This paper manuscript contains a commentary on Magister Adam's (Adamus Alderspacensis) Summula de summa Raimundi. A hand from the first half or middle of the fifteenth century prepared this copy in a book cursive script. Occasional pen-drawings decorate the text. Based on the binding, the manuscript has been in the Abbey of St. Gall since 1461 at the latest.
Online Since: 04/25/2023
The confessors' manual of Magister Simon borrows extensively from Raymond of Peñafort's Summa de poenitentia and Summa de matrimonio. The text contains an indictment that suggests an origin in the Diocese of Paris around 1250 or a little later. According to the ownership note on p. 1, the manuscript, written in two hands in the second half of the thirteenth century or the first half of the fourteenth century, entered the Abbey library of St. Gall by 1478 at the latest.
Online Since: 09/22/2022
This manuscript from the 2nd half of the 12th century preserves the Abbreviatio Decreti "Quoniam egestas", an abridged version of the Decretum Gratiani, complete with glosses. The text represents the oldest datable record of the study of the Decretum Gratiani in France. The script and book decoration indicate that the manuscript was probably produced in Engelberg during the time of Frowin. Since 1461, it has been at the monastery of St. Gall.
Online Since: 12/20/2012
This extensive manuscript miscellany was written by the secular priest Matthias Bürer. According to the numerous colophons, he finished the copies of the texts in the period from ca. 1448 to 1463 in Kenzingen (Baden-Württemberg) and in many places in Tyrol. The manuscript transmits among other things several theological treatises, a confessors' manual, two mirrors of confession, an ars moriendi (“the art of dying”), the Acts of the Apostles with the Glossa ordinaria, sermons, as well as Books II–IV of Pope Gregory the Great's Dialogues. After the death of Matthias Bürer in 1485, the manuscript went, along with other books, to the Abbey of St. Gall, in accordance with a 1470 agreement.
Online Since: 09/22/2022
This ecclesiastical law manuscript contains a collection of papal decretals generally known as the Breviarium extravagantium or Compilatio prima, compiled by Bernhard of Pavia, the first decretalist, in about 1189-1190. In addition to older glosses of unspecified origin, on some pages next to the two columns of the Textus inclusus there are extracts taken from the first review of a set of glosses by Tankred of Bologna, which he issued in about 1210-1215. The text, the initials, and the glosses date from the end of the 12th century or possibly the beginning of the 13th century in France.
Online Since: 12/19/2011
This manuscript, probably written in Italy in the second quarter of the 15th century, contains the canonist Wilhelm Horborch's († 1384) collection of judicial decisions of the Rota Romana. The manuscript probably reached the library of the monastery of St. Gall along with other codices from the estate of St. Gall Abbott Kaspar von Breitenlandenberg (1442–1463), who had studied canon law in Bologna from 1439 until 1442 under Johannes de Anania.
Online Since: 06/25/2015
The incompletely preserved Edictum Rothari is the oldest extant copy of the early medieval law of the Lombards as decreed by King Rothari (636-652) in 643. This earliest known copy, dating from 670/680 and originating in Bobbio (?) has been preserved only as fragments divided between the Abbey Library of St. Gall, the Badische Landesbibliothek Karlsruhe, the Zentralbibliothek in Zurich and the Zurich cantonal archives. The largest portion of the fragments, which were bound together in the present volume by Abbey Librarian Ildefons von Arx in 1822, is found at the Abbey Library of St. Gall. In 1972, the fragmental parchment leaves of the Edictum Rothari owned by the Abbey Library of St. Gall were rebound into a new volume, in a fashion that does not exactly follow conservational guidelines, together with black and white photos of the fragments that are in Karlsruhe and Zurich. The photos were then removed from this by restorer Martin Strebel in 2008. At the same time, this manuscript, which is significant to the history of law, was rebound using the latest book restoration techniques, thanks to the Friends of the Abbey Library of St. Gall, which covered the costs of the work.
Online Since: 07/31/2009
The so-called Wandalgarius manuscript containing the Lex Romana Visigothorum, the Lex Salica and the Lex Alamannorum. An important legal manuscript, written and decorated with numerous colored initials and a miniature of a crowned lawgiver in the year 793 by the cleric Wandalgarius in Lyon. It contains the laws of the Visigoths (Lex Romana Visigothorum), the Salian Franks (Lex Salica) and the Alemanni (Lex Alamannorum). It is the oldest precisely dated manuscript in the Abbey Library of St. Gall.
Online Since: 12/12/2006
The two-part paper manuscript transmits two theological works that, according to the colophons, were copied in 1392 and 1393. The works are Johannes Müntzinger's commentary on Rudolf von Liebegg's Pastorale novellum, a handbook of sacramental doctrine, and Konrad von Soltau's systematic explanation of the foundations of Christian belief, written in the form of a commentary on the decretal “Firmiter credimus”.
Online Since: 09/22/2022
A representative copy of the decretals of Pope Gregory IX (Pope 1227-1241) in a Gothic-rotunda script from Italy. The text of the decretals is surrounded on each page by the so-called Glossa Ordinaria, a juridical commentary by the canon law specialist Bernardus de Botone of Parma († 1266), which has been written to encircle the main text. The commentary in turn has been extensively edited and glossed at a later time. Each of the five parts is decorated with a scene portraying its content.
Online Since: 03/31/2011
This parchment manuscript contains the Institutiones Iustiniani (pp. 3a–91a), that is, the manual of Roman Law produced in 533 under the Eastern Roman Emperor Justinian, as well as the Libri feudorum (pp. 91b–125b), that is, Lombard feudal law, each of which accompanied by the Glossa ordinaria, the standard apparatus, compiled by Accursius. The texts and their surrounding glosses were produced in the 14th century, and probably in France. Based on the annotations of the legal scholar Johannes Bischoff († 1495), a conventual of the Abbey of St. Gall, this manuscript was in the Abbey of St. Gall since at least the last quarter of the fifteenth century.
Online Since: 04/25/2023
This manuscript, decorated with fleuronné initials and occasional pen drawings, was written in Italy in the second half of the 13th century or at the latest at the beginning of the 14th century. It preserves the Codex Justinianus (Books 1–9), the Great Gloss of Accursius associated with it, as well as many more glosses in the margins. The manuscript came to the Abbey Library at the latest in the 16th century via the two St. Gall citizens Conrad Särri and Johannes Widembach († around 1456).
Online Since: 12/18/2014
This parchment manuscript essentially contains Summae of most parts of the Corpus iuris civilis, namely books 1–9 of the Codex, the Institutions and the Digest. The vast majority of these textbook-like summaries have been ascribed to the Bologna jurist Azo Portius († 1220). The manuscript, produced in Northern Italy in the thirteenth or fourteenth century, presents at the beginning, on p. 7a, two larger painted initials, one of which features a dragon, and then follows numerous smaller pen-flourished initials.
Online Since: 04/25/2023
A compendium of 39 medical texts by known and unknown authors, produced in the second half of the 9th century, most likely in northern Italy, already obtained at an early date by the Abbey Library of St. Gall. This codex includes—sometimes in unique exemplars—an alphabetically ordered Greek-Latin herbal glossary, the treatise De re medica by one Pseudo-Plinius (Physica Plinii), and a longer medical tract entitled Liber Esculapii.
Online Since: 12/23/2008
This miscellany begins with a few short medical texts: pp. 5–6 Johannicius (Hunain ibn Ishāq), Isagoge ad Techne Galieni (a reworking of Galen's Ars Parva, in the Latin translation of Constantinus Africanus), § 1–9; pp. 6–7 and 8 have a few verses from the Regimen sanitatis salernitanum, a didactic poem in hexameter on medicine; pp. 7–8 contains a short text on the proportions of combined medicatons, inc. Gradus est sedecupla proporcio; pp. 9–10 a text on bloodletting, with the title in red De flebotomia, inc. In flebotomia quedam generales condiciones sunt; pp. 10–11 a Latin-German glossary of plant names, with the rubric title Nomina herbarum, inc. Plantago Wegerich; pp. 11–12 a text on uroscopy, the beginning of which a later hand in the margin indicates with in the margin with the title De urinis, inc. Si urina alba fuerit. Pages 12–14 are written in a later hand and contain, contrary to Scherrer, not further medical material, but rather an exemplum or exempla from the Vitaspatrum (In vitas patrum legitur quod quidam interrogavit senem quare cogitaciones prave inpedirent oraciones [?]). After the medical part comes on pp. 15–89 a Latin version of the Lumen animae, a collection of natural history exempla for preaching. On the margins of the page appear small diagrams concerning the contents of the chapter as well as additions to the authorities named in the text. The Lumen animae is the only text in the manuscript to begin with a larger red initial and ends on p. 89 with the rubric colophon Finito libro sit laus et gloriae Christo. The next two pages (pp. 90–91) contain, among other things, calendar verses and a text on the planets. Pages 92–97 have a Latin version of the “Letter from Heaven” or the “Sunday Letter”, a letter supposedly that fell from heaven concerning the celebration of Sunday, inc. Incipit epistola dei de celo vere missa petro apostolo ab omnibus diebus dominicis qualiter sit colendus dies dominicus. A prayer follows on pp. 97–98, inc. O dilecte Iesu Christus, felix est qui te amat. The final pages (pp. 98–101) contain further exempla written in the same later hand as pp. 12–14, inc. Legitur quod quedam mulier […] venisset ad beatum Hillarionem pro sterilitate tollenda. The manuscript is bound in a grey cardboard binding from the eighteenth century; the earlier parchment binding with a spine label bearing the shelfmark 758 survives, but it has been cut apart and stapled to the first and last quires, respectively (p. 3 and between p. 24-25; p. 102 and between p. 88-89).
Online Since: 12/20/2023
This manuscript is predominantly written in one hand, but with different layouts (lines per page). It chiefly contains excerpts that an anonymous Cistercian gathered together from theological and philosophical works, as stated by the rubric on p. 7 (Incipit libellus exceptionum collectarum de diversis operibus cuiusdam fratris ordinis Cysterciensis). The text begins on page 7 with Omnes naturaliter scire protestante philosopho. The rubrics in the margin and in the text indicate themes such as intercession (De suffragiis ecclesie, p. 19), christology (De nativitate domini, p. 25; De plenitudine gratie Christi, p. 27; De voluntate Christi, p. 31; De passione Christi, p. 33), purgatory (De acerbitate purgatorii, p. 88), memory and reason (De memoria, p. 124; De dignitatibus rationalis creature, p. 135), and virginity (De virginitate, p. 372). The chapters come at least in part from Ps.-Albertus Magnus, Compendium theologicae veritatis. The first pages (pp. 1–6) contain a text on free will, clearly connected to Peter Lombard's Sententiae, Book 2, inc. Liberum arbitrium est facultas rationis et voluntatis, qua bonum eligitur gratia assistente vel malum eadem desistente. The library stamp of Abbot Diethelm Blarer, from 1553–1564, appears on p. 422. The binding is made of a dark leather cover, over which a lighter leather sleeve with overhanging edges has been placed to protect the bookblock.
Online Since: 12/20/2023
The manuscript is composed of various fascicules, of which many carry at the end the ownership mark of Johannes Engler, canon of St. Leonhard (p. 140, 168, 304). After a calendar (pp. 4–24) comes the Summa rudium (pp. 25-140). The next quire (pp. 143–168) contains the synodal decrees of Marquart von Randeck, bishop of Constance (the decrees, and not the copy, date from 1407, p. 165). The remaining quires contain observations, sermons, a Latin-German vocabulary (pp. 290–304), recipes and calendar-related texts, as well as various spiritual and lay short texts. Among the latter are two collections of fables (pp. 141–144 and 266–275). The quires frequently start at the beginning of a text and often have blank pages at the end, a phenomenon that, along with the multiple ownership marks and worn outer leaves of quires, points to the individual quires being used for some time without a binding. Fifteenth-century leather binding, containing several bosses. On the pastedowns, the offset of a German-language charter can be seen.
Online Since: 09/22/2022
This codex contains the Opuscula sacra by Boethius on pp. 59–111, that is I. De trinitate (pp. 59–70), II. De divinitate (Utrum pater et filius et spiritus sanctus; pp. 70–72), III. De hebdomadibus (Quomodo substantiae; pp. 72–77), IV. De fide catholica (pp. 77–84), V. Contra Eutychen et Nestorium (pp. 84–111), partly with glosses. Possibly parts were added in the 11th/12th century. Before that, on pp. 7–58, is a commentary on the Opuscula sacra I–III and V, attributed to John Scotus Eriugena or Remigius of Auxerre. On pp. 4–6, probably written by a 13th century hand, is the Planctus beati Galli, Inc. Quis dabit cineres, a lament about the theft of the treasure of St. Gall Abbey by the bishop of Constance. On p. 112, there is the De septem miraculis mundi by Pseudo-Bede. The mostly undecorated manuscript has an ichthyomorphic initial on p. 26 and an I-initial corresponding to 8 lines on p. 59.
Online Since: 06/22/2017
The volume brings together two codicological units copied independently from each other in different periods. The first part (pp. 1-158) includes the first three books of the Sentences by Magister Bandinus (pp. 1-154), the author of an abridged version of the eponymous work by Peter Lombard (Libri quatuor sententiarum). Here taking the place of the fourth book is a short treatise on women, De muliere forti (pp. 154-158). Several fourteenth-century hands produced this copy. The second part (pp. 159-234) of this codex contains a treatise on baptism, dating from the twelfth century (pp. 160-234). On the basis of the stamp of the Abbot Diethelm Blarer (p. 158), the first part was present in the library of St. Gall since at least the middle of the sixteenth century. This two-part manuscript received its current cardboard binding probably towards the end of the eighteenth century or at the beginning of the nineteenth century, when Ildefons von Arx wrote the table of contents (p. V1).
Online Since: 09/22/2022
The manuscript contains the Sentences of Magister Bandinus, author of an abridged version of Peter Lombard's Libri quatuor sententiarum. As Ildefons von Arx observes (p. 1), the text is identical to that of Cod. Sang. 769 except that this copy has the fourth book, dedicated, like that of the Lombard, to the sacraments (pp. 147-186). Copied in two columns, rubricated and decorated with simple red initials at the beginning of chapters, the text has been revised, corrected, and completed by additions.
Online Since: 09/22/2022
The manuscript is composed of several units and includes many texts with varying content. The first part (pp. 1-106), in paper, contains a synodal book (pp. 1-81), as well as the Auctoritates sanctorum (pp. 82-105), which, according to the colophon (p. 105a), were copied by Johannes Gaernler in 1378 or 1379. Below the colophon is a drawing, perhaps made by the copyist, representing a man (a king?) holding a cup in hand. Several parchment quires follow (pp. 107-224) with sermons, provisions for penance, etc., dating partly from the thirteenth century and partly from the fourteenth. The end of the manuscript, in paper (pp. 225-471), includes, alongside the penitential of Johannes de Deo (pp. 284-315), sermons, as well as ascetic and theological texts, which were copied in the fourteenth century (pp. 316-471). According to a note of possession (p. 471), the manuscript, or at least its last part, was in the Abbey of St. Gall at the end of the fifteenth century at the latest. The binding has a beautiful interlace pattern on the spine.
Online Since: 09/22/2022
The first quire transmits various texts written non-uniformly (pp. 5-20). After a short, one-column text De excommunicatione (p. 22) is Jean Gerson's De audienda confessione (pp. 23a–70a). There then follow two works ascribed to Augustine in the Middle Ages, namely De spiritu et anima (cap. I-XXXIII on pp. 70a–92b) and Speculum (pp. 92b–109b); Bernard of Clairvaux's De gratia et libero arbitrio (pp. 110a–138a); Bonaventura's De compositione hominis exterioris under the title Speculum monachorum (pp. 139a–154a) and Lucius Annaeus Seneca's De quattuor virtutibus cardinalibus (pp. 154a–166b). Pages 23a-109b are written in a two-column textualis with red headings and blue and red alternating pen-flourished initials as well as pieds-de-mouche. On pp. 110a-166b only red ink was used for such highlights. Between pp. 6 and 7 a slip of paper with writing is pasted in. On the lower margin distinctiones are often added (pp. 30–34, 72–76, 82–85, 111, 113, 121). Within the ruling lines of column 138a is a number-matrix. In column 138b there is a pen trial (ANNO with flourishes). There is a fair amount of marginalia. The pasteboard binding from the 17th or 18th century has a white leather cover with doubled scudding decoration as well as two green laces. The table of contents was added by Pius Kolb (p. 1).
Online Since: 09/06/2023
The Summa de virtutibus et vitiis by Guilelmus Peraldus is the primary content of this volume (pp. 9a-290b). This principal text is in two-columns in very small textualis script (50 lines per side), with red, blue and red and blue pen-flourished initials as well as tendril extenders. A small collection of sermons was added on the empty leaves in the fourteenth century (pp. 291a-296b). There is a table of contents on pp. 5a-7b with some page numbers added later. The volume is designed for easy reference: red side-titles and red column numbers are original. At the beginning and end are alphabetical indices (pp. 3a-4b and 297a-298b) written by a hand likely from the fifteenth century. On p. 298 the St. Gallen library stamp 1553-1564 of Abbot Diethelm Blarer can be seen. Marginal titles and marginalia have been added by various hands. On the front pastedown (p. 2!) is the title Summa virtutum. The pasteboard binding is covered by brown leather. The endband is finished in red and green.
Online Since: 09/06/2023
This is a complete copy of the Sententiae by Peter Lombard († 1160). The chapter titles are listed at the beginning of each book (p. 3–5, 91–93, 170–171, 229–231). There are several figurative initials in red with green, blue and light yellow (p. 6: Mass as well as Synagogue and Ecclesia; p. 172: Annunciation; p. 232: good Samaritan) and many small pen-flourish initials in red and blue. Numerous marginal glosses. On p. 325/326, upside-down, a very faded 15th century (?) script, on the inner back cover the imprint of two pages of a Carolingian manuscript, at least in part from Origines, Homilia VIII in Ezechielem.
Online Since: 03/22/2018
This manuscript is a complete exemplar of Peter Lombard's four books of the Sentences (Libri quatuor sententiarum) (pp. 4-430), preceded and followed by a series of Latin verses, partially in leonine hexameter (pp. 3 and 430-431). This neat thirteenth-century copy in two columns is completely rubricated, and the margins likewise have in red ink the abbreviated names of the authors cited in the text. Citations are sometimes indicated by a long vertical red stroke, which occasionally ends with a fleuron. An elegant, red or red-and-black initial introduces the prologue (p. 4a) and the four books of the Sentences (pp. 8b, 126b, 237a, and 315a), as well the table of the chapters of books II and III (pp. 123 and 235a). The manuscript has a fifteenth-century wooden binding, typical of the Abbey of St. Gall.
Online Since: 09/22/2022
This miscellany of Aristotelian logic and dialectics (AL 1160) was produced as a single work and written by various hands in textualis. It was then commented in the margins by various hands, sometimes with multiple hands in the same comment. The first part comprises the Isagoge by Porphyry (pp. 1-17), Aristotle's Categoriae (pp. 17-46) and De interpretatione (pp. 46-63) in the translation of Anicius Manlius Severinus Boethius, the anonymous twelfth-century Aristotelian compilation Liber sex principiorum (pp. 63-78) and Boethius' own De divisione (pp. 78-96). The second part begins with Boethius' De differentiis topicis (pp. 97-148). The third part contains Boethius' translation of Aristotle's Topica (pp. 149-287). This is followed by Boethius' translation of Aristotle's De sophisticis elenchis (pp. 288-322). The fourth part begins with Boethius' translation of Aristotle's Analytica priora (pp. 323-392). The remainder of p. 392 is ruled but otherwise empty. Page 393 is completely blank. Page 394 was used for notes. The fifth part contains the Latin translation of Aristotle's Analytica posteriora (pp. 395-434). The volume has a green (or blue) cover decorated with large rhombi (ink or scudding decoration). The endband is finished in a natural shade of blue. The volume originally had two eyelet fastenings with simple holes stamped through the bottom board. There are multiple names noted on the top pastedown: dasz buch ist [getilgt] wirt oder sinez bruoder [sic] […] Rug Hanns […] Jacob Wirt von Sant Gallen […] Maister Cuonrat […]. Page 41 is stamped with the 1553-1564 St. Gallen library stamp of Abbot Diethelm Blarer. Numerous details have been added: manicules (p. 36, 93, 276, 302, 352, 416, 432 und 434), topical diagrams (p. 132), a tournament scene (p. 241), a banderole with the year ·1·5·6·7· written on it (p. 244, 245), nudes (p. 254, 432, rear pastedown), vignettes (p. 300), a secant (p. 350), Aristotelian categories (p. 354, 366) as well as crowns (rear pastedown).
Online Since: 09/06/2023
A copy of Aristotle's Categoriae (Categories) and De interpretatione (On interpretation) in Latin, followed by the respective commentaries of Boethius on each of the Aristotelian texts. Between texts and commentaries is the poem De ponderibus et mensuris by Remmius Favinus (?) concerning weights and measures. This manuscript, decorated with three unusual initials (pp. 44, 203 and 221) was written during the 11th century, likely only parts of it in St. Gall.
Online Since: 04/15/2010
This composite volume, written between 1425 and 1425 in the Lake Constance regions, though not at the Abbey of St. Gall, contains Latin versions of a great many computistic/astronomical/cosmographical treatises, including the widely disseminated work De sphaera mundi by John of Sacrobosco and his arithmetical foundation work Tractatus de algorismo. The manuscript, organized according to the calendar, also contains illustrations: the twelve signs of the zodiac, a map of the winds, sketches of the ecliptics of the sun and moon, planets and constellations, a diagrammatic guide for bloodletting, a set of early medieval Terra Orbis-type world maps, and (on pages 265 and 266) twelve simple illustrations for the months with brief rhyming proverbs in German derived from the nature- and landscape-dominated everyday life of the people of the late middle ages.
Online Since: 10/04/2011
A composite manuscript intended for teaching purposes, written in Mainz during the first half of the 11th century, possibly brought to St. Gall by the monk Ekkehart IV. Ekkehart IV. taught intermittently at the cathedral school in Mainz and added a great many glosses to this manuscript. The codex gathers together a number of texts used in school teaching, for example copies of the commentary of Boethius on Aristotle's De interpretatione, Cicero's Topica, the Geometry I by (pseudo?)-Boethius as well as additional works by Boethius, such as De differentiis topicis, De divisione, De syllogismis categoricis and De syllogismis hypotheticis. At the end of the volume are two brief texts by Ekkehart IV. about the Septem Artes Liberales, (on page 488) verses in praise of Boethius and (on page 490) an allegory based on the Septem Artes Liberales in the form of instructions to a goldsmith.
Online Since: 04/15/2010
A composite manuscript from the 11th century, possibly written at the Abbey of St. Gall. The main content of the codex consists of commentaries by Boethius on Cicero's Topica and on the Isagoge by the neoplatonic philosopher Porphyrius († after 300), Porphyrius's Isagoge itself and assorted other texts. Among these are, for example, small pieces by Walahfried Strabo (Regulae metricae; a letter with the incipit Domino meo benedictus salus et vita) and by Marius Victorinus, a 4th century Roman scholar (De generatione divina).
Online Since: 04/15/2010
A painstakingly annoted copy of the work De natura animalium tractatus XIX by Aristotle, in the Latin version by the scholar Michael Scotus († ca. 1235), written during the 13th century, with an opening "I" initial, partly decorated in gold, showing a man sitting before a book. In 1453 this manuscript was owned by one Johannes Kalf from Wangen (in Allgäu); bound in a Kopert (limp vellum) binding.
Online Since: 04/15/2010
A fifteenth-century wooden-board binding contains this manuscript composed of multiple parts. The original start of the miscellany, the part of the manuscript consisting of pp. 1–140, was probably removed in the ninenteenth century. Six codicological units remain, and, with the exception of Part IV, they all were copied in the fifteenth century. Part I (pp. 141–348) has, on pp. 141–198, Johannes de Fonte's florilegium Auctoritates Aristotelis (Lohr, p. 260) and, on pp. 199–346, Latin sermons, with the insertion of excerpts from the book of Proverbs (pp. 257–263). Part II (pp. 349–396) contains Latin texts on the Mass, confession, and penance, written in two columns on pp. 349a–396, including Ambrosius Autpertus' treatise De conflictu vitiorum on pp. 363a-383b (Bloomfield, Nr. 0455). Further Latin sermons appear in Part III (pp. 397–440b). Part IV (pp. 441–574) consists of an incomplete abbreviation in two columns of Guillelmus Peraldus' Summa virtutum (Bloomfield, Nr. 5775; Verweij, p. 111–110), which was copied in the fourteenth century. Part V (pp. 575–618) transmits Thomas Aquinas' treatise Collationes de decem preceptis (Bloomfield, Nr. 6071), which is decorated with a rather large pen drawing of a bishop on p. 600b. Part VI (pp. 619–638), a single gathering, is written in two columns and contains on pp. 619a–630b a Latin interpretation of the Pater noster by Johannes Münzinger (Adam, p. 160), on pp. 631a–634a Thomas Aquinas' interpretation of the Ave Maria (Expositio angelice salutationis) (cf. Rossi), on pp. 634b– 637a an interpretation of the responsory Missus est Gabriel, and finally on pp. 637a–638b a short text in another hand. Based on the stamp of Abbot Diethelm Blarer (p. 440b), the manuscript has been in the Abbey Library since 1553–1564 at the latest.
Online Since: 12/20/2023
Copy of De consolatione philosophiae by Boethius, produced in the 10th century in the monastery of St. Gall, with various Latin and Old High German glosses.
Online Since: 12/09/2008
This codex, written in humanist minuscule, contains philosophical works by Marcus Tullius Cicero (106–43 BC): pp. 3–121 Tusculanae disputationes (“Tusculan Disputations”), pp. 121–248 De finibus bonorum et malorum (“On the Ends of Good and Evil”), pp. 249–344 De natura deorum (“On the Nature of the Gods”) and pp. pp. 345–416 De divinatione (“On Divination”). The coat of arms on p. 3 (four bearded male faces in profile, arranged in a circle) most likely was that of the later Pope Nicholas V, born Tommaso Parentucelli (1397–1455, Pope 1447–1455). Parentucelli used this coat of arms (“stemma delle quattro barbe”, Manfredi, p. 662) in the years before he was elected pope. It is found in 38 manuscripts in the Biblioteca Apostolica Vaticana in Rome as well as in a codex in the Biblioteca Capitolare in Padua (ms. C27). The white vine initials, typical of Florentine book decoration, are similar to those in the codex from Padua, whose illuminations Silvia Fumian attributes to the Florentine artist Bartolomeo Varnucci (* ca. 1412/1413). Perhaps Parentucelli commissioned this manuscript in 1439–1443, when he resided in Florence for the Council.
Online Since: 10/13/2016
This manuscript, probably not written in St. Gall, contains Cicero's Topica on pp. 1-21 (defective at the end), and Boethius' commentary on that work on pp. 21-216. On the inside of the front cover, one can discern the negative impression of a page from the Edictum Rothari (Cod. Sag. 730, p. 17).
Online Since: 12/13/2013
This manuscript (also called the “St. Galler Epenhandschrift”) is written in two columns in a very uniform manner by three anonymous primary scribes and four secondary scribes; it offers a fine version of a unique collection of Middle High German heroic and knightly poetry. It contains “Parzival” (pp. 5−288; version D) by Wolfram von Eschenbach, the Song of the Nibelungs (pp. 291−416; version B) with the following lament (pp. 416−451; version B), the poem “Karl der Grosse” (pp. 452−558; version C) by der Stricker, the verse narrative “Willehalm” (pp. 561−691; version G) by Wolfram von Eschenbach, as well as five sung gnomic verses by Friedrich von Sonnenburg (p. 693; version G). Until 1768, when the manuscript was purchased by the Monastery of St. Gall, this volume certainly also contained fragments of the epic poems “Die Kindheit Jesu” by Konrad von Fussesbrunnen and Unser vrouwen hinvart by Konrad von Heimesfurt. These two works were removed from the manuscript of epic poems before 1820 and are now held in the Staatsbibliothek Preussischer Kulturbesitz in Berlin (mgf 1021) and the Badische Landesbibliothek in Karlsruhe (Cod. K 2037), respectively. The manuscript, illustrated with 78 uniformly executed initials by unknown artists from the miniature painting school of Padua, was commissioned by a wealthy client who was interested in Middle High German epic poems. The first owner known by name was the Swiss polymath and universal scholar Aegidius Tschudi (1505−1572) from Glarus, whose estate of manuscripts the Monastery of St. Gall was able to acquire in 1768.
Online Since: 10/08/2015
Marcus Annaeus Lucanus (Lucan, 39-65 AD), "De bello civili" (also known as the "Pharsalia"). Epic poem on the civil war between Pompey and Caesar (48 - 45 BC).
Online Since: 06/12/2006
This codex consists of four independently produced parts, probably not written in St. Gall: 1. Horace, Odae (incomplete at the end, with some glosses); 2. Lucan, Pharsalia (incomplete at the end, heavily glossed; 3. Sallust, De coniuratione Catilinae (complete) and De bello Iugurthino (with some chapters missing); 4. Ovid, Amores (incomplete at the end, heavily glossed) and a page from the Metamorphoseon.
Online Since: 03/31/2011
This codex contains the best-known work by the Roman poet Publius Papinius Statius, his epic poem about the war of the Seven Against Thebes (Thebais), along with metrical argumenta on lib. II–IV. Two quires containing lib. IV, V. 578 – lib. VII, V. 30 (between pp. 75 and 76) are missing, as well as a bifolium with lib. IX, 671–751 and lib. X, 5–84 (between pp. 128 and 129 as well as 132 and 133). The beginnings of the books and of the metrical argumenta (p. 3, 21, 40, 58/59, 92, 112, 132, 173) are accentuated with initials, partly in two colors (red/green). There are numerous marginal and interlinear glosses, mainly from the 12th and 13th century. On pp. 196–197, probably in the same hand, is the Planctus Oedipodis, Inc. Diri patris infausta pignora (Oedipus' lament about the death of his sons). The poem comprises 21 rhyming stanzas of four lines each, the first of which has neumes on a staff of four lines. This form of notation argues against the manuscript's originating in St. Gall.
Online Since: 06/22/2017
Ovid's Pontics constitute the only text of this gothic-minuscule manuscript copied by a single thirteenth-century hand. Divided into four books in modern editions, the 46 letters, poetic elegies related to the poet's exile in Tomis, here follow without interruption. Simple initials painted in red distinguish the letters from each other until p. 66; afterwards, there are only the blank spaces for the initials that were not produced. In addition to maniculae in the margins, there are numerous interlinear and marginal glosses, which more or less date to the same period as the text's script.
Online Since: 09/22/2022
Manuscript compilation consisting mainly of grammatical texts, written in a variety of hands in about 800 in the monastery of St. Gall. Some of the texts in this codex are the oldest extant versions, and the text of the anonymous treatise De scansione heroyci versus et specie eorum is the only known surviving version in the world. Grammars include the Ars major and Ars minor by Donatus, a complilation of the two Donatus grammars by Peter of Pisa, the work De metris des Mallius Theodorus, the Ars grammatica by Diomedes, and both De arte metrica and De schematibus et tropis by the Venerable Bede.
Online Since: 12/09/2008
Manuscript compilation from the St. Gallen scriptorum, dating from around 800 and containing numerous grammatical treatises.
Online Since: 12/31/2005
This parchment manuscript contains on pp. 1–188 books 17 and 18 of Priscian's Institutiones grammaticae (ed. Keil, v. 3, pp. 107–278, l. 12). Then follows the third book of Donatus' Ars maior on pp. 189–204 (ed. Keil, v. 4, pp. 392–402), and the Pseudo-Priscian treatise De accentibus on pp. 205–223 (ed. Keil, v. 3, pp. 518–528). The entire grammatical manuscript is written in the same fourteenth-century textualis. The beginning each of the four texts, on p. 1, 115, 189, and 205, is marked by a 10-18-line painted initial with gold, blue, white, red, dark-red or green; the first initial is historiated, depicted a teaching scene, and the third initial is heavily damaged. For the rest, there are simple red and blue pen-flourished initials throughout. The Institutiones grammaticae are accompanied by numerous glosses and commentaries written in ink by several fourteenth-century hands. On p. 189 the glosses are less numerous and have been made with dry point. On p. 118 and 224 can be found the stamp of Abbot Diethelm Blarer (1553–1564), on p. 1 appears the former shelfmark D.n. 241 along with a note on content by Pius Kolb. Before p. 1, a fragment in paper contains the remains of two long entries. The wooden-board binding has a half-leather cover.
Online Since: 12/20/2023
This fourteenth-century paper manuscript has the oldest work written by Conrad of Mure (ca. 1210–1281), the magister of the chapter school and canon of the Zürich Grossmünster. The Novus Graecismus is a school encyclopedia (with a focus on grammar and vocabulary) in verse, of which eleven fourteenth- and fifteenth-century copies survive (ed. A. Cizek, München, 2009). The text itself is a reworking of Eberhard of Béthune's Graecismus, produced at the beginning of the thirteenth century. The Abbey Library of St. Gall's copy, written in a dense cursive on a single column, is incomplete. It includes the preface (inc.: Notitiam gramatice saltem… p. 3), book I (pp. 4–100) and 80 verses of book II (pp. 100–106), that is, two of the work's ten books. Parchment quire guards with fragments of text reinforce the codex (p. 18, 46, 70, 94). The manuscript has a modern cardboard binding with a printed fragment.
Online Since: 12/20/2023
The colophon of this manuscript names the author and title of the work, Eberhard of Béthune's Graecismus, as well as the name of the scribe Johannis Czepilwicz and the date that the copy was completed, 9 August 1386 (p. 150). The Graecismus is a long grammatical poem (more than 4,000 verses) written ca. 1212, and its main sources are the grammarians of antiquity such as Donatus and Priscian. The Graecismus circulated widely. The author of this copy on parchment, Johannis Czepilwicz, seems to be the same as a canon of the Augustine house of S. Maria virginis in Arena in Breslau/Wrocław. Except for a large, decorated first initial, lightly damaged (p. 3), the decoration is limited to rubricated letters and a few initials whose form anticipates fifteenth-century letters with cadels. Given the presence of the stamp of the abbot Diethelm Blarer (p. 25), the manuscript was at the Abbey Library since 1553-1564 at the latest. The manuscript has a limp parchment binding with a spine reinforced in leather.
Online Since: 12/20/2023
The parchment manuscript contains Alexander of Villedieu's Doctrinale with the commentary of Master Bertholdus Turicensis. The colophon (p. 123) states the name of this commentator from Zurich, and of the copyist, a certain “Hermannus”, but nothing more is known about them. The volume, laid out in two columns, is carefully articulated: every hexameter of the Doctrinale is generally divided into paragraphs of one or more verses and is copied in a larger size than the commentaries that follow. This commentary is more or less as long as the verses and is moreover full of abbreviations, unlike the text being commented. Elegant pen-flourished initials, typical of upper-Rhine illuminations of the beginning of the fourteenth century, appear throughout this copy. The seal of abbot Diethelm Blarer (p. 59) confirms that the book was at the Abbey Library since 1553–1564 at the latest.
Online Since: 12/20/2023
School manuscript for the St. Gall monastery school, containing the Greek grammar by Dositheus and a prose version of Aratos of Soloi's didactic poem Phainomena which is illustrated with a pen drawing.
Online Since: 09/14/2005
The Irish Priscian manuscript of St. Gallen: a copy of the Latin Institutiones Grammaticae by the grammarian Priscian of Caesarea (6th century) with over 9000 glosses, among them 3478 in the Old Irish language. The basis for the reconstruction of the Old Irish language. Contains numerous elaborate pen initials. Written in an Irish scriptorium (Bangor?, Nendrum?) around 845.
Online Since: 06/12/2006
The oldest book in the German language, the so-called "Abrogans" manuscript from around 790, containing the earliest German translation of the Lord's Prayer and Credo.
Online Since: 12/31/2005
The oldest capitulary from the monastery of St. Gall, containing, among other items, a martyrology, a necrology, the annals of St. Gall and several rules for monks.
Online Since: 12/31/2005
This quarto volume brings together various texts, mostly shorter in length, of which the bulk are spiritual essays and prayers, including: a treatise on the Passion (pp. 4–38), prayers on the Passion (pp. 68–84), prayers for the canonical hours (pp. 88–91), a treatise on the Fall (pp. 92–107), and another on the quattuor gemitus turturis (pp. 112-159); a Biblia pauperum indicates numerous saints and for what emergencies they can be invoked (pp. 160–193). Among the spiritual texts, there are also a few in German (e.g., pp. 218–220, 238). Two letters concern St. Gall: one is addressed to Abbot Eglolf (pp. 40–43), another to monks who have fled to St. Gall (pp. 85–88). Additional texts treat the Council of Constance and monastic reforms; also here there is a reference to St. Gall (pp. 239–250). The last quire is composed of parchment leaves and could have come from the fourteenth century; it contains a grammar and medical texts (pp. 251–266). The manuscript has a limp binding; for guards was used a German-language parchment charter, of which the year 1415 and the name of a ulrichen leman burger ze arbon are still legible.
Online Since: 09/22/2022
This manuscript contains as its main text (pp. 1-180) the so-called Waldregel, an Early Modern High German translation of the Regula solitariorum (rule for hermits), which was written in the 9th or 10th century by the monk Grimlaicus, who probably was from Lorraine. The Waldregel is supplemented by further texts on the topic of the hermit's life and poverty: pp. 180–222 Hie fachet an ein ander buoch von der bewerung einsidliches lebens …, Inc. Die muoter der heilge kristenheit het zweyerhand geistlicher lüte; pp. 222–277 Dz ander buoch von bewerung armuot, Inc. Gelobet sy got vnser herre vnd got iesus cristus; pp. 277–284 [sermon] Inc. Fünf stuk sind dar inne begriffen. On pp. 285–289, prayers have been recorded. The decoration consists of simple red Lombard initials, on p. 1 and 3 with green pen-flourish. Except for the prayers, the manuscript is a copy of Cod. Sang. 930. It was the property of the hermitage of the church of St. George outside the walls of St. Gall. Three spiritual women who lived there in the 1430s are depicted in simple pen and ink drawings on the back pastedown.
Online Since: 12/14/2018
This manuscript contains the so-called Reformatio Sigismundi, a document about the reform of church and empire that was written anonymously in German in 1439 during the Council of Basel by an author who until today has not been reliably identified. The text was printed for the first time in 1476. The treatise presents reform proposals that emphasize the importance of pastoral care and that promote releasing secular clergy from obligatory celibacy and releasing bishops from exercising temporal power. The treatise also reports Emperor Sigismund's alleged vision, according to which a priest-king Frederick is said to have appeared to him with plans for the reform. In a colophon on p. 234, the writer gives his name as Petrus Hamer von Weissenhorn, chaplain in Kirchberg. He begins the chapters with red initials and decorates two of them with caricatures of bearded faces (p. 158 and 212).
Online Since: 12/14/2018
This manuscript from 1467, which first belonged to the convent of the Poor Clares at Freiburg in Breisgau and was transported to the Abbey of St. Gall in 1699, contains, in addition to some Latin texts, many tracts for spiritual instruction in German translation. These include an Ars moriendi, the Cordiale de quattuor novissimis by Gerard van Vliederhoven, the so-called Hieronymus-Briefe(Letters of Jerome) translated by John of Neumark (ca. 1315-1356), the Spiegelbuch, a dialogical text in rhymed verses on living life properly, the trials of worldly life and everyday tribulations, with about twenty colored pen sketches, and a version of the legend of the Three Kings by John of Hildesheim (1310/1320-1375). The manuscript also contains some additional pen sketches: a unicorn (p. 87), images representing two Apostles (p. 107; Paul and John?), a man and a woman in secular dress, and a stag and a wild boar (p. 513). There are imprints in Carolingian minuscule on front and rear inside covers (rear inside cover: Hrabanus Maurus, De computo).
Online Since: 10/04/2011
The five parts of this manuscript were written by various scribes, among them the St. Gall Conventual Hans Conrad Haller (1486–1525), who was calligrapher, priest and, from 1523 until 1525, librarian of the monastery of St. Gall; he wrote various works such as a missal and other spiritual literature, as well as a life of Notker Balbulus. In Cod. Sang. 1006 Haller frequently left colophons, e.g., on p. 531 and p. 540. The five parts of the manuscript contain the following texts: part I (pp. 13–45) Prayers on the Passion and – partly in fragments – liturgical plays, among them the Ludus ascensionis on pp. 33-44. Part II (pp. 46–65) a prayer to St. Dorothea, which, according to the scribe, was translated from the Latin and written down in 1430 (pp. 61-62). Part III (pp. 66-80) Der Seele Klageby Heinrich der Teichner. Teil IV (pp. 81–95) liturgy of the hours on the Passion of Christ. Part V (pp. 96-762) a wide variety of devotional texts such as prayers and meditations, among them on pp. 188-190 Ein babst lag uurmals an dem tod, pp. 406–486 St. Anselmi Fragen an Maria and pp. 508–524 a German Salve Regina in rhyme.
Online Since: 12/14/2018
The largest part of this manuscript contains sermons copied in two columns by multiple scribes (pp. 1-144). The various homilies are sometimes introduced by rubrics and small, alternating red-and-blue initials. The last part (pp. 145-157) is smaller in size (19 x 17 cm) and is copied for the most part in a single column; it contains leonine verses and versified sayings. Possessed by the St. Gall Abbey Library since at least the mid-sixteenth century (see the stamp of Abbot Diethlem Blarer, p. 120), the manuscript was rebound in the seventeenth/eighteenth century in a binding of blank parchment glued on cardboard, which closes with green silk laces.
Online Since: 09/22/2022
The parchment bookblock (pp. 5–162) contains in its core on pp. 8–162 a collection of Latin sermons on the feasts of the ecclesiastical year (temporale and sanctorale) in a small gothic minuscule of the thirteenth century. At the top of p. 7 is a table with Greek letters as item numbers and below an incipit in red majuscules, that is partially covered by the library stamp of Abbot Diethelm Blarer from the period 1553–1564. The single leaf p. 5/6 contains a table of contents of the sermons from the beginning of the codex to the Assumption of the Virgin, which probably was added in the second half of the fourteenth century. The collection begins with the sermons for Advent (p. 8) and runs through the Exaltation of the Cross (p. 109) and to the Assumption of the Virgin (p. 112). Additional sermons follow, including an Ad populum (p. 157, 162), before the text breaks off at the end of p. 162. The sermons are mostly introduced by a two-to-three-line decorative initial in the colors red, blue, and green. The binding, as well as the paper flyleaves (pp. 1–4, 163–190), probably come from the end of the seventeenth or the eighteenth century.
Online Since: 04/25/2023
The manuscript was written in a textualis probably in the second half of the thirteenth or the first half of the fourteenth century. The old foliation runs from I to CLXXXIII and from CCLXV to CCLXXX (pencil foliation: 184–209). The current foliation is A–B in pencil and then I–CLXXXIII in red ink, and finally 184–216 in pencil. The table of contents, inserted in the fourteenth century on the last, separate gathering (fol. 211r–214v) uses Roman numerals from I to CCLXXVIII without gaps. This shows that several quires were lost at some point after the production of the table of contents, a fact that was already noted on the table of contents in the fifteenth century with “vacat”. The surviving leaves transmit, in the first place, sermons of Berthold of Regensburg († 1272) on Sundays and the Feasts of Saints (fol. Ir–CLXXIIIIv) and then – owing to the mentioned loss of leaves – only the end of his sermon on the common of saints (fol. 184r–184v). In between and afterwards are other sermons (Sermones ad religiosos, Sermones ad speciales) or spiritual texts by the same hand, although at the end (fol. 209r–210r) by another hand. According to the table of contents, there follow (fol. 214r–215v) further entries, probably from the fourteenth century, including a few in the German language. According to the ownership mark Liber sancti Galli on fol. Br, the codex was in the Abbey of St. Gall in the fifteenth century at the latest.
Online Since: 04/25/2023
This manuscript contains around a third of the text of Jacobus of Voragine's Legenda aurea, where some texts appear twice. The first part (pp. 1–267) begins with Advent and ends with All Souls' Day and the consecration of a church. The title written over the first text (Sermo de adventu domini, p. 1) is misleading and has led to the misidentification of the manuscript's contents as sermones. The second part (pp. 271–665) begins with Matthias (24 February) and ends with Thomas (21 December). This collection has been supplemented with a few texts from the so-called Provincia-Appendix (Oswald, Ulrich, Pelagius, Verena, Gallus, Otmar, Konrad), which have been added at the appropriate place in the ecclesiastical year. Between the two parts (pp. 267–270) can be found seven short exempla, the first three of which are based on texts from the Verba seniorum. Two scribes took part in producing the manuscript. The change in hand on p. 382/383 (at the end of a quire, but in the middle of a word) is accompanied by a change in decoration; while in the preceding part only a few multi-line red initials are adorned with simple red pen-flourishes, in the following part the pen-flourishes are two-color (red/blue), more luxuriant and finer. The pen-flourishes resemble those in the manuscript Fribourg, BCU, ms. L 34, but in comparison is somewhat less refined. Noticeable in the first part are found multi-color decorative stitching and holes filled with needlework (p. 55/56, 75/76, 115/116, 123/124, 131/132, 143/144 und 147/148). On the upper margin of pp. 7–664 can be found an old foliation (III–CCCXXXI). The cardboard binding, covered in blank parchment and adorned with green-silk ribbons as clasps, dates from the eighteenth/nineteenth century.
Online Since: 04/25/2023
This folio-volume contains an extensive sermon cycle, introduced by a sermon presumably by Rulmann Merswin (ff. 1ra–5vb: Leben Jesu / Von der geistlichen Spur), which here is ascribed to Tauler (as in Cod. Sang. 1015). The sermons that follow (ff. 5vb–235ra) are actually by Tauler. On ff. 85va–93va, under the rubric Von der drivaltikait, is the pseudo-Eckhartian composite treatise Von dem anefluzze des vaters; on ff. 235ra–241va are four letters of Henry Suso (Letters 3, 4, 6 and 7 of the Little Book of Letters), followed by another sermon. The manuscript, arranged in two columns, is carefully written, corrected in many places, and rubricated throughout. Each sermon is introduced by an ornate initial, usually five lines high, with very simple red and blue pen flourishes; a few initials are someone larger and more elaborately presented (e.g., f. 190vb). Well preserved late-fifteenth-century leather binding with decorative lines, five bosses on each side (only one on the back is missing) and two clasps. Two owner's marks on the front pastedown attest to the ownership of the book by the sisters of St. Leonhard cloister, and later by those of St. Georgen in St. Gall.
Online Since: 09/22/2022
This manuscript predominantly contains sermons. It begins (pp. 1–279) with the Speculum ecclesiae by Honorius Augustodunensis (around 1080 – 1150/1151). This is followed by 20 verses each on virtues and vices in Leonine hexameter (pp. 279–281), each followed by a brief explanation in prose. On the otherwise blank p. 282, there is a pen and ink drawing of the Apostle Paul. Following on pp. 283–411, there are the Sermones by Mauritius de Sulliaco (Maurice de Sully, around 1120 – 1196), with a list of chapters and a prologue on p. 283. On pp. 411-414, there is a commentary on the Apostles' Creed (Inc. Quo nomine vocatur hec doctrina apostolica symbolum, Expl. latine dicitur vere fideliter fiat). The very short text on p. 415 deals with Communion for the excommunicated (Inc. Communicans excommunicato, Expl. ad correctionem communicabis excommunicato).
Online Since: 03/22/2018
This manuscript was written by the St. Gall monk Jakob an der Rüti (1562-1615), probably for private use. The first part (f. 1r-125r) contains responsories for the principal feast days of the liturgical year with melodies in German plainsong notation ("Hufnagelnotation") and often with directions for processions. These are followed by directions regarding the location of certain Vespers (f. 126r-128r), more directions on the order of processions f. 128v-136v), melodies for the doxology (f. 139r-140v), directions for the Vespers of the boy abbot (abbas scholasticus) on the Feast Day of St. John the Baptist and on the eve of the Feast of the Circumcision (f. 140v-147v), as well as prayers for processions (f. 150r-155v). Jakob an der Rüti decorated the manuscript with several somewhat clumsy pen sketches and borders (full-page decoration f. 1r, 58v-59r and 77v-78r, also representations of figures in initials). On f. 126r he gives his name in initials (F.I.A.R.), on f. 125r his name is written out (erased, legible under UV-light: Per me fratrem Jacobum An der Rüti …um Anno 1582).
Online Since: 06/23/2014
The manuscript was bought in the year 1779 by the St. Gall monk Gall Metzler (1743-1820), parish priest in Ebringen near Freiburg, which was owned by St. Gall. It contains liturgical instructions for the church year, divided into two parts (de tempore and de sanctis). Written in German, its stated aim is to avoid ‘vnwißenheit' (ignorance) in liturgical matters. Information on collects has been left out both for reasons of space and because only priests needed this information. This may indicate that the manuscript was intended for nuns (the masculine form is, however, retained throughout). It remains to be seen to what the source text mentioned in the prologue – ‘Index' – refers.
Online Since: 12/17/2015
The manuscript contains a number of normative texts from the Cistercian nuns' convent of Günterstal, written partly in German and partly in Latin. It begins with a treatise on simony, in Latin and German, which was written by ‘brůder Johannes' and dedicated to ‘der erwurdigen frowen von Mulhein', presumably Veronica von Mülheim, who was abbess of the convent from December 1504 until her death in May 1508. Johannes may have been a monk from Tennenbach, the Cistercian monastery which had responsibility for the cura animarum of the nuns. The rest of the manuscript contains a number of translations of normative texts from the Cistercian order, including the Liber definitionum and the Ecclesiastica Officia. Their use for nuns is highlighted by the German translations and the inclusion of only relevant chapters. Many of these were also transmitted in the Cistercian nuns' convent of Lichtenthal, near Baden-Baden. Although the convent was never formally reformed, the manuscript points to reforming impulses in the early part of the sixteenth century. The manuscript was bought in 1782 by the St. Gall monk Gall Metzler (1743-1820), parish priest in Ebringen near Freiburg, which was owned by St. Gall.
Online Since: 12/17/2015
Abbot Otmar Kunz's (1564−1577) small format prayer book, with several pages of rich decoration (flowers, vines, animals), was written and illustrated in 1574 by unknown artists. Especially noteworthy are two full page miniatures. On p. 4, Abbot Otmar Kunz, dressed in ceremonial regalia, kneels in a landscape with a city, hills and trees, above him is God with the terrestrial globe and with his hand raised in blessing. On p. 10, the St. Gall abbot, dressed in a simple monk's habit, kneels with Mary and John beneath the Cross of Christ. The prayer book contains (from p. 11 on) the so-called 5 Passion Psalms (Ps 22, 31, 55, 69, 109). These are followed by the 15 Gradual Psalms, the vigil for the deceased, as well as the 7 Penitential Psalms with the Litany of the Saints. After the death of Abbot Otmar, a scribe with the initials FVF added a prayer (pp. 105−109); probably this was Brother Ulpianus Fischer from Überlingen, who joined the Abbey of St. Gall in 1583. In 1594, the former abbot's prayer book belonged to St. Gall monk Georg Spengler († 1609), who was born in Wil. In 1599 the manuscript received its current binding with blind stamp decoration.
Online Since: 06/22/2017
Collected Fragments Volume II from the Abbey Library of St. Gall ("Veterum Fragmentorum manuscriptis codicibus detractorum collectio tomus II"). Among other texts, this volume contains 110 smaller and larger single leaves from the oldest Vulgate version of the Gospels, produced in northern Italy (Verona?) in about 410/420, fragments of Psalm manuscripts in Latin and in Greek from the 7th and the 10th centuries respectively, and a large number of Irish fragments from the Abbey Library dating from the 7th through the 9th century, including a picture portraying Matthew the Evangelist with his emblems (p. 418), a full-page decorated cross (p. 422) and a "Peccavimus" decorative initial (p. 426).
Online Since: 07/31/2009
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The first folder of Cod. Sang. 1397 contains fragments with musical notation from six liturgical manuscripts, and, at the beginning, a fragment with a commentary on the Metaphysics (p. 1-2). The fragments date from the tenth/eleventh to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The third folder of Cod. Sang. 1397 contains fragments with musical notation from seven liturgical manuscripts from the eleventh to the thirteenth/fourteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The seventh folder of Cod. Sang. 1397 contains fragments with musical notation from five liturgical manuscripts from the twelfth to the fourteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The eighth folder of Cod. Sang. 1397 contains fragments with musical notation from five liturgical manuscripts from the eleventh/twelfth to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The ninth folder of Cod. Sang. 1397 contains fragments with musical notation from seven liturgical manuscripts from the twelfth to the fourteenth century, and from a printed breviary.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The eleventh folder of Cod. Sang. 1397 contains fragments, including one with musical notation, from eight liturgical manuscripts from the ninth to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The thirteenth folder of Cod. Sang. 1397 contains fragments from five liturgical manuscripts from the eleventh to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The fourteenth folder of Cod. Sang. 1397 contains fragments from eight liturgical manuscripts from the eleventh to the twelfth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The twenty-second folder of Cod. Sang. 1397 contains fragments from two psalters dating from the ninth and tenth century.
Online Since: 09/06/2023
Cod. Sang. 1398a is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2003 to 2004 the extensive fragment volume Cod. Sang. 1398a was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 14 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1398a.1, pp. 1-2 (= Cod. Sang. 1398a, Folder 1, pages 1-2). The first folder of Cod. Sang. 1398a contains nine fragments from biblical texts and one document (p. 25-26). The fragments date from the eighth to the fifteenth/sixteenth century.
Online Since: 09/06/2023
Cod. Sang. 1398a is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2003 to 2004 the extensive fragment volume Cod. Sang. 1398a was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 14 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1398a.1, pp. 1-2 (= Cod. Sang. 1398a, Folder 1, pages 1-2). The fifth folder of Cod. Sang. 1398a contains fragments from one manuscript of the Amalarius' Forma institutionis canonicorum dating from the ninth/tenth century.
Online Since: 09/06/2023
Cod. Sang. 1398a is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2003 to 2004 the extensive fragment volume Cod. Sang. 1398a was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 14 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1398a.1, pp. 1-2 (= Cod. Sang. 1398a, Folder 1, pages 1-2). The twelfth folder of Cod. Sang. 1398a contains fragments from seven manuscripts with sermons, biblical texts and commentaries, and the Antiquitates Iudaicae of Josephus (p. 9-12), from the eleventh to the thirteenth century.
Online Since: 09/06/2023
Pontifical vesperal of St. Gall Prince-Abbott Cölestin Sfondrati (Abbot 1687–1696). It was found in 1846 among the books of St. Gall friar Notker Hager († 1836). This volume contains the chants for Vespers (antiphones and hymns) for the Feasts of Jesus Christ and for the saints' feast days throughout the church year. Only the incipits are each written in German plainsong notation (“Hufnagelnotation”) on five lines. Each feast is decorated with initials in the style of grotesques and with several marginal miniatures (on p. 56 is the oldest colored view of the Monastery of St. Gall). The volume is divided into Proprium de tempore (pp. 1–30), Proprium sanctorum (pp. 31–63), Commune sanctorum (pp. 64–74) and Festum sanctorum reliquiarum monasterii sancti Galli (pp. 75–77).
Online Since: 06/25/2015
This large-format manuscript, which forms a unit with Cod. Sang. 1757, contains chants for the Mass – Proprium de tempore, Ordinarium missae (partially troped), Sequences and votive Masses - in German plainsong notation ("Hufnagelnotation") in a four line-system. Multiple pieces have been deleted and replaced with other pieces. Together with Cod. Sang. 1757, this codex presents the oldest systematic St. Gall records of sequences on a musical staff. Several pages have book decorations in the form of initials (several exquisite filled initials, some with gold leaf) and borders. Heavy decorative fittings with animal heads and mythical creatures. Until 1930, the manuscript was kept in the choir library (first of the St. Gall monastery, later of the St. Gall cathedral).
Online Since: 10/07/2013
Winter portion of a large-format antiphonary in two volumes (summer portion in Cod. Sang. 1760) for the Liturgy of the Hours of the monks of St. Gall, written around 1770 by the St. Gall monk Martin ab Yberg (1741−1777) and richly illustrated with small watercolor paintings surrounded by flowery rococo frames by Father Notker Grögle (1740−1816). This volume, decorated with especially splendid baroque brass fittings, contains the chants of the monks of St. Gall for the feasts of Jesus Christ and of the saints between the first Sunday of Advent and the Feast of the Ascension. It is divided into the parts Proprium de tempore (pp. 1−357), Proprium sanctorum (pp. 358−500) and Commune sanctorum (pp. 501−559). These are followed by suffrages and by antiphons and responsories for workdays (pp. 560−616). Chants for the feast days of the Archangel Gabriel and of St. Scholastica are added (pp. 617−626). The melodies are written in Gothic German plainsong notation (“Hufnagelnotation”) on five lines. This volume came to the Abbey Library from the choir library of St. Gallen Cathedral in 1930.
Online Since: 09/26/2017
Summer portion of a large-format antiphonary in two volumes (winter portion in Cod. Sang. 1759) for the Liturgy of the Hours of the monks of St. Gall, written in the year 1770 (chronogram in silver on the frontispiece) by the St. Gall monk Martin ab Yberg (1741−1777) and richly illustrated with small watercolor paintings surrounded by flowery rococo frames by Father Notker Grögle (1740−1816). This volume, decorated with splendid baroque brass fittings, contains the chants of the monks of St. Gall for the Liturgy of the Hours on feasts of Jesus Christ and of the saints between Pentecost and the last Sunday after Pentecost. It contains the parts Proprium de tempore (pp. 1−113), Proprium sanctorum (pp. 114−353) and Commune sanctorum (pp. 354−400). These are followed by suffrages and by antiphons and responsories for workdays (pp. 401−431). Chants for the feast days of St. Joachim and of the Archangel Raphael are added (pp. 432−440). The melodies are written in Gothic German plainsong notation (“Hufnagelnotation”) on five lines. This volume came to the Abbey Library from the choir library of St. Gallen Cathedral in 1930.
Online Since: 09/26/2017
Winter part of an antiphonary that was originally set up in two volumes and later, when it was bound, was divided into four volumes. The antiphonary, whose other volumes are preserved in Cod. Sang. 1763, 1764 and 1795, was written and probably also decorated by Fr. Dominikus Feustlin (1713–1782). His style is characterized by vividly colored frames made up of thousands of small rods surrounding initials and title cartouches. Title page with the coat-of-arms of St. Gall, St. John, the Toggenburg and Abbot Cölestin Gugger von Staudach (1740–1767) on p. III. More decorated title cartouches on p. 1, 45, 48, 53, 101, 104, 162, 178, 202 and 214. The winter part includes the Proprium de tempore for the first of Advent until Ash Wednesday (pp. 1–161), the Proprium de Sanctis for November until February (pp. 162–213), the Commune Sanctorum (pp. 214–251), votive Masses (pp. 252–272) and Antiphonae feriales (pp. 272–297).
Online Since: 03/22/2018
Spring part of an antiphonary that was originally set up in two volumes and later, when it was bound, was divided into four volumes. The antiphonary, whose other parts are preserved in Cod. Sang. 1762, 1764 and 1795, was written and probably also decorated by Fr. Dominikus Feustlin (1713–1782). His style is characterized by vividly colored frames made up of thousands of small rods surrounding initials and title cartouches. More decorated title cartouches are on p. 68, 87, 106, 123, 179, 206, 260, 271 and 307. The spring part includes the Proprium de tempore from Ash Wednesday to Ascension Day (pp. 1–205), the Proprium de sanctis from the end of February to May (pp. 206–306), the Commune sanctorum (pp. 307–338), Offices in honor of St. Benedict (on Tuesdays, pp. 339-343) and the Virgin Mary (on Saturdays, pp. 344-347), Suffragia sanctorum (pp. 348–352), and antiphons and responsories for weekdays (pp. 352–384). The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
Summer part of an antiphonary that was originally set up in two volumes and later, when it was bound, was divided into four volumes. The antiphonary, whose other parts are preserved in Cod. Sang. 1762, 1763 and 1795, was written and probably also decorated by Fr. Dominikus Feustlin (1713–1782). His style is characterized by vividly colored frames made up of thousands of small rods surrounding initials and title cartouches. Title page with the coats-of-arms of St. Gall, St. John, the Toggenburg and Abbot Cölestin Gugger von Staudach (1740–1767) on p. III. More decorated title cartouches on p. 1, 36, 43, 122, 202 and 241. The summer part includes the Proprium de tempore from Pentecost until the 16th Sunday after Pentecost (pp. 1–121), the Proprium de sanctis from June to August (pp. 122–240), the Commune sanctorum (pp. 241–269), Offices for the consecration of the church (pp. 270–273), in honor of St. Benedict (on Tuesdays, pp. 274–279) and the Virgin Mary (on Saturdays, pp. 280-285), Suffragia sanctorum (pp. 286–289) and antiphons for weekdays (pp. 290–297). The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
Graduale de tempore, commissioned by Prince-Abbot Franz Gaisberg (1504–1529, coat of arms p. 1) and illuminated by the book illustrator Nikolaus Bertschi from Augsburg (initials, miniatures and borders with vine scrolls and animals). The banderole on p. 55, which ends with etc. 156, may give a (false) indication regarding the dating (1506 or 1516?). The chants for the Mass are written in German plainsong notation (“Hufnagelnotation”) on a five line staff. This codex is the largest of the St. Gall Abbey library's manuscripts. Originally it was even larger; for re-binding, the pages were severely trimmed, as can be discerned from the folded lower margin on p. 1 or from the trimmed border on p. 444. Binding with heavy fittings on a red velvet background.
Online Since: 06/22/2017
Winter part of a large-format antiphonary, written and decorated by Fr. David Schaller (1581–1636). The summer part is contained in Cod. Sang. 1769. In the beginning there is a calendar for January to April and for December (pp. 4-8), followed by the Proprium de tempore (pp. 9–285), the Proprium de sanctis (pp. 291–377) and the Commune sanctorum (pp. 387–451). The title page consists of a full-page miniature, which represents the Lactatio sancti Bernardi in the upper third, and in the lower third it shows Gallus and Otmar flanking the coat-of-arms of the Princely Abbey of St. Gall under Abbot Bernhard Müller (1594–1630). There are several large initials in gold leaf on colorful backgrounds decorated with vine scrolls and with borders in the margins (p. 9, 63, 109, 244, 291, 345 and 387). The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
Summer part of a large-format antiphonary, written by Fr. David Schaller (1581–1636). The winter part is contained in Cod. Sang. 1768. In the beginning there is a calendar for April to November (pp. A-6), followed by the Proprium de tempore (pp. 7–191), the Proprium de sanctis (pp. 195–425), the Commune sanctorum (pp. 429–495), and antiphons for Compline (pp. 497–499). There are two responsories (pp. 501, 503) on attached leaves of paper. The decoration is limited to ornate Lombard initials. The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
Autumn part of an antiphonary that was originally set up in two volumes and later, when it was bound, was divided into four volumes. The antiphonary, whose other parts are preserved in Cod. Sang. 1762, 1763 and 1764, was written and probably also decorated by Fr. Dominikus Feustlin (1713–1782). His style is characterized by vividly colored frames made up of thousands of small rods surrounding initials and title cartouches. More decorated title cartouches on p. 1, 36, 73, 118, 151, 203 and 266. The end page on p. 360 has a chronogram (1762). The autumn part includes the Proprium de tempore for Saturdays from the end of August and for the 11th to the 24th Sunday after Pentecost, (pp. 1–30), antiphons for the 3rd to the 6th Sunday after Epiphany (pp. 31–36), the Proprium de sanctis for September to November (pp. 36–265), the Commune sanctorum (pp. 266–305), Offices for the consecration of the church (pp. 306–311), in honor of St. Benedict (on Tuesdays, pp. 312–319) and the Virgin Mary (on Saturdays, pp. 319–326), Suffragia sanctorum (pp. 326–331) and antiphons for weekdays (pp. 332–359). The end page is followed by the Feast of the Archangel Raphael (pp. 361–365). The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
A copy of the so-called Engelberger Predigten. Homilies in German for a variety of occasions during the church year, written in about 1400 in a Dominican cloister, possibly at St. Katharinental near Diessenhofen, where the manuscript was held for several centuries.
Online Since: 06/22/2010
Psalter/Breviary for a Dominican women's convent. On pp. 1-12 it contains a calendar of saints with many female saints and several rare saints. The presence of saints from St. Gall and Constance suggests that the volume was created in the Diocese of Constance. On pp. 390-393 there are instructions for prayer in German. Noteworthy are thirteen miniatures and initials in gold leaf. This volume is from the convent of Dominican nuns of St. Katharina auf dem Nollenberg near Wuppenau (Thurgau); according to a note of ownership, it was the property of the convent at least since the 16th century. Since 1930 it has been a deposit of the episcopal library of St. Gall at the Abbey Library.
Online Since: 12/14/2018
Dominican breviary for nuns, probably written in Southern Germany. The script and decoration follow 14th century models, but the presence of the saints St. Vincent Ferrer (canonized 1453/54) and St. Catherine of Siena (canonized 1461) suggest an origin not before the second half of the 15th century. Numerous initials with gold leaf and scroll ornamentation, illuminated borders on p. 21 and 168 (two dogs, misericordia and Justicia, hunting a stag, Verbum patris). This volume is from the convent of Dominican nuns of St. Katharina auf dem Nollenberg near Wuppenau (Thurgau); according to a note of ownership, it was the property of the convent at least since the 17th century. Since 1930 it has been a deposit of the episcopal library of St. Gall at the Abbey Library.
Online Since: 12/14/2018
German Psalter, complete except for one missing leaf at the end: Psalms (pp. 1-164), canticles (pp. 164-178). With few figured initials (dog p. 1, fish p. 141, p. 153 and p. 157). The volume is from the St. Katharinen Convent of Dominican nuns in St. Gall; whether it was written there cannot be determined for certain. Since 1930 it has been in the Abbey Library as a deposit of the episcopal library of St. Gall.
Online Since: 10/08/2015
Late medieval prayer book. The first part contains an incomplete Office of the Virgin (fol. 1r-45v) with variants for Advent and for the time period between Christmas and Candlemas (fol. 46r-51v), Absolutions, Benedictions, Orations and other short prayers (fol. 51v-68r). The Office of the Dead (fol. 69r-98v), including Vespers, Vigil, and prayers for the anniversaries of the deaths of priests, abbots and other deceased persons, is followed by prayers of indulgence (fol. 99r-111v). The beginning of the Office of the Virgin as well as possibly a calendar preceding it have been lost. The fact that the patron saints of St. Gall, St. Gall and St. Othmar (fol. 56r-56v; fol. 58r-58v), are the only saints mentioned other than Mary and St. Benedict suggests a provenience from the Monastery of St. Gall. The manuscript is written in Gothic script; it is decorated with numerous initials executed in gold leaf and with colorful vine scrolls in the margins of individual pages. The beginning of the Office of the Dead (fol. 69r) is adorned with a small miniature of a catafalque bordered by two Benedictine monks, one of which is holding a prayer book in his hands. The cut leather binding with the monogram S, created by a master whose name is unknown, is particularly noteworthy. The covers show the two Princes of the Apostles, Peter (front cover, with book and key) and Paul (back cover, with book and sword), surrounded by rich vine scroll ornamentation. The Abbey Library of St. Gall was able to acquire this manuscript in June 2006 at a Christie's auction in New York from the collection of the American brewer Cornelius J. Hauck (1893−1967) from Cincinnati (Ex Libris on the inside front cover).
Online Since: 09/23/2014
This Engelberg codex, currently held in Carinthia, typifies the painstaking yet unostentatious method of manuscript production practiced under Abbot Frowin (1143-1178), to whom the volume is dedicated on 1r. At the beginnings of the primary texts are indications for planned initials (1v, 103v), or completed initials in red and black ink (2r), with incipits in red ink. Otherwise there is little book decoration other than a few decorative capitals (including the one at the beginning of the last text on 145r). The artful application of patches to damaged sections of the parchment, typical for Engelberg, is also evident (18, 59, 62, 141, 154).
Online Since: 07/04/2012
This manuscript, as yet almost unknown, contains an epistolary following the Ambrosian Rite. It was commissioned in 1342 by the priest Giacomo de Parazo for a church dedicated to St. Fermo not further identified. This manuscript probably reached Tesserete (Canton of Ticino), an area where the Ambrosian Rite was used, in the 15th/16th century; here it was taken apart and rebound, at which time was added a copy of a testament of dubious authenticity written in 1078 by Contessa from the city of Milan for the benefit of the church of S. Stefano in Tesserete. In the 17th century, the manuscript was the property of the Verdoni family of notaries; since the 20th century, it has been held by the parish of Tesserete. On the initial page, St. Ambrose, the patron saint of the diocese of Milan, is represented in an illuminated initial.
Online Since: 12/14/2017
The design concept of this manuscript, both the text and the execution, typify the Parisian 'Horae' tradition of the early 15th century ('Boucicaut-Meister'). The top-level organizational elements in the book's decorative program are seven pages decorated with miniatures; multi-line colorful initials mark the secondary textual divisions. The extremely squared illustrations on the decorated pages include scenes with figures enclosed on three sides by staffs entwined by tendrils with decorative gold, red and blue thorny leaves which completely fill the broad parchment margin. Four lines of text, introduced by a large colorful initial, are inserted between the illustration and the lower decorative staff. The beginning of each of the various offices is marked with such an ornamental page. This book of hours is not only the oldest item in the Carl Meyer collection in the Cantonal Library of Appenzell Ausserrhoden, it is one of its best and most valuable items. It is not know who originally commissioned the manuscript.
Online Since: 05/20/2009
The layperson who commissioned this book of hours is not known by name, but left definite personal traces on the book: he had a full page portrait miniature of himself painted on Fol. 11v, kneeling and accompanied by a coat of arms. The presence of such a prominent portrait of the benefactor indicates considerable ambition on the part of the book's commissioner, who was probably a member of the merchant class. In addition, the portrait was painted by a more talented artist than the other miniatures in the manuscript, which are made in the style of woodcuts. The book of hours could have been intended for use in eastern France. Stylistically, the work displays a provincial character.
Online Since: 05/20/2009
This book of hours is patterned after the liturgical format of the Parisian 'Horae'. It differs, however, in its richer, yet qualitatively narrower range of illustrations: each of the Gospel selections is accompanied by a portrait of its author, and the Marian Office by a complete cycle illustrating the childhood of Jesus. The artist's indirect reception of the originals by the well known Paris illuminator, via a series of intermediate steps, displays numerous misunderstandings or intentional revisions. To the modern eye, accustomed to modern aesthetic norms, the shallow fields, bold juxtaposition of colors, and extremely foreshortened perspective used in these illustrations come across as expressive and inventive. The commissioner of the work is unknown.
Online Since: 06/08/2009
The origin of this manuscript in the northern French-Flemish border region can be determined from its liturgical features, its leather binding with stamped designs and the inscription Robiers Plovrins as well as by a comparison with stylistically similar manuscripts. Another book of hours illustrated by the same artist is held at Claremont near Berkeley, California (USA). This exemplar is a somewhat cruder imitation of the style of scribe and book illustrator Jean Markant, who was quite popular around 1500 in Lille. The commissioner of this volume is unknown.
Online Since: 06/08/2009