from 1341 to 1769 and are presented here in digitized form. The registers present the citizens of the city of Fribourg as they change from a citizenry that is very open for economic reasons at the turn of the 15th century to one that gradually closes itself off and then becomes a privileged patriciate in the 18th century. ‘Bürgerbücher' were a means of controlling the enrollment of new citizens through lists, which from the very beginning could be in book form. This allowed mostly large and medium-sized German cities that had achieved a certain political and economic development to react to and to regulate demographic trends and immigration during the late Middle Ages, after and even before the great plague (mid-14th century). The first register was not planned, but consists of separate booklets that were bound together probably in 1416.
Online Since: 06/23/2014
The state archives of Fribourg owns a whole series of registers of citizens(Bürgerbücher). The first two of these registers are the most important ones; they cover the period from 1341 to 1769 and are presented here in digitized form. The registers present the citizens of the city of Fribourg as they change from a citizenry that is very open for economic reasons at the turn of the 15th century to one that gradually closes itself off and then becomes a privileged patriciate in the 18th century. ‘Bürgerbücher' were a means of controlling the enrollment of new citizens through lists, which from the very beginning could be in book form. This allowed mostly large and medium-sized German cities that had achieved a certain political and economic development to react to and to regulate demographic trends and immigration during the late Middle Ages, after and even before the great plague (mid-14th century). The second register was created in 1416 by the deliberate designs of city clerk Petermann Cudrefin, who had kept the first register since 1396 and had found it very disorganized.
Online Since: 06/23/2014
Paper manuscript containing the Parallel Lives of Plutarch in latin translation. The first page features a golden initial on a background of white vine stem decoration, as well as a coat of arms in the bottom margin, perhaps that of Guiniforte Zazzi, Pavia professor of law; on the sides of the coat of arms can be read the name of Peter Falck (†1519), the Fribourg humanist through whom the manuscript reached Fribourg before becoming part of the library of the Capuchins, and, in 2004, of the University Library.
Online Since: 10/04/2011
The liturgical content of this manuscript corresponds to that in use among the Carthusians. The church consecration festival listed in the Proprium de Sanctis between the feast days on the 4th and the 23rd of April probably refers to the 18th of April, when this holiday was celebrated at La Lance. This observation suggests that the manuscript was created in the Carthusian Monastery La Lance (Canton of Vaud). Several ex-libris can be dated around 1500 and confirm the presence of this codex in the monastery, at least until its dissolution in 1538. Then the manuscript was passed on to the Carthusian Monastery Part-Dieu in the Canton of Fribourg. Recently the manuscript was restored and the old binding was replaced.
Online Since: 03/19/2015
A breviary for the diocese of Lausanne preceded by a psalter. The different parts of the text are introduced by illuminated initials produced in an archaic manner. According to a note at the end of the text, the codex was produced by Magister Gilles around 1400 at the behest of Pierre Frenscher of Montagny, parish priest of Saint Nicholas of Fribourg. Another note records a donation by Frenscher for the altar of Saint Sylvester in the church of Saint Nicholas in Fribourg.
Online Since: 10/04/2011
Few works of antiquity had as profound an influence on the Middle Ages as did Boethius' De Consolatione Philosophiae. This exemplar contains valuable information which allows it to be placed in an interesting historical context. The Fribourg cleric Pierre Guillomin finished copying the manuscript on Christmas Eve 1447 in Dijon. The colophon, which states these details, also names the recipient of the manuscript, Jacques Trompettaz († 1503), a compatriot of the copyist. The latter was careful to include in several passages of the text, in addition to his own name and that of the addressee, the names of two more Fribourg friends, Claude de Gruyère and Jacques Sutz, Monk at Hauterive.
Online Since: 04/09/2014
The Liber ordinarius is a liturgical text that describes the ceremonies for every day and for holidays for a certain cathedral or for a certain collegiate or monastery church. In this case it is a Liber for Augustinian Hermits; according to a note on f. 63v-64r, it was written by Brother Georius Vituli from the Convent of the Augustinian Heremits in Freiburg in Breisgau. It contains various sermons, instructions and a treatise on the Ten Commandments in German. At some unknown time, the text passed from Freiburg in Breisgau to the Augustinian Convent of Fribourg (Switzerland).
Online Since: 03/19/2015
This voluminous paper manuscript contains the sermons de tempore and de sanctis for the summer part, several hagiographic texts and exempla. The manuscript might have originally been from Zurich and was the property of the library of the Augustinian Hermits in Fribourg before it came to the Cantonal Library of Fribourg in 1848.
Online Since: 12/14/2018
A psalter-hymnal produced for use by Dominicans. The saints recorded in the calendar indicate the codex's point of origin as a Dominican convent in Southern Germany or Bohemia. The decorative style of the illuminated initials and filigrees, above all, indicate Bohemian origin and an origination date in the first half of the 15th century (new information provided by Martin Roland, Vienna).
Online Since: 10/04/2011
This quaestio disputata by the Augustinian Johannes of Paltz (around 1445-1511) is a perfect illustration of the working methods of medieval scholasticism. The manuscript was written in Erfurt in the summer of 1486 and has as its topic the refutation of three errors. The first regards those who claim “to be able to calculate and foresee the Last Judgment.” It seems that this document is the only handwritten version of this text, which is known through two printed editions from the 15th century. Franz Xaver Karker (1812-1892), Canon of the Cathedral of Breslau (today Wroclaw in Poland), donated this work to the Fribourg library.
Online Since: 04/09/2014
The work „Die vierundzwanzig Alten“ constitutes a sort of guide to Christian life, and, at the time of its composition, the author, Otto von Passau, belonged to the Franciscan convent of Basel. This copy was written in the second half of the 15th century in a dialect used in the upper Rhine region. Unfortunately, the spaces for illustrations at the beginning of the 24 speeches have been left blank.
Online Since: 10/04/2011
This manuscript contains a collection of computistic and astronomical texts, as well as medical recipes in German (Alemannic) and Latin. Among the identified texts there are excerpts from the Buch der Natur by Konrad von Megenberg. Spaces intended for decorations and perhaps for illustrations have remained blank.
Online Since: 06/22/2017