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In addition to Greek and Latin Psalms, written somewhere in continental Europe by Irish monks during the Carolingian period, this famous Basel codex also contains a brief series of devotions in Latin for private use, appended by the monks. The exact place where the manuscript was written and its various subsequent travels are unknown, although, based on one note, whose interpretation is under debate, some relation to the Abbey of St. Gall and/or to that of Bobbio is frequently mentioned. In about 1628-1630 the manuscript was listed in the catalog of the Amerbach family, then around 1672-1676 in that of Johannes Zwinger.
Online Since: 03/22/2012
This manuscript, sparingly decorated with foliate and figure initials, was produced at the end of the 12th century and belonged to the Carthusian Monastery of Basel. In addition to the glossed cantica ad laudes et ferialia, it primarily contains the Psalter with the glossa ordinaria, the standard medieval commentary on the biblical texts. The layout of the text is in the customary catena-style: the text of the Psalm is in the middle of the page, surrounded by interpretation in the margins and betweens the lines.
Online Since: 12/14/2018
This incomplete liturgical psalter was made between 1335 and 1350 in Naples. The unusual decorations are the work of the artist Christoforo Orimina. Because the manuscript contains three different coats of arms, the original owner (a member of the Angevin court in Naples) can not be definitively named. After changing hands many times during the 19th and 20th centuries, the manuscript was acquired in 1968 by the owner of the collection "Comites Latentes" ("Hidden Friends") held by the Bibliothèque de Genève.
Online Since: 12/09/2008
German Psalter. The psalms are preceded by rubrics that indicate the occasion when the psalm should be recited. The manuscript also contains several canticles, the Te deum and the Litanies of the Saints. The names in the litanies indicate a Benedictine origin. The manuscript was written in 1421 by Othmar Ortwin. In 1839 it was purchased by the Einsiedeln monk and librarian P. Gallus Morell from the Cistercian Wurmsbach Abbey on Lake Zürich.
Online Since: 03/17/2016
From the colophon (Finitus est liber Iste feria secunda Post festum Concepcionis virginis Marie. Anno domini 1498. Per fratrem iohannem Coci Conuentualem huius monastery. Iiij ydus decembris Laus deo, f. 186r), it can be inferred that this Psalter was written by Johannes Koch (mentioned in the Fischinger necrology and documented between 1498 and 1514, parish priest in Bichelsee (TG) from 1483 on) and that it was finished in 1498. It is striking that the writing on ff. 98r-110r was traced with black ink by a later hand. The paper pages with a hymn (ff. 187r-188v) were probably added later. The pages of musical notes have 5 red lines with German plainsong notation (“Hufnagelnotation"). The manuscript also has a simple red title (f. 1r): Incipit psalterium in nomine domini, immediately followed by a listing of the workdays. Headings are also kept in red. The front and back covers show the imprint of the former pastedowns. The contemporary yellow leather binding with Renaissance press patterns from the 15th and 16th century has two clasps as well as corner fittings. In addition, the front cover bears an 18th century paper label that unmistakably refers to the Benedictine Fischingen Abbey with the shelfmark C:XV. S:13. Notat: 10.
Online Since: 12/10/2020
A psalter-hymnal produced for use by Dominicans. The saints recorded in the calendar indicate the codex's point of origin as a Dominican convent in Southern Germany or Bohemia. The decorative style of the illuminated initials and filigrees, above all, indicate Bohemian origin and an origination date in the first half of the 15th century (new information provided by Martin Roland, Vienna).
Online Since: 10/04/2011
In addition to the usual services, this small-format book of hours following the practice of Paris contains several texts in French (a prayer to St. Roch, Les quinze joies de Notre-Dame and Les sept requêtes à Notre Seigneur). It is richly illuminated with full-page as well as smaller miniatures attributed (Gagnebin, 1976) to the workshop of the Coëtivy Master (now identified as Colin d'Amiens). Although some illuminations are slightly damaged, they attest to the high quality of their execution, especially in the intercession of the saints (ff. 201r-220v). This book of hours was meant for a man (the prayers are addressed in the masculine, f. 21r and 25v), perhaps for a certain Jean Novelli, whose name, together with the date 1460, is mentioned on the 18th century binding.
Online Since: 06/13/2019
This 15th century Book of Hours following the custom of Paris also contains a complete biblical Psalter. The miniatures are attributed to the final period of the workshop of the Duke of Bedford (around 1435-1460). Each month in the calendar is preceded by a Latin verse in hexameter listing the two unlucky days of the month (January 1 and 25, February 4 and 26, March 1 and 28, April 10 and 20, May 3 and 25, June 10 and 16, July 13 and 22, August 1 and 30, September 3 and 21, October 3 and 22, November 5 and 28, December 7 and 22). This manuscript was part of the "collection Petau," founded by two counselors of the parliament of Paris, Paul Petau († 1614) and his son Alexandre Petau († 1672); in 1720 the volume was bought by Ami Lullin (1695-1756) from Geneva, who, after his death, bequeathed it to the Bibliothèque de Genève.
Online Since: 10/08/2015
This psalter from the 12th century is part of a collection formerly owned by the library of the double abbey of Muri. It was later transferred to the monastery at Hermetschwil. The cycle of miniatures is incomplete; the calendar includes a series of necrological records.
Online Since: 06/22/2010
This psalter was written during the 12th century in the monastery of Muri. The death records in the calendar include both nuns and monks who were members of the Muri monastic community and are thus an important witness for the existence of the double monastery.
Online Since: 06/22/2010
This psalter comes from the Dominican nuns's monastery St. Katharinental near Diessenhofen. The calendar contains several necrological entries. The book's edge is painted.
Online Since: 11/10/2016
This psalter is the work of the Engelberg Master. Psalms 1, 51 and 101 are introduced by large initials. Especially remarkable is a knight on 41r.
Online Since: 11/10/2016
This psalter was originally made for Selnau Abbey in Zurich. 7r has a portrait of a benefactress. In the 17th century, it was owned by Sister Ottilia Suter of Hermetschwil.
Online Since: 11/10/2016
This psalter is from Gnadental Abbey near Bremgarten (AG). A 16th century note names Herr Kopp im Engel zu Bremgarten as scribe.
Online Since: 11/10/2016
A 15th century Psalter following the liturgical custom of the Collegiate Church of Saint-Ursanne; in form and content it is a perfect copy of the Basel manuscript AN VIII 39. Both pastedowns consist of fragments of Vincent of Beauvais' Speculum historiale; on f. 36r there is a 16th century pen drawing of the Virgin Mary. The manuscript remained in the Collegiate Church of Saint-Ursanne until it came into the possession of the Library of the Canton of Jura in the 20th century.
Online Since: 09/23/2014
This work of Dominican provenance contains psalms and hymns. The incipits are given in Latin, followed by the complete German translation. The first scribe gives the date of March 26, 1480. The main scribe is called Wendelin Fräger.
Online Since: 10/08/2015
This German language composite manuscript probably was created at the Oetenbach Convent of Dominican nuns in Zurich in the beginning of the 15th century. In addition to the liturgical Psalter (for the monastic Liturgy of the Hours, Psalterium feriatum), it also contains the Cantica of the breviary and the Litany of the Saints in German, as well as a prayer. At least since the 17th century, the manuscript has been in the possession of the collegiate church of St. Ursus in Solothurn.
Online Since: 03/17/2016
This manuscript was created in the third quarter of the 15th century, probably in the Upper Rhine area or rather Switzerland, as evidenced by the original binding which is decorated with numerous individual stamps. In addition to the translation of the Psalms with commentary, which had earlier been attributed to Heinrich von Mügeln, the manuscript also contains the Cantica of the breviary in German. The circumstances that brought this volume to Solothurn are not known.
Online Since: 03/17/2016
The composite manuscript VadSlg Ms. 292 combines three independently produced parts, bound together in about 1460 at the Abbey of St. Gall. The first part is a Psalter from the 9th century; whether it was produced in St. Gall is questionable. The hymnal from the 12th century that comprises the second part contains a dedicatory illustration showing the scribe Eberhard presenting his book to Gallus, while Pope Gregory sits at a podium writing down songs that that a dove representing the Holy Spirit is whispering in his ear. The third part is a fragment containing prologues to the Psalter.
Online Since: 05/20/2009
Psalter, produced in the second half of the 9th century, possibly in northern France. Following the Psalms, which were heavily annotated with commentaries in later centuries (mainly the 14th and 15th centuries), the Psalter is followed by the Canticles as well as a fragment of a Litany of the Saints not produced at St. Gallen. The beautifully illuminated initial capital of the first Psalm (Beatus vir) on page 1 is strongly influenced by Irish models.
Online Since: 12/09/2008
Bible manuscript from the time of Hartmut, Vice-abbot ca. 850-872 and Abbot 872-883, containing a copy of the Hebrew Psalter: one volume of the so-called "Kleine Hartmut-Bibel".
Online Since: 06/12/2006
The Wolfcoz Psalter – one of St. Gallen's earliest examples of illuminated initials of the highest quality.
Online Since: 12/31/2005
Old High German translation and commentary on the Psalms by the monk Notker the German of St. Gall, dating from around the year 1000. This 12th century copy from Einsiedeln is the only extant complete copy.
Online Since: 06/12/2006
The Golden Psalter (Psalterium aureum) of St. Gall, written and illuminated with 17 miniatures, either in the West Franconian empire (Soissons?) or in the monastery of St. Gall with the participation of West Franconian scribes and illuminators.
Online Since: 06/12/2006
The Folchart Psalter, a masterpiece of late Carolingian illumination.
Online Since: 09/14/2005
Produced in the thirteenth century, this Psalter shows evidence of heavy use. An “instructions for use” found on the back pastedown calls for the Psalter to be left in the choir so that every sister can read it. Thus, the Psalter came from a convent of women. Since St. Catherine is particularly emphasized in the calendar, it could have belonged to the convent of Dominican women of St. Catherine in St. Gall. Decoration consists of red and blue pen-flourished initials. In addition, the liturgical eight-part division as well as the three-part division of the Psalter are highlighted with larger painted initials, which are partially adorned with silver and gold ink. Following the Psalms, starting on p. 240, are the biblical Cantica, Credo, Te Deum, Symbolum Athanasianum and a litany. A few leaves were replaced in the fifteenth and fourteenth/fifteenth century (pp. 95–98, 257–264). Two quires of a breviary in the same hand as pp. 257–264 are bound to the litany (pp. 269–288). In the same hand, an incomplete calendar (July to December) with names of the month in German precedes the Psalter (pp. 1–12). Originally the calendar probably consisted of two quires, of which only the last leaf of the first quire and the complete second quire remain. On the front pastedown is glued the bookplate of Prince-Abbot Beda Angehrn (abbot 1767-1796).
Online Since: 12/14/2022
The manuscript is defective at the beginning and at the end; the Psalter begins in Ps. 4,5. The psalms are followed on p. 203-218 by the Old Testament canticles for the Lauds (without Canticum Moysis I) and two New Testament canticles, the Benedictus and the Magnificat. The Pater noster, which follows on p. 218, breaks off in the middle of the text. This small-format Psalter is written on parchment of inferior quality. The pages are heavily worn and often damaged.
Online Since: 10/08/2020
Short Psalter from the early 14th century, produced in the now dissolved west English Abbey of Malmesbury, with calendar and All Saints Litany, illustrated with artful initials and margin borders composed of leaves, flowers, animals and human heads. Acquired by the Cloister of St. Gall since 1500 at the latest, the volume was "augmented" at this location by the addition of some recipes for medical preparations.
Online Since: 12/23/2008
A glossed psalter from the monastery ofSt. Gall, dating from the middle of the 9th century.
Online Since: 12/31/2005
Lectionary from the Abbey of St. Gall with numerous sermons on various Gospel selections by the church fathers, produced by a number of different hands in the 10th century in St. Gall. This little studied volume also contains benedictions and oratory prayers. Appended at the back (in small script in two columns) is a Psalter. The manuscript has become extremely soiled with intensive use; it features assorted addenda and supplements from the 11th and 12th centuries.
Online Since: 12/21/2009
The manuscript contains the readings for the nocturns of matins, the nightly office, on Sundays, feast days and weekdays. It includes the proprium de tempore from the first of Advent to the end of the ecclesiastical year (including the saints' feasts between Christmas and Epiphany). As the Matutinale does not have four readings per nocturn on Sundays, as was the practice in the Order of Saint Benedict, but only three, it cannot have been originally written for the Abbey of St. Gall. On the margins of p. 233/234 appear numerous additions from the fourteenth and fifteenth centuries on the feast of the Trinity. Decoration consists of red lombards and simple initials, partially with incipient pen-flourishes (e.g., p. 75). The parchment has numerous holes, some of which have stitches. Numerous pages are trimmed below the text block. Strips from an eleventh-century liturgical manuscript are bound around the first and last quire of the codex as reinforcement (the back half of the strip around the last quire is paginated as p. 414/415). On the front board appears the offset of a page of a thirteenth-century psalter; on the back board, the offset of an eleventh-century sacramentary (?).
Online Since: 12/14/2022
This manuscript probably was written at the behest of St. Gall Abbot Ulrich Rösch (1463-1491). The manuscript's principal part consists of a Psalter with the Psalms in biblical order, as well as several liturgical rubrics, antiphons (partly only with the Initium), and hymns, followed by the Pater noster, the Credo, biblical Cantica, the Te Deum, a litany und more Cantica. The final part, from fol. 135v, consists of a hymnal, which also contains a Sequence (Cantemus cuncti melodum). Antiphons and hymns have melodies in German plainsong notation("Hufnagelnotation") on 4 or 5 lines. Numerous erasures and additions, as well as other signs of usage, attest to intensive use of the manuscript. Several pages have book decorations in the form of initials with vine scrolls; a figure initial can be found on fol. 1v (a man fighting a dragon and a bird of prey).
Online Since: 10/07/2013
This manuscript was written at the behest of St. Gall Abbot Ulrich Rösch (1463-1491) (dating on f. 227r: 1467). Its content corresponds substantially to that of Cod. Sang. 438: a Psalter with the Psalms in biblical order, as well as several liturgical rubrics, antiphons (partly only with the Initium) and hymns are followed from f. 148v by Cantica, and from f. 172v by a hymnal. Antiphons and hymns have melodies in German plainsong notation ("Hufnagelnotation") on 4 or 5 lines. Numerous erasures (sometimes extending over several pages) and additions, as well as other signs of usage, attest to intensive use of the manuscript. Several pages have book decorations in the form of initials with vine scrolls; a figure initial can be found on f. 104v (David with a harp).
Online Since: 10/07/2013
This small volume contains liturgical fragments. They come from six different manuscripts (overwhelmingly breviaries/psalters), of which sometimes multiple leaves, sometimes only a few lines survive. The first fragment (ff. 12r-34v) is written in Latin, but has German rubrics, which suggests a breviary for private use. As a note on f. Ar in his own hand indicates, Ildefons von Arx likely assembled this volume.
Online Since: 04/25/2023
This small prayerbook contains four large textual units, of which three could be called Marian prayers. A short psalter that connects the first verse of each psalm with an Ave Maria (pp. 5–35), an extensive litany of saints (pp. 37–68), the “Joys of Mary” (pp. 69–180), and another short psalter that is structured like the first text, except that throughout it uses a different Psalm verse instead of the initial verse (pp. 180–200). The manuscript is entirely written by a skilled hand and contains rubrics and initials in red and blue ink. The text is preceded by two full-page illuminations (p. 2 Enthroned Virgin and Child, p. 3 the Flagellation of Christ). The mention of St. Abundius of Como (p. 56) suggests a possible place of origin for the codex. Thus Scherrer suggests that it could have been copied in Italy for Benedictines; Scarpatetti thinks that it was produced in or for a lay chapter or a women's convent. On p. C can be found a likely post-medieval ownership mark by a certain Jodokus Graislos in Greek script. In the eighteenth century, the book received its current, unadorned binding and an ownership mark of the St. Gall-dependent convent of St. Johann im Thurtal (p. 1), whence the manuscript came to the Abbey Library.
Online Since: 09/22/2022
Most likely intended for the convent of Dominican nuns of St. Catherine in St. Gall, this tiny psalter (11 x 8 cm) reveals its Dominican use already in the calendar (ff. 2r-7v), which includes Dominican saints, such as Thomas Aquinas and Peter Martyr. Copied in a single column of textualis by a regular hand, the text is punctuated by alternating red and blue initials, sometimes with pen flourishes, and in different sizes according to the textual divisions (psalm, verse). In addition to Latin notes, the margins contain instructions in German on how to recite the Psalms. After the litany of saints and prayers (ff. 151r-159v), a paper quire has been added, dating from the end of the fifteenth century and containing hymns (ff. 160r-170v).
Online Since: 09/22/2022
This tiny psalter, which was written for a Dominican Convent, begins with a fragmentary calendar (ff. Er-Iv; one leaf, containing the months of January and February, has been removed). After the Psalms (ff. 1r-182v) there follows the Old and New Testament Cantica (ff. 183r-193r) and the Athanasian Creed Quicumque vult (ff. 193r–194v) as well as a fifteenth-century addition of a litany (ff. Ur–Wr). Red and blue initials, some with pen-flourishes, make up the book's ornamentation. The flyleaves come from older recycled parchment, and the pastedowns are made up of fragments from a fifteenth-century charter. Since Catherine of Siena does not appear in the calendar, the psalter likely was produced before 1460. The manuscript was in the Abbey Library by the eighteenth century at the latest.
Online Since: 04/25/2023
This Psalter contains the psalms in liturgical sequence with antiphons, followed by biblical canticles and a hymnal. The codex was written in 1545 (colophon f. 102v) by the organist and calligrapher Fridolin Sicher (1490-1546) by order of Prince Abbot Diethelm Blarer (1530-1564). Large parts were rewritten by numerous later hands, probably after the reform of the liturgy following the Council of Trent. The Psalter contains several figurative initials by an unknown illuminator.
Online Since: 06/23/2014
This small and thick paper codex is comprised of around a dozen codicological units and contains many texts copied by several different hands between the fourteenth and fifteenth centuries. It contains sermons and various treatises such as the Speculum boni et mali (pp. 1-48), the Speculum monachorum (pp. 62-65), Jean Gerson's Opus tripartitum (pp. 73-122), the De malitia mulierum (p. 463-475), texts on the mass – one of which is an exhortation to say mass (pp. 122-144) –, the Visiones Pauli (pp. 159-167), some exempla (pp. 297-328), a computus (p. 353-390), as well as a series of letters. Some manuscript fragments serve as quire guards. Among these should be noted the remarkable presence of uncial fragments from the seventh or eighth century (p. 84-s1-2, 180-s1-3, 204-s1-3, 224-s1-3, 288-s1-3, 304-s1-3), all from a Psalter. Likely, they come from the same manuscript as that described by A. Allgeier (1929), dated to the end of the seventh century (CLA 7, n° 985), and certain more important fragments of which are in Stiftsbibliothek, Cod. Sang. 1395.17 (former Cod. Sang. 1395, p. 370-391.
Online Since: 05/31/2024
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The twenty-second folder of Cod. Sang. 1397 contains fragments from two psalters dating from the ninth and tenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The twenty-third folder of Cod. Sang. 1397 contains fragments from five manuscripts, chiefly psalters, from the tenth to the twelfth century.
Online Since: 09/06/2023
Psalter/Breviary for a Dominican women's convent. On pp. 1-12 it contains a calendar of saints with many female saints and several rare saints. The presence of saints from St. Gall and Constance suggests that the volume was created in the Diocese of Constance. On pp. 390-393 there are instructions for prayer in German. Noteworthy are thirteen miniatures and initials in gold leaf. This volume is from the convent of Dominican nuns of St. Katharina auf dem Nollenberg near Wuppenau (Thurgau); according to a note of ownership, it was the property of the convent at least since the 16th century. Since 1930 it has been a deposit of the episcopal library of St. Gall at the Abbey Library.
Online Since: 12/14/2018
German Psalter, complete except for one missing leaf at the end: Psalms (pp. 1-164), canticles (pp. 164-178). With few figured initials (dog p. 1, fish p. 141, p. 153 and p. 157). The volume is from the St. Katharinen Convent of Dominican nuns in St. Gall; whether it was written there cannot be determined for certain. Since 1930 it has been in the Abbey Library as a deposit of the episcopal library of St. Gall.
Online Since: 10/08/2015
These are two well preserved fragments of a Psalterium iuxta Hebraeos, which were probably written in the 10th century at the monastery of St. Gall, following the model of Cod. Sang. 19. In 1963 both fragments were detached from a messenger bag; they are held in the town archive of Urnäsch (Appenzell Ausserrhoden).
Online Since: 10/08/2015
The manuscript contains a psalter for use in Evreux, episcopal city and preferred residence of the kings of Navarre.This is a liturgical book which contains the calendar, the litany and the Office of the Dead, that is, the most important texts of a book of hours. The illumination is the work of an artist who was active in Paris around 1400 and who depicts elegant figures in a picturesque landscape, still on a gold background, while his color palette is already that of the 15th century. This hand is to be attributed to the workshop of the Parisian Josephus-Master. At least two miniatures – the jester miniature (f. 44r) and the miniature of the Office of the Dead (f. 131r) – are attributed to the pseudo-Jacquemart.
Online Since: 12/20/2012
This manuscript contains the Psalms, ordered according to the arrangement of the liturgy of the hours, in Latin and each followed by the German translation. It was copied by two woman scribes, nuns in the Dominican Convent of St. Katharina in St. Gall. One hand is probably that of Angela Varnbühler. The binding consists of simple wooden tablets, covered in leather without any ornamentation, which is typical for the first phase of the St. Katharina scriptorium; it constitutes an additional element to attest to the origin of the manuscript.
Online Since: 04/23/2013
In 1728 Meir Cohen Belinfante copied this decorated psalter from the 1670 printed edition by the Amsterdam printer of Hebrew and Spanish books, David de Castro Tartas, who was active between 1662 and 1698. The manuscript has a decorated title page, which depicts David, the psalmist, and Aaron, making a clear reference to the first name of the patron, whereas the bottom part of this page portrays a scene of the biblical Joseph, making a correlation with the patron's father, also named Joseph. All decorations, including the title page, were executed in brown ink similar to the text ink. At the end of the manuscript, there is a text by the corrector, Isaac Saruk, who praised the precision of the manuscript and wrote a poem in honor of the patron Aaron de Joseph de Pinto, from whom the manuscript takes its name.
Online Since: 10/13/2016
The psalms in this manuscript are subdivided according to the days of the week on which they are to be read and, with exception of the psalms for Friday, these daily sections have decorated monochrome or multicolored initial word panels. The manuscript has an architectural title page representing Moses and Aaron standing in arches. Particularly impressive is the picture at the beginning of the first Psalm where, following the initial word ashre, on folio 6v is a depiction of King David sitting outside on the terrace of a palace, playing the harp while looking at an open volume, which most probably represents his psalms. This Braginsky manuscript has been copied and decorated by Moses Judah Leib ben Wolf Broda of Trebitsch, who is also responsible for perhaps the most famous decorated Hebrew manuscript of the eighteenth century – the Von Geldern Haggadah of 1723. Including this Braginsky psalter, a total of seven manuscripts by Moses Judah Leib are known, produced between 1713-1723. The brown mottled calf binding carries the emblem of the De Pinto family of Amsterdam tooled in gold on both the front and the back covers.
Online Since: 10/13/2016
The so-called "Zürcher Psalter" (Zurich Psalter) or "St. Galler Psalter" (St. Gallen Psalter), written and decorated in the scriptorum of the monastery of St. Gall, with numerous initial capitals as well as with the oldest extant artistically sophisticated miniature found in the St. Gallen manuscripts, from about 820/830. Includes appended All Saints Litany and computational tables and diagrams. Used daily by the monks in the liturgy of the hours.
Online Since: 04/26/2007
"Festschrift" from the monastery of St. Gall: translation of the Marian psalter into Greek by monks at St. Gall in the year 1661.
Online Since: 12/20/2007
The Rheinau Psalter, Ms. Rh. 167, is among the preeminent treasures of the Zurich Central Library. Its miniatures are a product of the highest level of artistry of the High Gothic painting of this period around 1260, which is also true for the sophisticated color and painting techniques that were used. In contrast, the script, while of quite good quality, cannot be counted among the highest examples of the art of writing. The commissioner of the manuscript must be sought in the area of Lake Constance, probably in the city of Constance, which was very important in the politics and church politics at the time of the interregnum. In 1817, Father Blasius Hauntinger purchased the manuscript from Melchior Kirchhofer in Schaffhausen for the Benedictine Rheinau Abbey; in 1863, the manuscript, along with the Rheinau Abbey Library, became part of the Cantonal Library (today Central Library) in Zurich.
Online Since: 12/20/2012